like manner, exhaust by long continuance the sensibility of the sufferer, so that an interval of lethargic repose must necessarily ensue, ere the pangs which they inflict can again be renewed.
The Countess slept, then, for several hours, and dreamed that she was in the ancient house at Cumnor Place, listening for the low whistle with which Leicester often used to announce his presence in the courtyard when arriving suddenly on one of his stolen visits. But on this occasion, instead of a whistle, she heard the peculiar blast of a bugle-horn, such as her father used to wind on the fall of the stag, and which huntsmen then called a MORT. She ran, as she thought, to a window that looked into the courtyard, which she saw filled with men in mourning garments. The old Curate seemed about to read the funeral service. Mumblazen, tricked out in an antique dress, like an ancient herald, held aloft a scutcheon, with its usual decorations of skulls, cross-bones, and hour-glasses, surrounding a coat-of-arms, of which she could only distinguish that it was surmounted with an Earl's coronet. The old man looked at her with a ghastly smile, and said, 'Amy, are they not rightly quartered?' Just as he spoke, the horns again poured on her ear the melancholy yet wild strain of the MORT, or death-note, and she awoke.
The Countess awoke to hear a real bugle-note, or rather the combined breath of many bugles, sounding not the MORT. but the jolly REVEILLE, to remind the inmates of the Castle of Kenilworth that the pleasures of the day were to commence with a magnificent stag-hunting in the neighbouring Chase. Amy started up from her couch, listened to the sound, saw the first beams of the summer morning already twinkle through the lattice of her window, and recollected, with feelings of giddy agony, where she was, and how circumstanced.
'He thinks not of me,' she said; 'he will not come nigh me! A Queen is his guest, and what cares he in what corner of his huge Castle a wretch like me pines in doubt, which is fast fading into despair?' At once a sound at the door, as of some one attempting to open it softly, filled her with an ineffable mixture of joy and fear; and hastening to remove the obstacle she had placed against the door, and to unlock it, she had the precaution to ask! 'Is it thou, my love?'
'Yes, my Countess,' murmured a whisper in reply.
She threw open the door, and exclaiming, 'Leicester!' flung her arms around the neck of the man who stood without, muffled in his cloak.
'No—not quite Leicester,' answered Michael Lambourne, for he it was, returning the caress with vehemence—'not quite Leicester, my lovely and most loving duchess, but as good a man.'
With an exertion of force, of which she would at another time have thought herself incapable, the Countess freed herself from the profane and profaning grasp of the drunken debauchee, and retreated into the midst of her apartment where despair gave her courage to make a stand.
As Lambourne, on entering, dropped the lap of his cloak from his face, she knew Varney's profligate servant, the very last person, excepting his detested master, by whom she would have wished to be discovered. But she was still closely muffled in her travelling dress, and as Lambourne had scarce ever been admitted to her presence at Cumnor Place, her person, she hoped, might not be so well known to him as his was to her, owing to Janet's pointing him frequently out as he crossed the court, and telling stories of his wickedness. She might have had still greater confidence in her disguise had her experience enabled her to discover that he was much intoxicated; but this could scarce have consoled her for the risk which she might incur from such a character in such a time, place, and circumstances.
Lambourne flung the door behind him as he entered, and folding his arms, as if in mockery of the attitude of distraction into which Amy had thrown herself, he proceeded thus: 'Hark ye, most fair Calipolis—or most lovely Countess of clouts, and divine Duchess of dark corners—if thou takest all that trouble of skewering thyself together, like a trussed fowl, that there may be more pleasure in the carving, even save thyself the labour. I love thy first frank manner the best—-like thy present as little'—(he made a step towards her, and staggered)—'as little as—such a damned uneven floor as this, where a gentleman may break his neck if he does not walk as upright as a posture-master on the tight-rope.'
'Stand back!' said the Countess; 'do not approach nearer to me on thy peril!'
'My peril!—and stand back! Why, how now, madam? Must you have a better mate than honest Mike Lambourne? I have been in America, girl, where the gold grows, and have brought off such a load on't—'
'Good friend,' said the Countess, in great terror at the ruffian's determined and audacious manner, 'I prithee begone, and leave me.'
