constant buzzing resonates, like a warning issued, or a threat. How is it possible for these brambles to have grown unnoticed? How could they have allowed it to happen? They believed him to be gone, they wished it to be so, but some mistakes come back to haunt you again and again, no matter how certain you are that they've finally been put to rest.
As she stands there, a fine drizzle begins, and that's what makes Kylie come after her, the fact that her aunt is standing out there all alone, getting wet without seeming to notice.
'Oh, no,' Kylie says when she sees how tall the hedge of thorns has grown since she and Gideon played chess on the lawn.
'We'll just cut them down again,' Gillian says. 'That's what we'll do.'
But Kylie shakes her head. No clippers could get through those thorns, not even an ax would do. 'I wish my mom would get home,' she says.
Laundry has been left on the line, and if it stays out it will be soaked, but that's not the only problem. The hedge of thorns is giving off something nasty, a mist you can barely see, and the hems of each sheet and shirt have become blotchy and discolored. Kylie may be the only one who can see it, but every stain on their clean laundry is deep and dark. Now she realizes why she hasn't been able to imagine their vacation, why it's all been a blank inside her head.
'We're not going to the aunts',' she says.
The branches of the hedge are black, but anyone who looks carefully will see that the thorns are as red as blood.
Puddles are collecting on the patio by the time Antonia pushes open the back door. 'Are you guys crazy?' she calls. When Gillian and Kylie don't answer, she takes a black umbrella from the coat rack and runs out to join them.
A storm with near-hurricane-force winds has been predicted for late tomorrow. Other people in the neighborhood have heard the news and have gone out to buy rolls of masking tape; when the wind arrives to rattle their windows, the glass will be held together with X's of tape. It's the Owens house that's in danger of being blown off its foundation.
'Great way to start a vacation,' Antonia says.
'We're not going,' Kylie tells her.
'Of course we're going,' Antonia insists. 'I'm already packed.'
In her opinion, it's truly creepy out tonight; it makes no sense to be standing here in the dark. Antonia shivers and considers the overcast sky, but she doesn't look away long enough to miss seeing that her aunt has grabbed Kylie's arm. Gillian holds on tight to Kylie; if she dared to let go she might not be able to stand on her own. Antonia looks to the rear of the yard, and then she understands. There's something under those horrible thorn bushes.
'What is it?' Antonia asks.
Kylie and Gillian are breathing a little too quickly; fear is rising off them in waves. It's possible to smell fear like this; it's a little like smoke and ashes, like flesh that's come too close to a fire.
'What?' Antonia says. As soon as she takes a step toward the bushes, Kylie pulls her back. Antonia squints to see through the shadows. Then she laughs. 'It's just a boot. That's all it is.'
It's snakeskin, one of a pair that cost nearly three hundred dollars. Jimmy would never go to Western Warehouse or anyplace like that. He liked more expensive shops; he always preferred items that were one-of-a- kind.
'Don't go over there!' Gillian says when Antonia starts to retrieve the boot.
The rain is coming down hard now; there's a curtain of it, gray as a blanket of tears. In the place where they buried him, the earth looks spongy. If you reached your hand in, you might just be able to pluck out a bone. You might be dragged down yourself, if you weren't careful, deep into the mud, and you'd struggle and you'd try to draw a breath, but it wouldn't do the least bit of good.
'Did either of you find a ring back here?' Gillian asks.
The girls are both shivering now, and the sky is black. You'd think it was midnight. You'd think it was impossible for the heavens to have ever been blue, like ink, or robins' eggs; like the ribbons girls thread through their hair for luck.
'A toad brought one into the house,' Kylie says. 'I forgot all about it.'
'It was his.' Gillian's voice doesn't even sound like her. This voice is too thick and sad, and much too distant. 'Jimmy's.'
'Who's Jimmy?' Antonia says. When no one answers her she looks to the hedge of thorns, and then she knows. 'He's back there.' Antonia leans against her sister.
If it storms as badly as the meteorologists have predicted and the yard should flood, then what? Gillian and Kylie and Antonia are drenched through and through; the umbrella Antonia holds aloft can't protect them. Their hair is plastered to their heads; their clothes will have to be wrung out in the shower.
The ground near the thornbushes looks indented, as if it were already sinking in upon itself or, worse, sinking in on Jimmy. If he rises to the surface, like his silver ring, like some horrid, wicked fish, it will be over for them.
'I want my mother,' Antonia says in a very small voice.
When they finally turn and run for the house, the lawn squishes under their feet. They run even faster; they run as though their nightmares were right behind them on the grass. Once they're inside, Gillian locks the door, then drags a chair over and positions it under the doorknob.
That dark June night when Gillian pulled into the driveway under a circle of light may as well have been a hundred years ago. She isn't the same person she was when she arrived. That woman who tiptoed up to the front door with the sort of urgency only desperation can dispense would have already packed her car and been gone. She would never have stuck around to see what that investigator from Tucson would do with everything Sally told him. She wouldn't have remained in the vicinity, and she wouldn't have left a note behind for Ben Frye, even if she cared for him the way she does tonight. She'd be halfway through Pennsylvania by this time, with the radio on, loud, and a full tank of gas. She wouldn't bother to look in her rearview mirror, not for a minute, not once. And that's the difference, it's simple and it's plain: The person that's here now isn't going anywhere, except into the kitchen to fix her nieces some camomile tea to settle their nerves.
'We're perfectly fine,' she tells the girls. Her hair is a disaster and her breathing is ragged; mascara is streaked across her pale skin in wavering lines. Still, she's the one who's here, not Sally, and it's up to her to send the girls to bed and to assure them that she can take care of things. No need to worry, that's what she tells them. They're safe and sound tonight. While the rain pours down, while the wind rises in the east, Gillian will think of a plan, she'll have to, because Sally could no more help her figure out what to do than she could leap from a tree and fly.
No longer balanced by logic, Sally is weightless tonight. She, who has always valued the sensible and the useful above all else, lost her way as soon as she drove down the Turnpike. She couldn't find the Hide-A-Way Motel, though she's passed it a thousand times before. She had to stop at a gas station and ask directions, and then she had her heart-attack thing, which forced her to search out the filthy restroom, where she washed her face with cool water. She looked at her reflection in the smudged mirror above the sink and breathed deeply for several minutes until she was steady once more.
But she soon discovered that she wasn't as steady as she'd thought. She didn't see the brake lights of the car ahead of her after she'd pulled back onto the Turnpike, and there was a minor fender-bender, which was completely her fault. The left headlight of her Honda is now barely attached and is in danger of falling off completely every time she steps on the brake.
By the time she finally pulls up to the Hide-A-Way, her family at home is halfway through dinner, and the parking lot of the fried-chicken franchise diagonally across the Turnpike is packed with customers. But food is the last thing Sally wants. Her stomach is jumpy and she's nervous, she's insanely nervous, which is probably why she brushes her hair twice before she gets out of the car and starts for the motel office. Pools of oil shimmer on the asphalt; one lonely crab apple tree, plopped down in the single plot of earth and surrounded by some red geraniums, shudders when the traffic on the Turnpike zooms by. Only four cars are parked in the lot, and three are real bombs. If she were looking for Gary's car, the one farthest from the office would seem the most likely choice— it's a Ford of some sort and it looks like a rental car. But more than that, it's been left there so neatly and carefully,
