“I love you, too.” He reaches into his pocket. “Take this.” He hands me his knife. “You’ll need it, where you’re going.”
“But—”
“Take it.”
“I’ll give it back. Someday.”
He looks at me. Dark eyes, dark hair, the pulse at his throat, the smell of his skin. The worn fabric of his shirt, his scuffed boots. Pebbles beneath me, the sound of waves. Wind in my hair. His hand in my hand. Ink on skin. The taste of peaches. The Fool. The Lovers. Death. I touch his wrist, his hip, underneath his shirt to feel the heat of his skin and the line of muscle there. Memorizing.
“Tell me you are choosing this,” I say.
“I am choosing this. I chose this a long time ago.”
I can’t look at Jack anymore or I will fall apart. Minos waits behind us, watching.
“Minos,” I say. “I want to see Aurora.”
When he speaks at last his voice is in my head and not in the world, a voice as old and dry as dust.
“Try me,” I say. I look at Jack one last time. Drinking him in.
“I love you,” he says again. “Now go.”
I turn away from him and follow Minos into the dark.
There is no time in hell. We walk for what could be hours or days. It’s still too hot, but the noise dies down and I’m alone with Minos and my own breath, the crunch of my footsteps on what I think is stone. We are in some kind of tunnel, heading down. The angle of the floor is steep enough in places to nearly trip me up. There is no light of any kind. Minos is as silent as always, but something has changed, in the dark, between the two of us.
“Tell me who you are,” I say after we have been walking for a long time. “I know there’s someone there. Tell me who you are.”
“You collect people.”
“For who?”
“All I want is what’s mine.” My tongue is so dry I can hardly shape the words.
“Yeah,” I mutter. “That’s what you think, asshole.”
“I’m not a hero,” I say. “I’m a bitch.”
And then I can feel it: The air is changing. We’re coming out of the tunnel into the forest of bone trees. I know where we are. I’ve been here every night for months. The river is ahead. I can hear the dog howling. Bare white trees, thorny vines. Things moving between the branches. We do not walk long before the trees stop, the line of the wood’s edge as sharp as if it has been cleaved away. We walk through the white trunks until we reach the place where they end and the river is in front of us. Minos stops.
“People have.”
“I’ll chance it.” Shrug. I want to cut off his arm and feed it to him. I follow him to the edge of the water and stop. The far bank is shrouded in darkness. He motions with one bony hand and a boat glides out of the darkness toward us, cowl-draped ferryman at the helm. There’s no way out but through. Minos steps into the boat, surprisingly graceful for someone so tall, and offers me his hand. I laugh out loud, take it. Hold tight. Take the first step. The second. The boat doesn’t rock. I’m in. I know you’re supposed to pay the ferryman but I don’t have any gold coins. I find Cass’s crystal in my pocket, hand it over. The ferryman takes it, pale hand gleaming in the dark. I can’t see his face under the brown hood. He makes a fist around the crystal, and then it’s gone.
It takes a long time to cross the river. The water is thick as oil and I am careful to keep my hands inside the low edges of the boat. A dank fog rises off the water. Looking too hard at the current makes me dizzy. Instead I stare at my knees, the place where the fabric is fraying and I can see a patch of skin. I think of Jack’s hand there, of kissing him over the tarot cards, of Aurora laughing, blowing smoke out my window, drinking Dr Pepper in my bed. I think of the most ordinary things I can imagine. Puppies, why not? The godawful still life I am working on in art class. Cass blowing her brown hair out of her eyes while she measures herbs. Raoul putting Oscar Wilde on my head, Raoul laughing, Raoul bringing me hot chocolate with chilies in it. I think of Jack, not the musician but the person who is barely not a boy, smiling at me with his joker’s smile. Telling me to draw him pictures of kittens and sailboats, ridiculous things. Down here in the dark there is no light but the light I bring with me, and I will not fail. I will not fail.
At last I can make out the other side through the heavy dark. The ferryman poles the boat toward a smooth place where the bank flattens out. Dark sand, slick with the same oil that sheens the surface of the water. I catch one foot on the gunwale as I’m getting out, almost tip into the water, catch myself at the last minute, one hand inches from the surface. Something tells me I don’t want to get wet. I can feel Minos’s eyes on my back. “I’m fine,” I say, to no one but myself. Minos is moving past me, not waiting. I have to half-run to keep up with him. But I remember how fast he moved in the warehouse. This time, for whatever reason, he is letting me follow.
We are standing on the edge of a vast bone-white plain that glows with an unholy light of its own under the empty sky.