this? she asked Nimit.
“Their owners bring them from the country,” he explained. “They used to use them for logging, but there was not enough work for them to survive that way. They brought their animals to the city to make money doing tricks for tourists. Now there are far too many elephants here, and that makes things very difficult for the city people. Sometimes an elephant will panic and run amok. Just the other day, a great many automobiles were damaged that way. The police try to put a stop to it, of course, but they cannot confiscate the elephants from their keepers. There would be no place to put them if they did, and the cost of feeding them would be enormous. All they can do is leave them alone.”
The car eventually emerged from the city, drove onto an expressway, and headed north. Nimit took a cassette tape from the glove compartment and slipped it into the car stereo, setting the volume low. It was jazz—a tune that Satsuki recognized with some emotion.
“Do you mind turning the volume up?” she asked.
“Yes, Doctor, of course,” Nimit said, making it louder. The tune was “I Can’t Get Started,” in exactly the same performance she had heard so often in the old days.
“Howard McGhee on trumpet, Lester Young on tenor,” she murmured, as if to herself. “JATP.”
Nimit glanced at her in the rearview mirror. “Very impressive, Doctor,” he said. “Do you like jazz?”
“My father was crazy about it,” she said. “He played records for me when I was a little girl, the same ones over and over, and he had me memorize the performers. If I got them right, he’d give me candy. I still remember most of them. But just the old stuff. I don’t know anything about the newer jazz musicians. Lionel Hampton, Bud Powell, Earl Hines, Harry Edison, Buck Clayton…”
“The old jazz is all I ever listen to as well,” Nimit said. “What was your father’s profession?”
“He was a doctor, too,” she said. “A pediatrician. He died just after I entered high school.”
“I am sorry to hear that,” Nimit said. “Do you still listen to jazz?”
Satsuki shook her head. “Not really. Not for years. My husband hated jazz. All he liked was opera. We had a great stereo in the house, but he’d give me a sour look if I ever tried putting on anything besides opera. Opera lovers may be the narrowest people in the world. I left my husband, though. I don’t think I’d mind if I never heard another opera again for as long as I live.”
Nimit gave a little nod but said nothing. Hands on the Mercedes steering wheel, he stared silently at the road ahead. His technique with the steering wheel was almost beautiful, the way he would move his hands to exactly the same points on the wheel at exactly the same angle. Now Erroll Garner was playing “I’ll Remember April,” which brought back more memories for Satsuki. Garner’s
“Where are you from in Japan, Doctor, if you don’t mind my asking?”
“I’m from Kyoto,” answered Satsuki. “I only lived there until I was eighteen, though, and I’ve hardly ever been back.”
“Isn’t Kyoto right next to Kobe?”
“It’s not too far, but not ‘right next to’ Kobe. At least the earthquake seems not to have caused too much damage there.”
Nimit switched to the passing lane, slipping past a number of trucks loaded with livestock, then eased back into the cruising lane.
“I’m glad to hear it,” Nimit said. “A lot of people died in the earthquake last month. I saw it on the news. It was very sad. Tell me, Doctor, did you know anyone living in Kobe?”
“No, no one. I don’t think anyone I know lives in Kobe,” she said. But this was not true.
Nimit remained silent for a while. Then, bending his neck slightly in her direction, he said, “Strange and mysterious things, though, aren’t they—earthquakes? We take it for granted that the earth beneath our feet is solid and stationary. We even talk about people being ‘down to earth’ or having their feet firmly planted on the ground. But suddenly one day we see that it isn’t true. The earth, the boulders, that are supposed to be so solid, all of a sudden turn as mushy as liquid. I heard it on the TV news: ‘liquefaction,’ they call it, I think. Fortunately we rarely have major earthquakes here in Thailand.”
Cradled in the rear seat, Satsuki closed her eyes and concentrated on Erroll Garner’s playing. Yes, she thought,
The limousine reached its destination at three o’clock in the afternoon. They had taken a break at a service area along the highway at precisely twelve o’clock. Satsuki had drunk some gritty coffee and eaten half a donut at the cafeteria. Her week-long rest was to be spent at an expensive resort in the mountains. The buildings overlooked a stream that surged through the valley, the slopes of which were covered in gorgeous primary-colored flowers. Birds flew from tree to tree emitting sharp cries. A private cottage had been prepared for Satsuki’s stay. It had a big bright bathroom, an elegant canopy bed, and twenty-four-hour room service. Books and CDs and videos were available at the library off the lobby. The place was immaculate. Great care—and a great deal of money— had been lavished on every detail.
“You must be very tired, Doctor, after the long trip,” Nimit said. “You can relax now. I will come to pick you up at ten o’clock tomorrow morning and take you to the pool. All you need to bring is a towel and bathing suit.”
“Pool?” she asked. “They must have a perfectly big pool here at the hotel, don’t they? At least that’s what I was told.”
“Yes, of course, but the hotel pool is very crowded. Mr. Rapaport told me that you are a serious swimmer. I found a pool nearby where you can do laps. There will be a charge, of course, but a small one. I’m sure you will like it.”
John Rapaport was the American friend who had made the arrangements for Satsuki’s Thai vacation. He had worked all over Southeast Asia as a news correspondent ever since the Khmer Rouge had run rampant in Cambodia, and he had many connections in Thailand as well. It was he who had recommended Nimit as Satsuki’s guide and driver. With a mischievous wink, he had said to her, “You won’t have to think about a thing. Just shut up and let Nimit make all the decisions and everything will go perfectly. He’s a very impressive guy.”
“That’s fine,” she said to Nimit. “I’ll leave it up to you.”
“Well then, I will come for you at ten o’clock tomorrow…”
Satsuki opened her bags, smoothed the wrinkles in a dress and skirt, and hung them in the closet. Then, changing into a swimsuit, she went to the hotel pool. Just as Nimit had said, it was not a pool for serious swimming. Gourd-shaped, it had a lovely waterfall in the middle, and children were throwing a ball in the shallow area. Abandoning any thought of trying to swim, she stretched out under a parasol, ordered a Tio Pepe and Perrier, and picked up reading where she had left off in her new John le Carre novel. When she grew tired of reading, she pulled her hat down over her face and napped. She had a dream about a rabbit—a short dream. The rabbit was in a hutch surrounded by a wire-mesh fence, trembling. It seemed to be sensing the arrival of some kind of thing in the middle of the night. At first, Satsuki was observing the rabbit from outside its enclosure, but soon she herself had become the rabbit. She could just barely make out the thing in the darkness. Even after she awoke, she had a bad taste in her mouth.
The pool that Nimit had found was half an hour’s drive from the hotel and involved crossing a mountain. The woods near the top of the mountain were full of gray monkeys. They sat lined up along the road, eyes fixed on the passing cars as if to read the fates of the speeding vehicles.