time of his disappearance. She said his name was James, and although she had no idea what he could possibly have been doing on an island off the coast of Maine, the photograph in theCamera looked a great deal like her husband. A great deal, indeed.” He paused. “I guess she knew it was more than just a passin resemblance, because she got about that far and then began to cry.”

12

Stephanie asked Dave to spell Mrs. Cogan’s first name. In Dave Bowie’s thick Maine accent, all she was hearing was a bunch ofa -sounds with anl in the middle.

He did so, then said, “She didn’t have his fingerprints—accourse not, poor left-behind thing—but she was able to give me the name of the dentist they used, and—”

“Wait, wait, wait,” Stephanie said, putting her hand up like a traffic cop. “This man Cogan, what did he do for a living?”

“He was a commercial artist in a Denver advertising agency,” Vince said. “I’ve seen some of his work since, and I’d have to say he was a pretty good one. He was never going to go nationwide, but if you wanted a quick picture for an advertising circular that showed a woman holdin a roll of toilet tissue up like she’d just caught herself a prize trout, Cogan was your man. He commuted to Denver twice a week, on Tuesdays and Wednesdays, for meetings and product conferences. The rest of the time he worked at home.”

She switched her gaze back to Dave. “The dentist spoke to Cathcart, the Medical Examiner. Is that right?”

“You’re hittin on all cyclinders, Steff. Cathcart didn’t have any X-rays of the Kid’s dental work, he wasn’t set up for that and saw no reason to send the corpse out to County Memorial where dental X-rays could have been taken, but he noted all the fillings, plus the two crowns. Everything matched. He then went on ahead and sent copies of the dead man’s fingerprints to the Nederland Police, who got a tech from the Denver P.D. to go out to the Cogan residence and dust James Cogan’s home office for prints. Mrs. Cogan—Arla—told the fingerprint man he wouldn’t find anything, that she’d cleaned the whole works from stem to stern when she’d finally admitted to herself that her Jim wasn’t coming back, that he’d either left her, which she could hardly believe, or that something awful had happened to him, which she wascoming to believe.

“The fingerprint man said that if Cogan had spent ‘a significant amount of time’ in the room that had been his study, there would still be prints.” Dave paused, sighed, ran a hand through what remained of his hair. “There were, and we knew for sure who John Doe, also known as the Colorado Kid, really was: James Cogan, age forty- two, of Nederland, Colorado, married to Arla Cogan, father of Michael Cogan, age six months at the time of his father’s disappearance, age going on two years at the time of his father’s identification.”

Vince stood up and stretched with his fisted hands in the small of his back. “What do you say we go inside, people? It’s commencing to get a tiny bit chilly out here, and there’s a little more to tell.”

13

They each took a turn at the rest room hidden in an alcove behind the old offset press that they no longer used (the paper was now printed in Ellsworth, and had been since ’02). While Dave took his turn, Stephanie put on the Mr. Coffee. If the story-that-was-not-a-story went on another hour or so (and she had a feeling it might), they’d all be glad of a cup.

When they were reconvened, Dave sniffed in the direction of the little kitchenette and nodded approvingly. “I like a woman who hasn’t decided the kitchen’s a place of slavery just because she works for a livin.”

“I feel absolutely the same way about a man,” Stephanie said, and when he laughed and nodded (she had gotten off another good one, two in one afternoon, a record), she tilted her own head toward the huge old press. “That thing looks like a place of slavery to me,” she said.

“It looks worse than it ever was,” Vince said, “but the one before it was a horror. That one’d take your arm off if you weren’t careful, and make a damn good snatch at it even if you were. Now where were we?”

“With the woman who’d just found out she was a widow,” Stephanie said. “I presume she came to get the body?”

“Yep,” Dave said.

“And did one of you fetch her here from the airport in Bangor?”

“What do you think, dear?”

It wasn’t a question Stephanie had to mull over for very long. By late October or early November of 1981, the Colorado Kid would have been very old business to the State of Maine authorities…and as a choking victim, he had been very minor business to begin with. Just an unidentified dead body, really.

“Of course you did. You two were really the only friends she had in the state of Maine.” This idea had the odd effect of making her realize that Arla Cogan had been (and, somewhere, almost certainly still was) a real person, and not just a chess-piece in an Agatha Christie whodunit or an episode ofMurder, She Wrote .

“I went,” Vince said, speaking softly. He sat forward in his chair, looking at his hands, which were clasped in a driftwood gnarl below his knees. “She wasn’t what I expected, either. I had a picture built in my head, one based on a wrong idea. I should have known better. I’ve been in the newspaper business sixty-five years—as long as my partner in crime there’s been alive, and he’s no longer the gay blade he thinks he is—and in that length of time, I’ve seen my share of dead bodies. Most of em would put all that romantic poetry stuff—‘I saw a maiden fair and still’—out of your head in damn short order. Dead bodies are ugly things indeed, by n large; many hardly look human at all anymore. But that wasn’t true of the Colorado Kid. He looked almost good enough to be the subject of one of those romantic poimes by Mr. Poe. I photographed him before the autopsy, accourse, you have to remember that, and if you stared at the finished portrait for more’n a second or two, he still looked deader than hell (at least to me he did), but yes, there was something kinda handsome about him just the same, with his ashy cheeks and pale lips and that little touch of lavender on his eyelids.”

“Brrr,” Stephanie said, but she sort of knew what Vince was saying, and yes, it was a poem by Poe it called to mind. The one about the lost Lenore.

“Ayuh, sounds like true love t’me,” Dave said, and got up to pour the coffee.

14

Vince Teague dumped what looked to Stephanie like half a carton of Half ’N Half into his, then went on. He did so with a rather rueful smile.

“All I’m trying to say is that I sort expected a pale and dark-haired beauty. What I got was a chubby redhead with a lot of freckles. I never doubted her grief and worry for a minute, but I sh’d guess she was one of those who eats rather than fasts when the rats gnaw at her nerves. Her folks had come from Omaha or Des Moines or somewhere to watch out for the baby, and I’ll never forget how lost n somehow alone she looked when she came out of the jetway, holdin her little carry-on bag not by her side but up to her pouter-pigeon bosom. She wasn’t a bit what I expected, not the lost Lenore—”

Stephanie jumped and thought,Maybe now thetelepathy goes three ways.

“—but I knew who she was, right away. I waved and she came to me and said, ‘Mr. Teague?’ And when I said yes, that’s who I was, she put down her bag and hugged me and said, ‘Thank you for coming to meet me. Thank you for everything. I can’t believe it’s him, but when I look at the picture, I know it is.’

“It’s a good long drive down here—no one knows that better than you, Steff—and we had lots of time to talk. The first thing she asked me was if I had any idea what Jim was doing on the coast of Maine. I told her I did not. Then she asked if he’d registered at a local motel on the Wednesday night—” He broke off and looked at Dave. “Am I right? Wednesday night?”

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