there is compassionate interest; and as he looks here and there, he seems to understand such wretchedness and to have studied it before.
On the banks of the stagnant channel of mud which is the main street of Tom-all-Alone's, nothing is to be seen but the crazy houses, shut up and silent. No waking creature save himself appears except in one direction, where he sees the solitary figure of a woman sitting on a door-step. He walks that way. Approaching, he observes that she has journeyed a long distance and is footsore and travelstained. She sits on the door-step in the manner of one who is waiting, with her elbow on her knee and her head upon her hand.
Beside her is a canvas bag, or bundle, she has carried. She is dozing probably, for she gives no heed to his steps as he comes toward her.
The broken footway is so narrow that when Allan Woodcourt comes to where the woman sits, he has to turn into the road to pass her.
Looking down at her face, his eye meets hers, and he stops.
'What is the matter?'
'Nothing, sir.'
'Can't you make them hear? Do you want to be let in?'
'I'm waiting till they get up at another house-a lodging-house-not here,' the woman patiently returns. 'I'm waiting here because there will be sun here presently to warm me.'
'I am afraid you are tired. I am sorry to see you sitting in the street.'
'Thank you, sir. It don't matter.'
A habit in him of speaking to the poor and of avoiding patronage or condescension or childishness (which is the favourite device, many people deeming it quite a subtlety to talk to them like little spelling books) has put him on good terms with the woman easily.
'Let me look at your forehead,' he says, bending down. 'I am a doctor. Don't be afraid. I wouldn't hurt you for the world.'
He knows that by touching her with his skilful and accustomed hand he can soothe her yet more readily. She makes a slight objection, saying, 'It's nothing'; but he has scarcely laid his fingers on the wounded place when she lifts it up to the light.
'Aye! A bad bruise, and the skin sadly broken. This must be very sore.'
'It do ache a little, sir,' returns the woman with a started tear upon her cheek.
'Let me try to make it more comfortable. My handkerchief won't hurt you.'
'Oh, dear no, sir, I'm sure of that!'
He cleanses the injured place and dries it, and having carefully examined it and gently pressed it with the palm of his hand, takes a small case from his pocket, dresses it, and binds it up. While he is thus employed, he says, after laughing at his establishing a surgery in the street, 'And so your husband is a brickmaker?'
'How do you know that, sir?' asks the woman, astonished.
'Why, I suppose so from the colour of the clay upon your bag and on your dress. And I know brickmakers go about working at piecework in different places. And I am sorry to say I have known them cruel to their wives too.'
The woman hastily lifts up her eyes as if she would deny that her injury is referable to such a cause. But feeling the hand upon her forehead, and seeing his busy and composed face, she quietly drops them again.
'Where is he now?' asks the surgeon.
'He got into trouble last night, sir; but he'll look for me at the lodging-house.'
'He will get into worse trouble if he often misuses his large and heavy hand as he has misused it here. But you forgive him, brutal as he is, and I say no more of him, except that I wish he deserved it. You have no young child?'
The woman shakes her head. 'One as I calls mine, sir, but it's Liz's.'
'Your own is dead. I see! Poor little thing!'
By this time he has finished and is putting up his case. 'I suppose you have some settled home. Is it far from here?' he asks, good-humouredly making light of what he has done as she gets up and curtsys.
'It's a good two or three and twenty mile from here, sir. At Saint Albans. You know Saint Albans, sir? I thought you gave a start like, as if you did.'
'Yes, I know something of it. And now I will ask you a question in return. Have you money for your lodging?'
'Yes, sir,' she says, 'really and truly.' And she shows it. He tells her, in acknowledgment of her many subdued thanks, that she is very welcome, gives her good day, and walks away. Tom-allAlone's is still asleep, and nothing is astir.
Yes, something is! As he retraces his way to the point from which he descried the woman at a distance sitting on the step, he sees a ragged figure coming very cautiously along, crouching close to the soiled walls-which the wretchedest figure might as well avoid-and furtively thrusting a hand before it. It is the figure of a youth whose face is hollow and whose eyes have an emaciated glare. He is so intent on getting along unseen that even the apparition of a stranger in whole garments does not tempt him to look back. He shades his face with his ragged elbow as he passes on the other side of the way, and goes shrinking and creeping on with his anxious hand before him and his shapeless clothes hanging in shreds. Clothes made for what purpose, or of what material, it would be impossible to say. They look, in colour and in substance, like a bundle of rank leaves of swampy growth that rotted long ago.
Allan Woodcourt pauses to look after him and note all this, with a shadowy belief that he has seen the boy before. He cannot recall how or where, but there is some association in his mind with such a form. He imagines that he must have seen it in some hospital or refuge, still, cannot make out why it comes with any special force on his remembrance.
He is gradually emerging from Tom-all-Alone's in the morning light, thinking about it, when he hears running feet behind him, and looking round, sees the boy scouring towards him at great speed, followed by the woman.
'Stop him, stop him!' cries the woman, almost breathless. 'Stop him, sir!'
He darts across the road into the boy's path, but the boy is quicker than he, makes a curve, ducks, dives under his hands, comes up half-a-dozen yards beyond him, and scours away again. Still the woman follows, crying, 'Stop him, sir, pray stop him!' Allan, not knowing but that he has just robbed her of her money, follows in chase and runs so hard that he runs the boy down a dozen times, but each time he repeats the curve, the duck, the dive, and scours away again. To strike at him on any of these occasions would be to fell and disable him, but the pursuer cannot resolve to do that, and so the grimly ridiculous pursuit continues. At last the fugitive, hard-pressed, takes to a narrow passage and a court which has no thoroughfare. Here, against a hoarding of decaying timber, he is brought to bay and tumbles down, lying gasping at his pursuer, who stands and gasps at him until the woman comes up.
'Oh, you, Jo!' cries the woman. 'What? I have found you at last!'
'Jo,' repeats Allan, looking at him with attention, 'Jo! Stay. To be sure! I recollect this lad some time ago being brought before the coroner.'
'Yes, I see you once afore at the inkwhich,' whimpers Jo. 'What of that? Can't you never let such an unfortnet as me alone? An't I unfortnet enough for you yet? How unfortnet do you want me fur to be? I've been a- chivied and a-chivied, fust by one on you and nixt by another on you, till I'm worritted to skins and bones. The inkwhich warn't MY fault. I done nothink. He wos wery good to me, he wos; he wos the only one I knowed to speak to, as ever come across my crossing. It ain't wery likely I should want him to be inkwhiched. I only wish I wos, myself. I don't know why I don't go and make a hole in the water, I'm sure I don't.'
He says it with such a pitiable air, and his grimy tears appear so real, and he lies in the corner up against the hoarding so like a growth of fungus or any unwholesome excrescence produced there in neglect and impurity, that Allan Woodcourt is softened towards him.
He says to the woman, 'Miserable creature, what has he done?'
To which she only replies, shaking her head at the prostrate figure more amazedly than angrily, 'Oh, you Jo, you Jo. I have found you at last!'
'What has he done?' says Allan. 'Has he robbed you?'
'No, sir, no. Robbed me? He did nothing but what was kind-hearted by me, and that's the wonder of
