“They’re expecting you. Right through this door.”
I knew that Doc had clout but this is amazing.
I open the door for Sam and we’re greeted by the radiographer, a short slim guy in hospital scrubs who introduces himself as Curtis. First or last name, I don’t know.
“Mr. Burke. Lily. Right this way, please.”
Sam steps inside ahead of me and her eyes go wide.
“It’s all white!” she says.
Which it is. The whole room looks like it’s made of porcelain. Walls, scanner, scanner bed, chairs, stretcher, linens. Everything except a long wide window directly ahead of us — Curtis’ monitoring station.
“Are you wearing any jewelry, Lily?” he asks.
“No.”
“What about the ring?”
“Oh, that.”
She tugs off her wedding ring and hands it to him.
“Good. Then all you have to do is lie down on your back here and relax.”
“She doesn’t have to change? No scrubs?”
“Nope. She’s good to go as-is.”
She hops up on the scanner bed. Curtis plumps her pillow. She lies down.
“It’s going to be a little noisy,” he says. “Want to listen to some music?”
She nods, smiles. He produces a pair of headphones.
White.
I hear faint muzak coming from them as she puts them on. Sam would have died.
“Would you like to stay, Mr. Burke?”
“I think I’d better, yes.”
I’m still apprehensive as to how she’s going to take this.
“Then I’ll need your watch and your ring. Anything else metal? Any change in your pockets?”
“No.”
I hand him the ring and the watch and he turns to Sam again.
“I’m going into that room now, Lily. I’ll be able to see you and talk to you and you can talk to me if you need to and I’ll hear you — but only if you really, really need to, okay? Otherwise try be real quiet. Like pretend you’re sleeping. Try not to move at all, you know? Make believe you’re asleep.”
She nods again and smiles. This guy is pretty good.
He exits the room. I sit in a chair. A few moments later Sam begins to move. Head first into the belly of the beast.
She’s a fucking trooper.
Not a wiggle out of her. A half hour later we’re back in the car headed home. And our timing’s perfect because as we turn onto the driveway, the long clay road that cuts through our forest, there’s a UPS truck just ahead of us.
Or maybe it’s not perfect. The driver’s going to meet Lily.
Anyway, our toys are here.
The driver’s a woman of about forty who I’ve never seen before, not our usual driver, very pretty even in her baseball cap and oversized drab brown uniform. ‘Mornin’, she says as she gets out of the truck and we both say ‘mornin’. She hauls open the back.
“I’ve got nine for you today, Mr. Burke, Miz Burke.”
“I’m Lily.”
“Glad to meet you, Lily.”
“What’re these?”
“We ordered them, remember? On the computer.”
“Toys!” she says.
The driver says nothing but it can’t possibly be lost on her that this is not the voice of your normal thirty- something woman. We help her unload. The silence is pretty thick except for Sam, who’s humming IT’S NOT EASY BEING GREEN. And I can’t help it, I’m embarrassed for her. Or maybe for me, I’m not sure. Either way it sucks.
When we’ve got them all inside and I’ve signed for them the driver gives me a smile as she climbs back into the truck but she won’t meet my eyes.
“You have a good afternoon,” she says.
And I can almost hear her thinking
She pulls away. I almost want to throw something. But I don’t.
Lily wants to open everything right away but it’s way past lunchtime so I make us some tuna sandwiches and a pitcher of lemonade and we take them outside to the old stone barbecue and eat at the wooden table there. The sun is glinting on the river. There’s the scent of earth and trees and grass growing. It’s a relaxing, Saturday- or-Sunday kind of thing to do and Sam and I have done it many times. But Lily just wolfs it down. She really wants at those packages.
“You remember this?” I ask her.
“Remember? ’Member what?”
“This. Doing this. Us being here together.”
She shakes her head. “I never did.”
It seems to take forever but by the time I’ve got the animal hospital ready for surgery in the living room, the Easy Bake Oven alive and bake-ready in the kitchen, she’s already got the Once Upon A Monster video game running and Teddy and Abby Cadabby are having tea under the watchful eye of her new Baby Alive Doll.
That goddamn doll is spooky.
I figure I’ve got to log in some drawing time.
I work for maybe an hour, hour and a half but something’s wrong again. Now it’s Samantha herself who somehow seems to be eluding me on the page. She doesn’t look right. I’ve been drawing this woman for weeks now and know exactly who she is. Hell, I’ve even put her face and head back together after a shotgun blast.
So what’s my problem?
I go back through the first few pages and study her, then flip to today, go to the middle and flip again, back to the first few and flip to yesterday, back and forth until finally I’ve got it. She’s consistent until yesterday, when I had that difficulty with perspective. And today’s an extension of what I did yesterday. I’d have seen it then if I hadn’t been occupied with composition. It’s subtle but it’s apparent now.
Sam would have caught it in a minute. I try not to think how much I miss that.
Samantha’s gotten slightly slimmer. A little less heft to the breasts, a bit narrower in the hips and thighs. A little more like the real Sam.
More like Lily.
And I’m thinking well, what the hell, fuck it, I can fix that — it’s ridiculous and annoying to have to do over the last three pages but it’s no big deal and god knows I’ve been preoccupied with the real Sam so that it’s no huge surprise that she’d have crept a bit into my work — I’m thinking this when I hear a crash from the kitchen.
In the kitchen the scene would be funny if it weren’t so pathetic. There’s Sam at the counter, hands raised in what looks like surrender, her eyes wide and mouth agape like she’s just seen a ghost scutter across the floor. Only what’s down there is a sodden paper napkin beside some buttery toweling, each of which is soaking up a mixture of what turns out to be flour, baking powder, vanilla, vegetable oil and round red sugar crystals.
