these ready supplements to a failing invention. But you, most of all, have right to complain that the fairest have not favoured your researches—you, who have shown the world that the age of chivalry still exists—you, the knight of Croftangry, who braved the fury of the 'London 'prentice bold,' in behalf of the fair Dame Policy, and the memorial of Rizzio's slaughter! Is it not a pity, cousin, considering the feat of chivalry was otherwise so much according to rule—is it not, I say, a great pity that the lady had not been a little younger, and the legend a little older?'
'Why, as to the age at which a fair dame loses the benefit of chivalry, and is no longer entitled to crave boon of brave knight, that I leave to the statutes of the Order of Errantry; but for the blood of Rizzio I take up the gauntlet, and maintain against all and sundry that I hold the stains to be of no modern date, but to have been actually the consequence and the record of that terrible assassination.'
'As I cannot accept the challenge to the field, fair cousin, I am contented to require proof.'
'The unaltered tradition of the Palace, and the correspondence of the existing state of things with that tradition.'
'Explain, if you please.'
'I will. The universal tradition bears that, when Rizzio was dragged out of the chamber of the Queen, the heat and fury of the assassins, who struggled which should deal him most wounds, despatched him at the door of the anteroom. At the door of the apartment, therefore, the greater quantity of the ill fated minion's blood was spilled, and there the marks of it are still shown. It is reported further by historians, that Mary continued her entreaties for his life, mingling her prayers with screams and exclamations, until she knew that he was assuredly slain; on which she wiped her eyes and said, 'I will now study revenge.''
'All this is granted. But the blood—would it not wash out, or waste out, think you, in so many years?'
'I am coming to that presently. The constant tradition of the Palace says, that Mary discharged any measures to be taken to remove the marks of slaughter, which she had resolved should remain as a memorial to quicken and confirm her purposed vengeance. But it is added that, satisfied with the knowledge that it existed, and not desirous to have the ghastly evidence always under her eye, she caused a traverse, as it is called (that is, a temporary screen of boards), to be drawn along the under part of the anteroom, a few feet from the door, so as to separate the place stained with the blood from the rest of the apartment, and involve it in considerable obscurity. Now this temporary partition still exists, and, by running across and interrupting the plan of the roof and cornices, plainly intimates that it has been intended to serve some temporary purpose, since it disfigures the proportions of the room, interferes with the ornaments of the ceiling, and could only have been put there for some such purpose as hiding an object too disagreeable to be looked upon. As to the objection that the bloodstains would have disappeared in course of time, I apprehend that, if measures to efface them were not taken immediately after the affair happened—if the blood, in other words, were allowed to sink into the wood, the stain would become almost indelible. Now, not to mention that our Scottish palaces were not particularly well washed in those days, and that there were no Patent Drops to assist the labours of the mop, I think it very probable that these dark relics might subsist for a long course of time, even if Mary had not desired or directed that they should be preserved, but screened by the traverse from public sight. I know several instances of similar bloodstains remaining for a great many years, and I doubt whether, after a certain time, anything can remove them save the carpenter's plane. If any seneschal, by way of increasing the interest of the apartments, had, by means of paint, or any other mode of imitation, endeavoured to palm upon posterity supposititious stigmata, I conceive that the impostor would have chosen the Queen's cabinet and the bedroom for the scene of his trick, placing his bloody tracery where it could be distinctly seen by visitors, instead of hiding it behind the traverse in this manner. The existence of the said traverse, or temporary partition, is also extremely difficult to be accounted for, if the common and ordinary tradition be rejected. In short, all the rest of this striking locality is so true to the historical fact, that I think it may well bear out the additional circumstance of the blood on the floor.'
'I profess to you,' answered Mrs. Baliol, 'that I am very willing to be converted to your faith. We talk of a credulous vulgar, without always recollecting that there is a vulgar incredulity, which, in historical matters as well as in those of religion, finds it easier to doubt than to examine, and endeavours to assume the credit of an esprit fort, by denying whatever happens to be a little beyond the very limited comprehension of the sceptic. And so, that point being settled, and you possessing, as we understand, the open sesamum into these secret apartments, how, if we may ask, do you intend to avail yourself of your privilege? Do you propose to pass the night in the royal bedchamber?'
