and we both know it.
'I like it,' he says.
'Oh,
Margret walks in behind me. Quickly, I furrow my eyebrows and point a sharp finger at Jonathan.
'So? Is that clear?'
'Yes,' he replies.
I walk out past Margret. 'Let's not say another word about this, then.'
Of course, next week he'll probably get into homemade tattoos, and his defence will begin, 'Well, Papa said…'
I have my bags packed ready.
57
We have shower issues. Today I had a shower and she's put out some kind of weird cosmetic soap. I flinch at the idea of guessing how much this soap must have cost because it's utterly rubbish, which is usually a good indication of knee-buckling expense (Cotton flannel – 50p, Skin-lacerating wad woven from dried bark and nasal hair by Amazonian tribeswomen who will use whatever money they make from the sale to buy cotton flannels – Ј12.50). This soap did not wash, but instead covered me in an iridescent film of grease – and, sadly, I'd made a last minute change of plans and decided to spend today sitting in front of the TV rather than swimming The Channel. Tch – irony, eh? Anyway, I had to have
Margret has cold showers first thing in the morning. How unsurprising is that? In fact, I could have just left the rest of this page blank and merely put at the top 'Margret has cold showers first thing in the morning' and everyone reading would have been able to infer the rest. I, it won't surprise you to learn, don't like mornings to begin with, and
Words will be exchanged.
58
It's getting worse. I've mentioned this, in passing, before, but it's getting worse. We were watching Hannibal on DVD the other week, and Margret was sitting beside me, looking at the screen, right from the moment I hit 'play'. This, incidentally, is because before we watch any DVD or video we have this ritual.
Mil – 'Are you ready?'
Margret – 'Yes.'
Mil – 'No you're not, you're clearly not. Sit down here.'
Margret – 'I'm ready, I'm ready, I'm just cutting out this magazine article and putting the kids toys away in an order based on the psychological warmth of their respective colours and making a cup of tea and wondering if we should move that mirror six inches to the left, but I'm ready – go ahead, start the film.'
Mil – 'No. I'll start the film when you're sitting here. If I start the film now, you'll sit down in three minutes time and say, 'What's happened?' and I'll have to do that thing with my mouth. Not going to happen. You sit here right from the beginning.'
[Margret makes an injured pantomime of dragging herself over to the sofa and sitting down beside me.]
Mil – 'Thank you.'
[I press 'play'. The FBI copyright warning comes up and, knowing full well it won't work, I repeatedly try to fast forward through it for the annoying amount of time – precisely long enough for me to fully hate the FBI and the entire motion picture industry – it takes to fade. A logo swirls around the screen. Darkness. A single, threatening, bass note rumbles low. Swelling in volume as the first image seeps into life.]
Margret – 'I've just remembered, I need to phone Jo.'
Mil – 'Arrrrggghhheeeiiiiiieeeeerrrrgghhhhhhhhgkkkkk-kkk-kk-k!'
Margret – 'I only need to ask if she has a text book – carry on.'
Mil – 'No. Make the phone call. I'll wait.'
Margret – 'OK, done.'
Mil – 'Right.'
[I wind back four or five seconds to have the moody intro again, Margret complains we've already seen this bit and – as it's getting late now – there's no need. I reply it's important for setting the mood, she thinks it's a stupid thing to do, the exchange degenerates into a twenty minute row about foreplay, and then we finally begin to watch the film.]
So, that's what happens, every time, and thus on this occasion as with all others, Margret has been sitting beside me since the very beginning of the film. Which, casting your mind back, you'll recall is Hannibal.
Titles. Silence. A face appears.
Margret – 'Who's that?'
Getting worse. I was watching the Davis Cup on TV and, as the players are sitting down for a of change ends, the camera idly pans round the crowd, pausing on a woman eating an ice cream. Margret says?… Louder – I can't hear you… Yes, yes she does.
I'm here to make an appeal for the population of the Earth to wear name tags at all times, three tags if you're an actor: your character's name, your real name and a list of things you've been in before. Please, do it. They only cost a few pence – please don't make me beg.
59
What Margret and I have, essentially, is a Mexican stand-off with love instead of guns. OK, yes, sometimes there are guns too. The important thing is the mindset, though. Sure, people can argue about important issues,