The reader will find I have borrowed several incidents as well as names from Ashmole, and the more early authorities; but my first acquaintance with the history was through the more pleasing medium of verse. There is a period in youth when the mere power of numbers has a more strong effect on ear and imagination than in more advanced life. At this season of immature taste, the author was greatly delighted with the poems of Mickle and Langhorne, poets who, though by no means deficient in the higher branches of their art, were eminent for their powers of verbal melody above most who have practised this department of poetry. One of those pieces of Mickle, which the author was particularly pleased with, is a ballad, or rather a species of elegy, on the subject of Cumnor Hall, which, with others by the same author, was to be found in Evans's Ancient Ballads (vol. iv., page 130), to which work Mickle made liberal contributions. The first stanza especially had a peculiar species of enchantment for the youthful ear of the author, the force of which is not even now entirely spent; some others are sufficiently prosaic.
CUMNOR HALL.
The dews of summer night did fall; The moon, sweet regent of the sky, Silver'd the walls of Cumnor Hall, And many an oak that grew thereby, Now nought was heard beneath the skies, The sounds of busy life were still, Save an unhappy lady's sighs, That issued from that lonely pile. 'Leicester,' she cried, 'is this thy love That thou so oft hast sworn to me, To leave me in this lonely grove, Immured in shameful privity? 'No more thou com'st with lover's speed, Thy once beloved bride to see; But be she alive, or be she dead, I fear, stern Earl, 's the same to thee. 'Not so the usage I received When happy in my father's hall; No faithless husband then me grieved, No chilling fears did me appal. 'I rose up with the cheerful morn, No lark more blithe, no flower more gay; And like the bird that haunts the thorn, So merrily sung the livelong day. 'If that my beauty is but small, Among court ladies all despised, Why didst thou rend it from that hall, Where, scornful Earl, it well was prized? 'And when you first to me made suit, How fair I was you oft would say! And proud of conquest, pluck'd the fruit, Then left the blossom to decay. 'Yes! now neglected and despised, The rose is pale, the lily's dead; But he that once their charms so prized, Is sure the cause those charms are fled. 'For know, when sick'ning grief doth prey, And tender love's repaid with scorn, The sweetest beauty will decay,— What floweret can endure the storm? 'At court, I'm told, is beauty's throne, Where every lady's passing rare, That Eastern flowers, that shame the sun, Are not so glowing, not so fair. 'Then, Earl, why didst thou leave the beds Where roses and where lilies vie, To seek a primrose, whose pale shades Must sicken when those gauds are by? ''Mong rural beauties I was one, Among the fields wild flowers are fair; Some country swain might me have won, And thought my beauty passing rare. 'But, Leicester (or I much am wrong), Or 'tis not beauty lures thy vows; Rather ambition's gilded crown Makes thee forget thy humble spouse.
