Was it unethical? When you’re desperate, you sometimes have to push the envelope. Kwame was on a desperately failing team. His judgment wasn’t admirable, but I don’t think he crossed the line: He was supporting his team members.
They were all great, even Sam. What I found interesting was the shifting dynamic of the group and their interplay, with its changing patterns and alliances. That’s the way business teams function.
As everyone saw, the women dominated the men at first, and it made some people wonder whether women are superior at business. I believe we’re all equal, except in one respect: Women still have to try harder, and they know it. They will do what they have to do to get the job done and will not necessarily be demure about it.
A lot of people were surprised when I decided to lecture the women about the way they were using their sex appeal. They used it successfully at first, but I knew that would not always be the case. It works, and then it doesn’t, and I didn’t want them to fall into a trap.
All the women on
As a result of
At Planet Hollywood in Times Square with George Ross and Carolyn Kepcher.
I chose Carolyn, an executive vice president and the director of one of my largest properties, because she’s shown a lot of smarts over the years. George, an executive vice president and senior counsel, is a shrewd, tough guy with brains—he doesn’t put up with nonsense from anyone.
My executive assistants Rhona Graff and Robin Himmler are also featured regularly, and even though they have high-stress jobs, I think you’ll agree they look anything but stressed on TV. My executives Allen Weisselberg, Charlie Reiss, Norma Foerderer, and Tom Downing also made appearances, and Bernie Diamond appears four times. Whenever I make a big hiring decision, these people are involved, so it was only natural for me to include them in choosing the apprentice.
The only person I had to coax into appearing was my vice president and personal assistant, Norma Foerderer. She prefers being the power behind the throne and didn’t want to be in the limelight, but I finally convinced her.
I’ve been asked how much the success of
We’re already at work on the second season, to premiere in the fall of 2004. For those of you interested in applying and winning, here are the four essential qualities I’m looking for in an apprentice:
1. An outstanding personality.Someone who makes everyone feel comfortable. No matter what you’re doing in business—selling, buying, negotiating, analyzing, or managing—this may be the most essential trait. You’ve got to be able to connect with the people you encounter, every hour, every day.
2. Brains.Not book brains alone, but street smarts as well. That combination, properly used, is a winner.
3. Creativity.The ability to see beyond the obvious, to think unpredictably and imaginatively, to make connections others might not envision. This is perhaps the hardest quality to develop—you’ve either got it or you don’t. But you can be creative in different ways. Jeff Zucker is a creative TV executive. Derek Jeter is a creative shortstop. If they switched jobs, they might not be as creative in their various fields.
4. Loyalty and trust.Absolutely required traits. Unlike creativity and brains, any person can possess these qualities, so if you lack them, you have no one to blame but yourself.
Let’s suppose, out of the hundreds of thousands of applicants, you’re selected. Let’s suppose you actually win. You become famous for fifteen minutes (or perhaps more) and bag a $250,000-a-year job at The Trump Organization.
Then what?
I titled this book
My ideal goals are success with significance. That’s worth more than the money. Being paid is nice. In most cases, it is absolutely necessary, and a good scorecard for success, but it certainly isn’t the only one. I didn’t do