you’ll pardon my French, this is
“What? When was that? Why didn’t you call me?” demands Greg. His beard is quivering with indignation.
Georgina rolls her eyes, then opens a cabinet and hauls out a double handful of chipped ceramic mugs. “You were attending to a breech delivery, one of old Godmanchester’s Frisians as I recall. Melissa sent Babs instead and she patched him up—”
“Why would you leave arsenic lying around in a stable?” I ask, finally unable to contain myself. “Isn’t that a bit risky?”
Two heads swivel as one to regard the alien interloper. “Arsenic is Octavia’s horse,” Georgina explains, her voice slow and patient. “A seventeen-year-old bay gelding. He used to belong to Jack’s mounted unit but they put him out to pasture two years ago. Sixteen-and-a-half hands, police-trained, perfect for an ambitious thirteen- year-old.”
I’m blinking at this point. I recognize “police,” but the rest of the words might as well be rocket science or motorbike internals for all I can tell. All I can work out is the context. “So he’s a horse, and he was attacked by one of these EMOCUM things?” I ask. “Was that serious?”
“It tried to
“Where are you keeping him for the time being?” Greg asks, with the kindly but direct tone of a magistrate enquiring after the fate of a mugger’s victim.
“He’s in the south paddock while I sort out getting the woodshed refitted as a temporary stable, but there’s damp rot in the roof beams. And we had to move Travail and Jug-Jug, too. Not to mention Graceless, Pointless, Feckless and Aimless, who are all under-producing and their milk is sour and they won’t go anywhere near the yard. It’s a disaster, except for the cost-plus contract to look after the new Units. An absolute disaster! For two shillings I’d sell them to a traveling knacker just to get rid of them. But that’d leave Jack in the lurch, and the police with nowhere to put the other six they’ve got coming, and we can’t be having that, so think of England, say I.”
Greg takes a swig of rust-colored caffeine delivery fluid: the beard clenches briefly around it, then swallows. “Well, I suppose we’d better take a look at these EMOCUM beasties. What do you think, young feller?”
“I think that’d be a very good idea,” I say cautiously. My head’s spinning: Georgina has swapped out the game board from underneath our original plan—and what the
To paraphrase the stern & terrible Oliver, I beseech you, Robert, in the bowels of Christ, think it possible that you may be mistaken about unicorns. They are an antique horror that surpasses human understanding, a nightmarish reminder that we are but swimmers in the sunlit upper waters of an abyss & beneath us in the inky darkness there move monsters that, though outwardly of fair visage, harbor appetites less wholesome than Sawney Bean’s. As Professor Watts reminds us, fully three-quarters of life’s great & bounteous cornucopia consists of parasites, battening furtively on the flesh of the few productive species that grace creation. It is true that some of these parasites are marvelously attuned to the blind spots of their hosts; consider the humble cuckoo & the way its eggs, so different in shape & color from those that surround them, are nevertheless invisible to the host that raises the changeling in the nest. Just so too do unicorns exploit our beliefs, our mythology, our affection for our loyal equine servants! But their fair visage is merely a hollow mask that conceals a nightmare’s skull.
I knew none of that as I stood in that terrible courtyard, feet braced uncertainly on slime-trailed cobblestones slick with the mucilaginous secretions of the flesh-eating snails, facing the darkness within the gaping jaws of the stable with only a pair of steel tongs in my hand—and the looking-glass I had fetched with some vague, childish idea of sketching the details of the snail’s shell to compare with the encyclopedia in my grandfather’s library. Standing there in that revelatory moment of which I have dreamed ever since, I knew only Hetty’s blasphemous grin, the slithering horror of the tentacular mollusk as it fled towards the stables, and an apprehension of the greater nightmare that lurked beyond that shadow’d threshold.
But I was not unarmed! A stack of chopped lumber lay beneath a roof at one side of the barn, & the yard was strewn with moldering hay. I strode across, trying not to look within those horrid doors, & seized a slender branch that had been left intact, presumably as kindling.
“What are you doing?” demanded Hetty: “Won’t you go inside right away? Mummy-horse needs help!”
“It’s all right,” I consoled her; “but I need to see what I’m doing if I am to help her.” And with that facile reassurance I scooped up a handful of straw & used my handkerchief to bind it around the stick. Then I strode to the sunlit corner of the yard & pulled out my glass, bringing it to a focus on the straw.
Hetty stared at me oddly, then retreated to the barn door, her hips swaying lasciviously as she beckoned. There was, I recall, a sultry smile on her lips & a glazed & lustful expression that I, in my juvenile naivete, barely apprehended was contrived to be seductive. As she stepped backwards into the shadows she raised her petticoats, revealing far more leg than common decency normally allowed in those days. I shuddered. “Won’t you come with me?” she sang.
The tip of my wand erupted with a pale glow. I breathed on the straw until it caught. I found myself wishing I had some tar or paraffin; with barely a minute until it burned down, I knew I had scant opportunity. I stepped toward her, a steely resolve in my chest propelling me forward even though my knees nearly knocked together & my teeth clattered in my head. “I’m coming, dear,” I said as Hetty retreated further into darkness, lifting her dress over her hips. She wore—pardon me for the nature of this confession—nothing beneath it, but was naked as the day she was born. Livid bruises studded her pale thighs, some of them circular, with puncture marks at their centers, scabbed-over wounds that hinted at unholy practices. No dance of the seven veils was this, but rather the puppet-show of a diseased and depraved imagination, seeking to corrupt & abuse the feeble- minded & weak-willed & lure them to a fate of unspeakable moral degeneracy.
The choking air within the barn reeked of overpowering decay, tempered by a musky odor that set my loins aflame despite my terror. I saw a lamp hanging from a nail just inside the door. Seizing it, I hastily applied the torch (fading to embers even then) to the wick, and just in time: for it caught. I raised the lamp & wound the wick up until it flared, & forced myself to look past Hetty—shamefully naked now, thrusting her hips towards me & supporting her uncorseted bosom with both hands in a manner transparently calculated to attract my attention—to behold the benthic horror of the angler fish lurking half-unseen in the twilight, dangling its shapely lure before me—its chosen prey!
This abomination stared at me with those glistening, liquid horse-eyes & woman-eyes: and it repeatedly coiled & recoiled tentacles like those of the Pacific octopus. Mouths opened & closed as those muscular ropes twitched & slithered around Hetty’s feet. “Do you want me?” her sweet soprano offered, even as a pink-skinned tentacle with fewer suckers than most spiraled around her left leg, questing & climbing. “Mummy-horse says don’t be afraid!” The pink & blindly questing