'Excuse me...'
'What?' He whirled round, caught unawares by this intrusion into his private raging of a quiet polite voice.
'Are you connected with...?' The woman indicated all the unpleasantness and the lower-ground-floorness and the horrible sort of policeness of things next door to her with a little floating movement of her wrist. Her wrist wore a red bracelet which matched the frames of her glasses. She was looking over the garden wall from the house on the right, with an air of stightly anxious distaste.
Dirk glared at her speechlessly. She looked about forty- somethingish and neat, with an instant and unmistakable quality of advertising about her.
She gave a troubled sigh.
'I know it's probably all very terrible and everything,' she said, 'but do you think it will take long? We only called in the police because the noise of that ghastly record was driving us up the wall. It's all a bit...'
She gave him a look of silent appeal, and Dirk decided that it could all be her fault. She could, as far as he was concerned, take the blame for everything while he sorted it out. She deserved it; if only for wearing a bracelet like that.
Without a word, he turned his back on her, and took his fury back inside the house where it began rapidly to freeze into something hard and efficient.
'Gilks!' he said. 'Your smart-alec suicide theory. I like it. It works for me. And I think I see how the clever bastard pulled it off. Bring me pen. Bring me paper.'
He sat down with a flourish at the cherrywood farmhouse table which occupied the centre of the rear portion of the room and deftly sketched out a scheme of events which involved a number of household or kitchen implements, a swinging, weighted light fitting, some very precise timing, and hinged on the vital fact that the record turntable was Japanese.
'That should keep your forensic chaps happy,' said Dirk briskly to Gilks. The forensic chaps glanced at it, took in its salient points and liked them. They were simple, implausible, and of exactly that nature which a coroner who liked the same sort of holidays in Marbella which they did would be sure to relish.
'Unless,' said Dirk casually, 'you are interested in the notion that the deceased had entered into some kind of diabolical contract with a supernatural agency for which payment was now being exacted?'
The forensic chaps glanced at each other and shook their heads. There was a strong sense from them that the morning was wearing on and that this kind of talk was only introducing unnecessary complications into a case which otherwise could be well behind them before lunch.
Dirk made a satisfied shrug, peeled off his share of the evidence and, with a final nod to the constabulary, made his way back upstairs.
As he reached the hallway, it suddenly became apparent to him that the gentle sounds of day-time television which he had heard from out in the garden had previously been masked from inside by the insistent sound of the record stuck in its groove.
He was surprised now to realise that they were in fact coming from somewhere upstairs in this house. With a quick look round to see that he was not observed he stood on the bottom step of the staircase leading to the upstairs floors of the house and glanced up them in surprise.
Chapter 6
The stairs were carpeted with a tastefully austere matting type of substance. Dirk quietly made his way up them, past some tastefully dried large things in a pot that stood on the first landing, and looked into the rooms on the first floor. They, too, were tasteful and dried.
The larger of the two bedrooms was the only one that showed any signs of current use. It had clearly been designed to allow the morning light to play on delicately arranged flowers and duvets stuffed with something like hay, but there was a feeling that socks and used shaving heads were instead beginning to gather the room into their grip. There was a distinct absence of anything female in the room - the same sort of absence that a missing picture leaves behind it on a wall. There was an air of tension and of sadness and of things needing to be cleaned out from under the bed.
The bathroom, which opened out from it, had a gold disc hung on the wall in front of the lavatory, for sales of five hundred thousand copies of a record called Hot Potato by a band called Pugilism and the Third Autistic Cuckoo. Dirk had a vague recollection of having read part of an interview with the leader of the band (there were only two of them, and one of them was the leader) in a Sunday paper. He had been asked about their name, and he had said that there was an interesting story about it, though it turned out not to be. 'It can mean whatever people want-it to mean,' he had added with a shrug from the sofa of his manager's office somewhere off Oxford Street.
Dirk remembered visualising the journalist nodding politely and writing this down. A vile knot had formed in Dirk's stomach which he had eventually softened with gin.
'Hot Potato... ' thought Dirk. It suddenly occurred to him looking at the gold disc hanging in its red frame, that the record on which the late Mr Anstey's head had been perched was obviously this one. Hot Potato. Don't pick it up.
What could that mean?
Whatever people wanted it to mean, Dirk thought with bed grace.
The other thing that he remembered now about the interview was that Pain (the leader of Pugilism and the Third Autistic Cuckoo was called Pain) claimed to have written the lyrics down more or less verbatim from a conversation which he or somebody had overheard in a cafe or a sauna or an aeroplane or something like that. Dirk wondered how the originators of the conversation would feel to hear their words being repeated in the circumstances in which he had just heard them.
