and like best. But I have other bodies, that I have built with special abilities for special purposes. They are not human bodies, these other Peter Werthers. Come with me. I shall show you this underworld I have become. Virgil to your Dante.’

Gaby thought of old Big Bwana White Hunter movies as Peter Werther – she could not think of him as an extension of the environment – led the Commission through his private jungle to a mouth door between balloon cables.

The second chamber was bigger than the first, and filled with dense fan vegetation. When Gaby glimpsed eyes peeping between the fronds, she asked Peter Werther if these were the other selfs he had told her about.

‘No, they are people. Victims of this place,’ Peter Werther said.

‘Arboreal adaptations,’ Russel Shuler said. ‘The most common form. There are so many of them they’re nearly a tribe.’

The parted fronds closed. Gaby heard movements, rustling in the coral canopy.

There were seven of them; three men, two women, two children. They were as agonizingly thin as winged Nicole Montagnard. Ribs visible under T-shirts. Faces of three decades of televised famine. Gaby could not bear to look at their collarbones. But they were not lethargic, painful, exhausted of life like the starved. They were healthy, energetic, quick of mind and body, right and fit. The adaptation had given them very long forearms, very long fingers, very long feet, very long curled skin tails. Holes had been cut in the backs of their football shorts to accommodate the prehensile tails. Some wore theirs coiled around their legs. The women favoured looping theirs over their arms. The children bound themselves close to their mother’s with their tails.

Tree people. Monkey people. A hundred childhood racist cliches bubbled up in Gaby’s mind. She tried to prick them with reason. Changed. Ways of being human. Old prejudices burst hard.

They had appointed the man who spoke English as the head of their small tribe. The changes had left enough of his face to identify him as Masai.

‘Dr Daniel Oloitip.’ He exchanged greetings with Dr Dan in Masai. ‘You are my Assembly Member. My elected representative. I voted for you in the last election. I am very glad to see you here, but I am wondering – we are all wondering – what are you going to do about us? When are you going to set us free?’

‘Soon,’ Dr Dan said. He looked at Russel Shuler before continuing. ‘Soon you will all be set free from here, to go back to your people, your families, your homes.’

The man laughed. It was the contemptuous laugh of the proud Masai.

‘My family will not know me, my people will not accept me, my home has been taken away by the Chaga. So we must go to the Chaga. That is freedom for us. Where else is there?’

Peter Werther took the Commissioners by another sphincter-door into the main corridor, and from there into a new Chaga chamber. This was the smallest of the rooms Peter Werther had excavated from the underpinnings of Unit 12. It was just big enough to take the ghost of a house. Gaby could think of no other likeness. The memory of a house, fleshed out of Chaga-stuff. Ghost walls of foam. Ghost floors of yielding sponge. Ghost windows of translucent yellow gauze that rippled in the air currents that blew through this underworld. Ghost door of hanging moss. Ghost curtains of creeper, ghost lights of bioluminescent bulbs. Ghost furnishings: chairs, tables, beds, grown from soft green coral.

And in the middle of the green ghost of a house sat the angel of media. This angel was a white woman, wearing a white sleeveless vest and red and purple Chaga-camouflage pants, kneeling on a meditation stool grown from the floor. Her wings were spread wide. They touched the soft walls of the ghost room. They were not feathered like the wings of Jehovah’s angels; these were sheets of iridescent gossamer, like a dragonfly’s wings, and they were full of faces. Faces of movie personalities. Faces of media celebrities. Faces of sports stars. Faces of actors in advertisements for Diet Coke and tampons. Faces of people from Africa and South America and the Pacific Rim and Europe. Faces of foreign correspondents and satellite news reporters. Gaby saw Jake Aarons’ face. Old photograph: sharp smile, sharper suit. Gaby saw her own face appear for a moment and fade into CNN’s European link man. Like the photograph in the badge she had left at the top of the ramp, her hair was long and shiny and beautiful. The angel wings flexed slowly, billowing in the media wind. The woman’s eyes were closed. Her chest rose and fell slowly, as if in contemplation. She had black, naturally curling hair that fell to her shoulders.

She opened her eyes.

‘Well, lookee here,’ she said. She had a Dublin accent. You can take the girl out of Barrytown, but not Barrytown out of the girl.

‘Moon,’ Gaby McAslan breathed.

The woman rose from her stool. Her wings folded and furled into a place on her back Gaby could not see.

‘You are Gaby McAslan,’ Moon said. She sounded disappointed. ‘I know who you are. I’ve been watching you. Following you. I know all about you.’

‘I know who you are,’ Gaby said. ‘I’ve been following you, so long, so closely. I know all about you. This is how I know it.’ She held out the ruined Liberty print diary in its transparent, UNECTA-stamped sack. ‘T.P. sends his love.’

49

The October rains had come. From horizon to horizon the sky was a plane of grey cloud. The red dust of Kajiado had turned to watery mud. Gaby splashed barefoot through it to Dr Dan’s government Landcruiser. UNECTA had been unable to spare the women any footwear, but had lent them yellow plastic rain sheets. Gaby wrapped the camera with the last testament of Jake Aarons stored on its discs in hers. Moon draped hers over the thing on her back that the long lenses at the wire were not allowed to see. All the way up in the elevator, all the way through the legal wranglings in Reception, Gaby had stared in nauseated fascination at the thing that pulsed and glowed in the small of Moon’s back where she had cut the white vest top away.

Once when she had been a kid, walking the dogs on the Point, she had come across the body of a drowned sheep that had washed up in a gully. It had been a long time in the sea; the wool had all fallen out, the body was swollen, lambent, eyes eaten out by crabs. It was not that it was that dead that had scared Gaby, it was that it looked so alien. She had come back, day after day to look at the rotting, disgusting, fascinating thing until the high tide took it out again.

The thing on Moon’s back was dreadful and wonderful in the same way. Through the transparent flesh, Gaby could see how it clung to the woman with a hundred red millipede legs, pushing neural connectors into her spinal cord, alien as a drowned sheep, feeling its way into places no lover ever could. It was an ally with astonishing capabilities: the furled wings were sheets of organic circuitry powered by light. They carried Moon through the planetary telecommunications networks: they could receive hundreds of terrestrial and satellite channels simultaneously, decode them and filter selected information into her consciousness. Television dreaming.

The two women got into the back seat, dripping on the upholstery. Gaby combed back her savaged hair with her fingers. It would grow. It would be right again. She had the pictures. They would make everything right again.

‘We go,’ Dr Dan said to Johnson Ambani, who doubled as driver. The government Landcruiser drove away from the olive monolith of Unit 12. Kenyan flags stirred damply on the wing pennons. A second Landcruiser fell in behind. In it were Lucius and the Wa-chagga woman. They had no place either in this nation, among these people. They were going south too, back to the Chaga. The Black Simbas had already been returned to Nairobi, except for Moran, who had been remanded in prison charged with Bushbaby’s murder. If convicted, he could be hanged. Gaby’s horror of ritual execution struggled with her anger at Bushbaby’s death. Nobody had needed to die.

She hated the stupidity of killing. She hated the fragility of human lives. She hated death.

The media was waiting outside the wire. Hundreds of them, waiting in the red mud and the rain. Cameras, boom mikes, long lenses. Some had stepladders pushed up against the wire. Dr Dan had played the ace of trumps. Vanish a black African HIV 4 victim and it is another entry in the WHO’s databases. Vanish a white female

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