'For what purpose, my dear lady? If to improve the rheumatism, this east wind may serve the purpose.'
'Improve the rheumatism! Heaven forbid! that would be worse than adding colours to the violet. No, I mean to recommend a night on the couch of the nose of Scotland, merely to improve the imagination. Who knows what dreams might be produced by a night spent in a mansion of so many memories! For aught I know, the iron door of the postern stair might open at the dead hour of midnight, and, as at the time of the conspiracy, forth might sally the phantom assassins, with stealthy step and ghastly look, to renew the semblance of the deed. There comes the fierce fanatic Ruthven, party hatred enabling him to bear the armour which would otherwise weigh down a form extenuated by wasting disease. See how his writhen features show under the hollow helmet, like those of a corpse tenanted by a demon, whose vindictive purpose looks out at the flashing eyes, while the visage has the stillness of death. Yonder appears the tall form of the boy Darnley, as goodly in person as vacillating in resolution; yonder he advances with hesitating step, and yet more hesitating purpose, his childish fear having already overcome his childish passion. He is in the plight of a mischievous lad who has fired a mine, and who now, expecting the explosion in remorse and terror, would give his life to quench the train which his own hand lighted. Yonder— yonder—But I forget the rest of the worthy cutthroats. Help me if you can.'
'Summon up,' said I, 'the postulate, George Douglas, the most active of the gang. Let him arise at your call—the claimant of wealth which he does not possess, the partaker of the illustrious blood of Douglas, but which in his veins is sullied with illegitimacy. Paint him the ruthless, the daring, the ambitious—so nigh greatness, yet debarred from it; so near to wealth, yet excluded from possessing it; a political Tantalus, ready to do or dare anything to terminate his necessities and assert his imperfect claims.'
'Admirable, my dear Croftangry! But what is a postulate?'
'Pooh, my dear madam, you disturb the current of my ideas. The postulate was, in Scottish phrase, the candidate for some benefice which he had not yet attained. George Douglas, who stabbed Rizzio, was the postulate for the temporal possessions of the rich abbey of Arbroath.'
'I stand informed. Come, proceed; who comes next?' continued Mrs. Baliol.
'Who comes next? Yon tall, thin made, savage looking man, with the petronel in his hand, must be Andrew Ker of Faldonside, a brother's son, I believe, of the celebrated Sir David Ker of Cessford; his look and bearing those of a Border freebooter, his disposition so savage that, during the fray in the cabinet, he presented his loaded piece at the bosom of the young and beautiful Queen, that queen also being within a few weeks of becoming a mother.'
'Brave, beau cousin! Well, having raised your bevy of phantoms, I hope you do not intend to send them back to their cold beds to warm them? You will put them to some action, and since you do threaten the Canongate with your desperate quill, you surely mean to novelise, or to dramatise, if you will, this most singular of all tragedies?'
'Worse—that is less interesting—periods of history have been, indeed, shown up, for furnishing amusement to the peaceable ages which, have succeeded but, dear lady, the events are too well known in Mary's days to be used as vehicles of romantic fiction. What can a better writer than myself add to the elegant and forcible narrative of Robertson? So adieu to my vision. I awake, like John Bunyan, 'and behold it is a dream.' Well enough that I awake without a sciatica, which would have probably rewarded my slumbers had I profaned Queen Mary's bed by using it as a mechanical resource to awaken a torpid imagination.'
'This will never do, cousin,' answered Mrs. Baliol; 'you must get over all these scruples, if you would thrive in the character of a romantic historian, which you have determined to embrace. What is the classic Robertson to you? The light which he carried was that of a lamp to illuminate the dark events of antiquity; yours is a magic lantern to raise up wonders which never existed. No reader of sense wonders at your historical inaccuracies, any more than he does to see Punch in the show box seated on the same throne with King Solomon in his glory, or to hear him hallooing out to the patriarch, amid the deluge, 'Mighty hazy weather, Master Noah.''
'Do not mistake me, my dear madam,' said I; 'I am quite conscious of my own immunities as a tale teller. But even the mendacious Mr. Fag, in Sheridan's Rivals, assures us that, though he never scruples to tell a lie at his
