In the dim light of a cold grey dawn, the girl's face under the plastic freezer bag was as white as the ice on the alley floor.
They had wrapped her in the sheet before carrying her down to black Richard's car, and then had driven a mile uptown on St. Sab's, where they'd dragged her into the alley still wrapped in it. But black Richard knew cops had ways of tracing sheets and shit, and he'd convinced the others to roll her out of it before they left her there by the garbage cans, rats big as cats running all over the alley, made him shiver all over
again just to think of them.
Fuckin honkies wanted no part of him once they'd used his car to drop the bitch off, but he reminded them it wasn't him had suffocated her, wasn't him had torn her open, was three fuckin rich guys named
Richard, from a school named Pierce Academy,
which was stitched on the front of all their fuckin P
parkas the fuckin football on the back, dig? So either they helped him clean up the car and the apartment and get rid of the bloody sheet, or whut he was gonna do,
ole black Richard here, would run straight to the cop shop. They believed him. Maybe cause he also showed them a switchblade knife bigger than any of their dicks and tole them he was gonna circumscribe them real bad if they tried to split on him now.
Ended up they'd tidied up the apartment like four speed queens come to work from a cleaning service.
Weren't no car washes open this time of night, day,
whatever the fuck, and Richard didn't want to go to no garage, neither, blood all over the backseat that way,
he never knew anybody could bleed that bad. He remembered a movie he'd seen one time, blood and shit all over a car from a shootin inside it, this wasn't like that, but there was plenty blood, anyway, and he
didn't know any big-shot gangster he could call come set it straight. All he knew was these honkies better help him or their name was shit.
In movies and on television, blacks and whites all pals and shit, that was all make-believe. In real life you never saw blacks and whites together hardly at all In that movie where the guy's brains were spattered over the car, this black guy and this white guy two contract hitters tighter'n Dick's hatband. But was make-believe, callin each other 'nigger' and that, black guy callin the white guy 'nigger,' guy callin the nigger 'nigger' right back, break the fuckin head any white man called Richard 'nigger,' never mind that movie bullshit! Was a white wrote that movie, the luck he knew about black
What was real, my friend, was equality never come to pass here in this land of the free and home the brave, wasn't no black man ever trusted a man and vice versa, never. Richard didn't trust these three white bastards and they didn't trust him, but they needed each other right now cause a girl been killed in his apartment and they were the guy's who killed her. The white guys, not him. But it was his apartment, don't forget that. Cops had a way of never forgettin little black mishaps like that, fuckin cops.
So this was what you might call strange bedfellows here, which was what it actually was called in a book Richard read one time. Oh, he was literate, man, don't kid your fuckin self. Read books, saw movies, even went to see a play downtown one time had all blacks in it about soldiers. His opinion blacks were the best actors in the world cause they knew what sufferin was
all about. That movie with the brains all over the car, was the black guy shoulda got the Cademy Award, never mind the white guy.
So here they were, the four of them, three white guys didn't know shit about anything, and one black guy teachin them all about survival here in the big bad city. Thing they didn't know was that soon as they cleaned up his car and got rid of the sheet they'd wrapped the bitch in, he was gonna stick it to them good.
The girl's name was Yolande Marie Marx. Her fingerprints told them that. She had a B-sheet not quite as long as her arm, but long enough for a kid who was only nineteen. Most of the arrests were for prostitution. But there were two for shoplifting and half a dozen for possession, all bullshit violations when she was underage that had got her off with a succession of slaps on the wrist from bleeding-heart judges. When she turned eighteen, she finally did three months at Hopeville, some name for a female correctional facility. She worked under the name Marie St. Claire, which alias was on the record. Her pimp's name was there, too.
The shift had changed without them.
At fifteen minutes to eight, give or take, the eight-man team of detectives on the day shift had relieved six of the detectives on the morning shift, but not Carella and Hawes, who were still out in the field. They were there, instead of home in bed, because maybe they had something to go on in the murder of Yolande Marie Marx. Her death might never make
newspaper headlines; she was not Sw
Even if they caught whoever had brutally slain her, murder would never result in anything more than media mention. But they had the name of her pimp And the man had a substantial record, including arrest for a New Orleans murder some ten years afor which he had done time at Louisiana's An State Penitentiary. He was now gracing this city with his presence; a policeman's lot was not a happy one. Especially not at eight in the morning, when Carel and Hawes knocked on Jamal Stone's door and bullets came crashing through the wood even when they announced themselves.
'Gun!' Hawes shouted, but Carella had already hit the deck, and Hawes came tumbling immediately afterward. Both men lay side by side the hallway outside the door now, breathing sweating heavily despite the cold, heads close together, guns in their hands.
'Guy's a mind reader,' Hawes whispered.
Carella was wondering when the next shots would come.
Hawes was wondering the same thing. The door opened, surprising them. They almost shot him.
'Who the fuck are you?' Jamal asked.
What it was or so he explained in the secon interrogation room up at the old Eight-Seven he was expecting someone else, was what it was. Instead, he got two policemen breaking down the door. Crack of dawn. Two cops.
'You always shoot at people who knock on your door?' Hawes asked.
'Only when I expect them to shoot me,' Jamal said. This was now beginning to get interesting. In fact, Bert Kling was almost happy they'd asked him and Meyer to sit in on the interrogation. It was still early enough on the shift to enjoy a cup of coffee with colleagues who'd been out in the freezing cold all night long. But aside from the camaraderie, and the bonhomie, and the promise of some entertainment from a man who'd been around the block once or twice and who felt completely at home in a police station, the doubling-up was a way of bringing them up to speed on one of the two squeals Carella and Hawes had caught during the night.
There used to be a sign on the squad room wall (before Detective Andy Parker tore it down in a fit of pique) that read: IT'S YOUR CASE! STICK WITH IT! The Dyalovich murder and the Marx murder did indeed belong to Carella and Hawes as the detectives who'd caught them. But they would not be on duty again until 11:45 tonight and meanwhile there were two long eight-hour shifts between now and then. In police work, things could become fast-breaking in the wink of an eye; briefing the oncoming team was a ritual these men observed more often than not.
Jamal figured the two new cops for the brains here. The ones asking the questions were the ones almost got themselves shot, so how smart could they be? But the big bald-headed guy his ID tag read DET/2ND GR MEYER MEYER, must've been a computer glitch looked smart as could be. The tall blond guy
with the appearance of a farm boy, DET/3RD BERT KLING, was probably the one played Go, Cop to the bald guy's Bad Cop when they had some cheap thief. Right now, though, both of them were as still as coiled snakes, watching, listening.
'Who were you expecting to shoot you?' Carella asked.
This was all vamping till ready. They didn't actually care who wanted to shoot him, good riddance to bad rubbish, as Carella's mother was fond of saying. All they really wanted to know was whether Jamal was the one who'd put that freezer bag over Yolande's head. Toward that end, they would let him talk forever all his real or imagined enemies out there, make him feel comfortable, ply him with cigarettes and wait for him to reveal through word or gesture that they already knew why he was here being questioned by a pair of detectives, which no one had yet told him, which he hadn't yet asked about, either. Which might or might not have meant something. felons, it was difficult to tell.
