Drone

The side of Jacinto’s face hurt where it was smashed against one of the cement squares with handprints. He couldn’t move, but he watched the blood filling up the handprint next to his face. The hand was much bigger than Jacinto’s. He wondered whose hand it was.

48

Washington, D.C.

Early Saturday morning, Bill Donovan briefed President Myers and her cabinet.

“At least a dozen attacks in as many states, with more reports coming in.”

“Sounds like they’re on the move,” Early said.

“Casualties?” Myers asked.

“So far, thirty dead, ten times that many wounded, mostly minor injuries. RPGs, drive-by shootings, grenade attacks. Bombs were detonated at a movie theater in Hollywood, a Walmart in Knoxville, and a rodeo in Oklahoma City.”

“And we think it’s Bravo people?” Myers asked.

“Printed flyers read ?VIVA VICTOR! at several sites; Facebook posts and Twitter feeds say the same thing. Sure looks like these attacks were in retaliation for the death of Victor Bravo.”

“You can thank the damn Mexican television and radio stations in this country for that. They’re putting blood in the water,” one of Donovan’s assistant secretaries offered. “We can pull their FCC licenses right now, shut them down until they agree to stop running the Victor Bravo love letters.”

“Then they would just run them on the Internet,” West countered. The FBI director was clearly frustrated. “They’re already there anyway.”

“Then we shut those down, too, on the basis that they’re fostering terror attacks. The Patriot Act grants us that power.”

“I don’t think free speech is the enemy here,” Myers said. She turned to Donovan. “Question for you, Bill. The Hollywood and Oklahoma City bombings look like suicide attacks. Were they?”

“We’ve got security camera footage on both. Neither exhibited the classic signs—nervousness, eyes straight ahead, and the other telltale psychological markers. Locals ran fingerprints but no hits in our threat or crime databases. Probably illegals. We’ll know more about Knoxville in a couple of hours.”

“And we’re certain it’s the Bravos behind all of this?”

“Fans of Victor Bravo, for sure,” Donovan said.

“Or who want us to think they’re fans,” Early offered.

“What do you mean?” Myers asked.

“The voices on the Cruzalta tape. The Iranians are connected to this somehow.”

“If the Iranians were connected with anyone, it was Castillo, not Bravo,” Donovan said. “And there were only two voices on the tape. No way an operation this size could be carried out by just two assholes. I still think it’s the Bravos.”

“I do, too. But weapons, training—the Iranians have contributed something,” Early insisted. “The Iranians had uploaded the El Paso footage, too. Their finger’s in the pie somewhere.”

“What does that get us, Mike?” Myers asked.

“Not much at this point, especially if the Iranians are independent operators.”

“You mean like mercenaries?” Myers asked.

“Yeah. But if this is a state-sanctioned op, we need to know. Have the DNI put more NSA assets on the Iranians. Maybe we can pick up some chatter on that end and get a better handle on this thing.”

“Good idea, but it’s not enough. I want to know who’s on the ground right now killing Americans. What’s our best guess?”

“The Bravos who blew the tank farm in Houston never reappeared. Those are the best candidates, without question,” West said.

“What’s their next move?” Myers asked.

“No way of knowing,” West said. “The targets have been random and geographically diverse.”

“So we’re just waiting for the other shoe to drop?” Myers asked.

No one said a word. The answer was obvious.

Grapevine, Texas

Six hours later, the other shoe dropped.

Construction on local highways and interchanges, particularly the 114, the 121, and I-635, had been going on for years, and still had years to go, thanks to the Texas Department of Transportation (TxDOT) and the billions of federal stimulus dollars that the “anti–big government” Texas congressional delegation had siphoned out of Washington coffers for their constituents.

Grapevine residents had grown wearily accustomed to the massive construction vehicles lumbering along on the crowded freeways, usually clogged by lane closures and traffic cones, as whole sections of the interstate were being rerouted to fit the new TxDOT master plan. The big vehicles often had to exit and cross over surface streets where freeway ramps had been closed, so it wasn’t unusual to see asphalt tankers, cement mixers, flatbed tractor-trailers, and the like running through the city.

That’s the reason no one paid any attention when a big rusty dump truck rattled into the back parking lot of the two-story Grapevine Christian Academy on a Saturday midmorning. In fact, the school had allowed construction vehicles to park there on more than one occasion. The school was just a mile or so from a section of Highway 114 that had been heavily renovated lately. The school parking lot was empty except for a late-model yellow Volkswagen Bug out front.

Tom and Barbara Cole were the high school drama teachers and they were inside preparing for an early afternoon rehearsal, rearranging some of the musical scores from Godspell that the kids would be putting on in the fall. The building was brand-new and well insulated from the brutal Texas heat. The heavy insulation also masked the sound of the roaring jumbo jets that flew directly over the school in their flight paths to DFW Airport just two miles away.

Barbara had just finished a particularly bawdy rendition of “Turn Back, O Man” on the big Yamaha piano when she and her husband both heard a giant whump coming from out back. It sounded like a big timpani drum was booming out in the parking lot. There were no windows where they were located so they couldn’t see what was going on, but it could well have been something connected with all of the construction. They were about to play the tune again when they heard another whump and then a third, fourth, fifth, and sixth in quick succession.

“What’s going on out there?” Barbara asked.

“Sounds like a pile driver,” Tom offered, only half believing it himself.

She stood up from the piano and the two of them crossed to the back wall where there was a big steel exit door. The whumping continued and, in fact, got louder the closer they came to the door.

Tom flung the door open and saw the big rusty dump truck parked just a few feet behind the building, but that’s the last thing he saw. A suppressed 9mm machine gun stitched bullets across his chest and into the wall behind him. He crumpled to the ground, blocking the doorway with his corpse.

That gave Barbara enough time to scream, turn, and run back inside, with the sound of the 120mm mortar rounds still whumping in the bed of the big truck behind her, but the man who had killed her husband leaped over his corpse and chased after her. The Bravo opened fire just as she reached the big Yamaha piano. He emptied his magazine in her direction, splintering the black lacquered wood into a thousand pieces and putting two bullets in her spine. The piano strings thudded in ugly half notes as the slugs split them in two.

The killer ran back out the door as the last of the sixteen mortar rounds arced into the air. It had taken the mortar crew just one minute and eleven seconds to loft all sixteen of the finned rockets.

A gray Chrysler 300 screeched to a halt behind the dump truck and all four men of the mortar crew—three