after the quake

campus and had zero prospects of graduating. His parents ran an old respected sweetshop in the city of Mito, and he could have carried on the family business as a last resort, but he had no intention of settling down as a sweetshop owner. All he wanted was to ride around with his friends in his Datsun truck, surf, and play the guitar in their amateur band— an easygoing lifestyle that anyone could see was not going to last forever.

Junko got friendly with Miyake after she moved in with Keisuke. Miyake seemed to be in his mid-forties—a small, slim guy with glasses, a long narrow face, and short hair. He was clean-shaven, but he had such a heavy beard that by sundown each day his face was covered in shadows. He liked to wear a faded dungaree shirt or aloha shirt, which he never tucked into his baggy old chinos, and on his feet he wore white, worn-out sneakers. In winter, he would put on a creased leather jacket and sometimes a baseball cap. Junko had never seen him in any other kind of outfit. Everything he wore, though, was spotlessly clean.

Speakers of the Kansai dialect were all but nonexistent in this place, so people noticed Miyake. “He lives alone in a rented house near here,” one of the girls at work told Junko. “He paints pictures. I don’t think he’s famous or anything, and I’ve never seen his stuff. But he lives OK. He seems to manage. He goes to Tokyo sometimes and comes back late in the day with painting supplies or something. Gee, I don’t know, he’s maybe been here five years or so. You see him on the beach all the time making bonfires. I guess he likes them. I mean, he always has this intense look in his eyes when he’s making one. He doesn’t talk much, and he’s kind of weird, but he’s not a bad guy.”

Miyake would come to the convenience store at least three times a day. In the morning he’d buy milk, bread, and a newspaper. At noon, he’d buy a box lunch, and in the evening he’d buy a cold can of beer and a snack—the same thing, day after day. He and Junko never exchanged more than the barest civilities, but she found herself drawn to him after a while.

When they were alone in the store one morning, she took a chance and asked him about himself. Why did he come in so often, even if he did live close by? Why didn’t he just buy lots of milk and beer and keep it in the refrigerator? Wouldn’t that be more convenient? Of course, it was all the same to the store people, but still…

“Yeah, I guess you’re right,” he said. “It’d make more sense to stock up, but I can’t.”

“Why not?” Junko asked.

“Well, it’s just, like—I can’t, that’s all.”

“I didn’t mean to pry or anything,” Junko said. “Please don’t let it bother you. It’s just the way I am. I can’t help asking questions when I don’t know something. I don’t mean any harm by it.”

Miyake hesitated a moment, scratching his head. Then, with some difficulty, he said, “Tell you the truth, I don’t have a refrigerator. I don’t like refrigerators.”

Junko smiled. “I don’t like refrigerators myself, but I do have one. Isn’t it kind of inconvenient not having one?”

“Sure it’s inconvenient, but I hate the things, so what can I do? I can’t sleep at night when there’s a refrigerator around.”

What a weird guy, thought Junko. But now she was more interested in him than ever.

Walking on the beach one evening a few days later, Junko saw Miyake tending a bonfire, alone. It was a small fire made of driftwood he had collected. Junko spoke to Miyake, then joined him at the fire. Standing beside him, she was a good couple of inches taller. The two of them traded simple greetings, then said nothing at all as they stared at the fire.

It was the first time that Junko felt a certain “something” as she watched the flames of a bonfire: “something” deep down, a “wad” of feeling, she might have called it, because it was too raw, too heavy, too real to be called an idea. It coursed through her body and vanished, leaving behind a sweet-sad, chest-gripping, strange sort of feeling. For a time after it had gone, she had gooseflesh on her arms.

“Tell me, Mr. Miyake, when you see the shapes that a bonfire makes, do you ever feel kind of strange?”

“How so?”

“I don’t know, it’s like all of a sudden you get very clear about something people don’t usually notice in everyday life. I don’t know how to put it, I’m not smart enough, but watching the fire now, I get this deep, quiet kind of feeling.”

Miyake thought about it a while. “You know, Jun,” he said, “a fire can be any shape it wants to be. It’s free. So it can look like anything at all depending on what’s inside the person looking at it. If you get this deep, quiet kind of feeling when you look at a fire, that’s because it’s showing you the deep, quiet kind of feeling you have inside yourself. You know what I mean?”

“Uh-huh.”

“But it doesn’t happen with just any fire. For something like this to happen, the fire itself has to be free. It won’t happen with a gas stove or a cigarette lighter. It won’t even happen with an ordinary bonfire. For the fire to be free, you’ve got to make it in the right kind of place. Which isn’t easy. Not just anybody can do it.”

“But you can do it, Mr. Miyake?”

“Sometimes I can, sometimes I can’t. Most of the time, I can. If I really put my mind to it, I pretty much can.”

“You like bonfires, don’t you?”

Miyake nodded. “It’s almost a sickness with me. Why do you think I came to live in this navel-lint nothing of a town? It’s because this place gets more driftwood than any other beach I know. That’s the only reason. I came all the way out here to make bonfires. Kind of pointless, huh?”

Whenever she had the chance after that, Junko would join Miyake for his bonfires. He made them all year long except for midsummer, when the beach was full of people far into the night. Sometimes he would make two a week, and sometimes he would go a month without one. His pace was determined by the amount of driftwood that washed ashore. And when the time came for a fire, he would be sure to call Junko. Keisuke had an ugly jealous streak, but Miyake was the one exception. He would rib Junko about her “bonfire buddy.”

The flames finally found their way to the biggest log, and now at last the bonfire was settling in for a long burn. Junko lowered herself to the sandy beach and stared at the flames with her mouth shut tight. Miyake adjusted the progress of the fire with great care, using a long branch to keep the flames from either spreading too quickly or losing strength. From his small pile of spare fuel, he would occasionally pick a length of driftwood and toss it in where it was needed.

Keisuke announced that he had a stomachache: “Must’ve caught a chill. Think I just need a crap.”

“Why don’t you go home and rest?” Junko said.

“Yeah, I really should,” Keisuke said, looking sorry for himself. “How about you?”

“Don’t worry about Jun,” Miyake said. “I’ll see her home. She’ll be fine.”

“OK, then. Thanks.” Keisuke left the beach.

“He’s such an idiot,” Junko said, shaking her head. “He gets carried away and drinks too much.”

“I know what you mean, Jun, but it’s no good being too sensible when you’re young. It just spoils the fun. Keisuke’s got his good points, too.”

“Maybe so, but he doesn’t use his brain for anything.”

“Some things your brain can’t help you with. It’s not easy being young.”

The two fell silent for a while in the presence of the fire, each lost in private thoughts and letting time flow along separate paths.

Then Junko said, “You know, Mr. Miyake, something’s been kind of bothering me. Do you mind if I ask you about it?”

“What kind of something?”

“Something personal.”

Miyake scratched his stubbly cheeks with the flat of his hand. “Well, I don’t know. I guess it’d be OK.”

“I was just wondering if, maybe, you had a wife somewhere.”

Miyake pulled the flask from the pocket of his leather jacket, opened it, and took a long, slow drink. Then he put on the cap, slipped the flask into his pocket, and looked at Junko.

“Where did that come from all of a sudden?”

“It’s not all of a sudden. I kind of got the feeling before, when Keisuke started talking about the earthquake. I saw the look on your face. And you know what you once told me, about how people’s eyes have something