radiance as to dispel at once those clouds of superstition which continued to obscure the understanding of hasty and ill-instructed converts, there can be no doubt that its immediate operation went to modify the erroneous and extravagant articles of credulity which lingered behind the old pagan faith, and which gave way before it, in proportion as its light became more pure and refined from the devices of men.
The poet Chaucer, indeed, pays the Church of Rome, with its monks and preaching friars, the compliment of having, at an early period, expelled from the land all spirits of an inferior and less holy character. The verses are curious as well as picturesque, and may go some length to establish the existence of doubts concerning the general belief in fairies among the well-instructed in the time of Edward III.
The fairies of whom the bard of Woodstock talks are, it will be observed, the ancient Celtic breed, and he seems to refer for the authorities of his tale to Bretagne, or Armorica, a genuine Celtic colony:—
When we see the opinion which Chaucer has expressed of the regular clergy of his time, in some of his other tales, we are tempted to suspect some mixture of irony in the compliment which ascribes the exile of the fairies, with whih the land was 'fulfilled' in King Arthur's time, to the warmth and zeal of the devotion of the limitary friars. Individual instances of scepticism there might exist among scholars, but a more modern poet, with a vein of humour not unworthy of Geoffrey himself, has with greater probability delayed the final banishment of the fairies from England, that is, from popular faith, till the reign of Queen Elizabeth, and has represented their expulsion as a consequence of the change of religion. Two or three verses of this lively satire may be very well worth the reader's notice, who must, at the same time, be informed that the author, Dr. Corbett, was nothing less than the Bishop of Oxford and Norwich in the beginning of the seventeenth century. The poem is named 'A proper new Ballad, entitled the Fairies' Farewell, to be sung or whistled to the tune of the Meadow Brow by the learned; by the unlearned to the tune of Fortune:'—