In one of the flagstones there was a small hole through which a pipe directed the air-current from the bellows into the fire.
The wheezy breath of the smith’s apparatus was supplied by an impressive four chamber air pump. Eadulf had heard that such a large bellows existed but had never seen one. He had also heard that it gave a more uniform blast to the furnace than the normal two chamber device. It was obviously much harder to work for they saw the smith, sweating at the fire, assisted by a sturdy bellows blower whose job was to raise and depress end chambers by standing on two short boards and raising one foot at a time in the manner of someone walking slowly and deliberately. The faster he walked the quicker the bellows worked.
The smith was a well built, muscular man in his thirties, wearing leather trousers but no shirt with only a buckskin apron to protect him from the sparks. He was holding a red-hot piece of iron in a
The smith saw them approaching and paused, spitting into the hot coals of his forge so that there was a momentary sizzling sound.
‘Suibne, get me more wood charcoal,’ he ordered his assistant without taking his eyes off them.
The bellows pumper jumped down from the boards and disappeared into a shed.
The smith drew the back of his hand across his face, wiping away the sweat, as they halted before him.
‘What can I do for you?’ he asked, examining them each in turn. ‘Do you seek me out as a smith or do you seek me out as
The
‘I am Fidelma of Cashel,’ Fidelma introduced herself. She was more formal with the man once she heard that he held rank. ‘What is your name?’
The smith straightened perceptibly. Who had not heard of the King’s sister? The chieftain to whom he owed allegiance was Fidelma’s own cousin, Finguine of Cnoc Aine.
‘I am called Nion, lady.’
Fidelma drew out the arrows from her
‘Tell me what you make of these, Nion,’ she asked without explanation.
The smith wiped his hands on his apron and took the arrows from her hands and, holding them up, examined them carefully.
‘I am no fletcher, although I have made arrow heads before now. These are of competent workmanship. The head on this one is made of bronze and constructed, as you see, with a hollow
‘A what?’ demanded Eadulf, leaning forward.
‘A socket. See there where the wood of the shaft is inserted? These are especially fine for you see that the head is fixed by a tiny metal rivet.’
‘And where would you guess they were made?’ pressed Fidelma.
‘No need to guess,’ replied the smith with a smile. ‘See the flight? That bears the symbol of a fletcher of Cnoc Aine and you are in that territory, as you must know, lady.’
Fidelma smiled thinly. ‘And would you be able to point to such a craftsman, Nion?’
The smith gave an unexpected roar of laughter. ‘See my neighbour there …’ he said, pointing to a carpentry shop nearby. ‘He makes the shafts and constructs the flights, while I make the heads and fix them in place. This arrow is one of a batch I made not above a week ago. I recognise the metalworking. Why do you ask, lady?’ he added, returning the arrows to her.
His assistant returned and emptied a bag of charcoal on the furnace fire, poking it with an iron rod.
‘I would like to know something about the man to whom you sold these arrows.’
At once the smith’s eyes narrowed suspiciously. ‘Why?’
‘If you have nothing to hide, Nion, you will tell me. Remember that you are answering the questions of a
Nion stared at her as if trying to gauge her intentions and then shrugged. ‘Then as
Eadulf was disappointed but Fidelma did not give up.
‘Sometimes memories have to be teased out,’ she observed. ‘You say the man looked like a professional archer. Describe him.’
After some hesitation Nion the smith described the bowman whom Gionga had slain. It was a good description and there was no doubting the identification of the man.
‘You spoke to him. How did he sound?’
The smith rubbed his jaw and then his eyes brightened. ‘He spoke roughly, like any professional soldier but he was not of the warrior caste; not a man born into the nobility of the craft of arms.’
‘Did you not ask what he was doing here?’ intervened Eadulf.
‘No. Nor would I ask him. Better not to ask a warrior why he wants weapons unless he wants to volunteer such information.’
‘I can understand that,’ agreed Fidelma. ‘So he volunteered no information?’
The smith shook his head.
‘Did he have any companion with him?’
‘No.’
‘You seem certain of that. Did he ride a horse?’
‘Oh yes. He rode a chestnut mare. I noticed that for the beast’s rear shoes needed fixing. One had been struck loose by a stone. I sorted out that problem at once.’
‘Could you tell anything from the horse?’ Fidelma knew well enough that a professional smith should tell in what style a horse was shod, sometimes even to identifying the geographical location of the smith who did the work.
‘That it was last shoed in the north was obvious,’ the smith replied at once. ‘I have seen that style before and know it is used by the smiths of Clan Brasil. I could also tell that the animal had seen its best years. It was not the sort of animal that a warrior of status would ride, though it was a war horse.’
‘So what else did you discern?’
‘Nothing. What business was it of mine?’
‘You are the
Nion stared at her without speaking. It was obvious that the news shocked him.
‘I had no hand in this affair, lady,’ he said anxiously. ‘I merely made the arrows and sold them. I did not know who the man was …’
Fidelma raised her hand to quiet his outburst.
‘I tell you this only to show that sometimes these matters can be your business, magistrate of Imleach. Bearing this in mind, is there anything else that you should tell me about this archer?’
There was no doubt that Nion was trying his best to think now, and he raised one hand to the back of his head to rub it as an aid to the process.
‘I can add nothing further, lady. But, of course, if he were a stranger in the area, then this archer must have stayed a few days within this vicinity in order to wait for the arrows. Perhaps the inn where he stayed might have further knowledge?’