Ryan drains the glass and closes his eyes, mumbling sleepily, ‘The sound of the clock restarting. We’re back in penalty time, you and me.’
He smiles, swaying against me a little in his seat, his eyes still closed. And the happiness that suddenly overtakes me — to be here, beside him still — makes me grasp his left hand in my left and pull his arm across my body. I lean into him, feeling the beat of his heart like bird’s wings inside his chest, as Mateo describes how it’s possible to get a one-day trekking permit without a passport, and what we’re likely to face in the morning.
After we rise from our discussion with Mateo, the children surround us, begging us to try the pumpkin soup and
Ryan only manages a tiny portion of dinner before he curls up and goes to sleep on the low settee. I beg a blanket from Gabino, our host, to cover him, then hang up his wet jeans to dry. I kneel on the floor beside Ryan’s sleeping form and move our belongings from the broken backpack into the replacement Gabino pushed into my hands earlier, made of thick felted wool and crawling with bright Peruvian needlework.
‘What’s wrong with him? What’s the “
‘We’re over eleven thousand feet above sea level,’ he murmurs, watching me buckle the bag shut. ‘Everything in Ryan’s body is working overtime to keep him alive. He’s not yet acclimatised to this atmosphere, and, I confess, neither am I. Explain to our hosts that I needed some air? I’ll be back before first light.’
As silently as a cat, Uriel leaves the room without drawing anyone’s attention — a feat that would be impossible for anyone else in this tightly packed space. It hits me suddenly that this may be the most time Uriel has ever spent in the company of humans. The colour and movement that so delight me must be spinning him out.
A long while later, Mayu, Gabino’s shy wife, offers me a place to sleep.
I shake my head. ‘I don’t need it,’ I whisper in Quechua with a smile, ‘but I thank you, lady. I’ll stay and watch over the
She inclines her head at me before sweeping away in her beautiful red skirt. When I look up again, Mateo is regarding me with a strange expression in his eyes.
‘You need to get some rest,’ he says in Quechua, looking around before asking, ‘Where is your brother?’
Gabino’s father calls out, a little drunkenly, ‘Ayar Awqa cannot be caged! He has flown away into the night sky. To speak with the stars!’
‘No, really,
I look up into Mateo’s face with a smile. ‘Uriel finds the modern world a little … claustrophobic. He’s not very good with crowds, but he’s strong and sure-footed and he can walk forever. He’ll be fine, and he’ll be back before you are.’
‘Then he will feel at home tomorrow.’ Mateo looks relieved. ‘It is wild, high country where we are going: the country of gods.’
19
The apartment is quiet around me — just the creaks and groans of timber settling, breathing out — when Uriel returns. One minute I’m sitting there, gazing into the darkness, peering into those of my memories I can gather together, trying to puzzle out some kind of chain, some kind of workable order — but it’s a chain that keeps collapsing, because there are more holes than chain — when he’s suddenly just there.
Ryan’s still sleeping on the settee, his breathing shallow and hoarse. Uriel kneels beside me, brushes a long curl of dark hair back from my face.
I don’t tell Uriel that he’s almost described the way I feel around Ryan. It’s like we’re bound together now; as if the notion of home that I used to carry around inside me has been transposed, somehow, into
Uriel sits down beside me, resting his back against the sagging couch, takes my hand in his. His skin is so warm, seething with his peculiar, living fire.
He looks at me, really studies me in the darkness.
His expression grows embarrassed, even ashamed.
We sit in the darkness for a while, shoulder to shoulder. And it may not be a feeling with any basis in reality, but I’m somehow connected again, to my people, if only for a moment. I’m part of something far greater than I am, which goes beyond merely existing, merely surviving. I hadn’t realised how much I needed to know that. Just sitting in the dark, with Uriel beside me, Ryan breathing at my shoulder, has a healing quality.
But time marches, we two can feel it. We are its keepers, its historians; it beats in us, can never be denied.
He rises silently, holding out his strong hand to me, and I take it.
We’re on a tourist train bound for ‘Kilometer 104’, a station at Chachabamba, about sixty-four miles from Cusco.