'And so I will, pretty one, when we are tired of each other's company—not a jot sooner.' He seized her by the arm, while, incapable of further defence, she uttered shriek upon shriek. 'Nay, scream away if you like it,' said he, still holding her fast; 'I have heard the sea at the loudest, and I mind a squalling woman no more than a miauling kitten. Damn me! I have heard fifty or a hundred screaming at once, when there was a town stormed.'
The cries of the Countess, however, brought unexpected aid in the person of Lawrence Staples, who had heard her exclamations from his apartment below, and entered in good time to save her from being discovered, if not from more atrocious violence. Lawrence was drunk also from the debauch of the preceding night, but fortunately his intoxication had taken a different turn from that of Lambourne.
'What the devil's noise is this in the ward?' he said. 'What! man and woman together in the same cell?—that is against rule. I will have decency under my rule, by Saint Peter of the Fetters!'
'Get thee downstairs, thou drunken beast,' said Lambourne; 'seest thou not the lady and I would be private?'
'Good sir, worthy sir!' said the Countess, addressing the jailer, 'do but save me from him, for the sake of mercy!'
'She speaks fairly,' said the jailer, 'and I will take her part. I love my prisoners; and I have had as good prisoners under my key as they have had in Newgate or the Compter. And so, being one of my lambkins, as I say, no one shall disturb her in her pen-fold. So let go the woman: or I'll knock your brains out with my keys.'
'I'll make a blood-pudding of thy midriff first,' answered Lambourne, laying his left hand on his dagger, but still detaining the Countess by the arm with his right. 'So have at thee, thou old ostrich, whose only living is upon a bunch of iron keys.'
Lawrence raised the arm of Michael, and prevented him from drawing his dagger; and as Lambourne struggled and strove to shake him off; the Countess made a sudden exertion on her side, and slipping her hand out of the glove on which the ruffian still kept hold, she gained her liberty, and escaping from the apartment, ran downstairs; while at the same moment she heard the two combatants fall on the floor with a noise which increased her terror. The outer wicket offered no impediment to her flight, having been opened for Lambourne's admittance; so that she succeeded in escaping down the stair, and fled into the Pleasance, which seemed to her hasty glance the direction in which she was most likely to avoid pursuit.
Meanwhile, Lawrence and Lambourne rolled on the floor of the apartment, closely grappled together. Neither had, happily, opportunity to draw their daggers; but Lawrence found space enough to clash his heavy keys across Michael's face, and Michael in return grasped the turnkey so felly by the throat that the blood gushed from nose and mouth, so that they were both gory and filthy spectacles when one of the other officers of the household, attracted by the noise of the fray, entered the room, and with some difficulty effected the separation of the combatants.
'A murrain on you both,' said the charitable mediator, 'and especially on you, Master Lambourne! What the fiend lie you here for, fighting on the floor like two butchers' curs in the kennel of the shambles?'
Lambourne arose, and somewhat sobered by the interposition of a third party, looked with something less than his usual brazen impudence of visage. 'We fought for a wench, an thou must know,' was his reply.
'A wench! Where is she?' said the officer.
'Why, vanished, I think,' said Lambourne, looking around him, 'unless Lawrence hath swallowed her, That filthy paunch of his devours as many distressed damsels and oppressed orphans as e'er a giant in King Arthur's history. They are his prime food; he worries them body, soul, and substance.'
'Ay, ay! It's no matter,' said Lawrence, gathering up his huge, ungainly form from the floor; 'but I have had your betters, Master Michael Lambourne, under the little turn of my forefinger and thumb, and I shall have thee, before all's done, under my hatches. The impudence of thy brow will not always save thy shin-bones from iron, and thy foul, thirsty gullet from a hempen cord.' The words were no sooner out of his mouth, when Lambourne again made at him.
'Nay, go not to it again,' said the sewer, 'or I will call for him shall tame you both, and that is Master Varney—Sir Richard, I mean. He is stirring, I promise you; I saw him cross the court just now.'
