Damn, damn, damn washing up. Now, in the normal course of things I do all the cooking and washing up. (This is partly due to a tactical error I made in an argument many years ago. You know when you're so angry you start blurring the line between masochistic hyperbole and usefully hissing threat? 'Well, maybe I'll just microwave all my CDs – look, look, there goes my Tom Robinson Band – feel better now?' Been there? Splendid. So, several years ago we're having this argument and somehow I found myself inhabiting a place where saying, 'OK, OK, OK – I'll do all the cooking and all the washing up all the time, then!' seemed like a hugely cunning gambit. In fact, though, this is not too bad a deal. You see, if Margret is cooking turkey (unstuffed, three-and-a-half-hours) and oven chips (20 minutes, turn once), then she'll begin putting them in the oven at precisely the same time. If Margret's preparing tea, then its style will be her variation on Sweet 'n' Sour that runs Burnt Beyond Recognition 'n' Potentially Fatal.) Can you remember what I was saying before I opened those brackets? Hold on… ah, right – washing up. Now, the thing is, if you're an English male, what you do when you leave home is go to the shop nearest to your new place, buy a Pot Noodle (Chicken and Mushroom), feast on its delights slumped on the sofa in front of the TV, swill out the plastic carton it came in, then use this carton for all your subsequent meals until you get married. There's a beauty of economy to it. Thus, when I cook a meal for four, the aftermath left in the sink as I carry the gently steaming plates to the table is a single saucepan and, if I've pulled out the all stops to dazzle visiting Royalty, perhaps a spoon. Margret cannot make cheese on toast without using every single saucepan, wok, tureen and colander in the house. Post-Margret-meal, I walk into the kitchen to discover a sink teetering with utensils holding off gravity only by the sly use of a spatzle glue.
'How the hell did you use all these to make that?'
'It's just what I needed.'
'What? Where did the lawnmower fit in?'
Arguments. There are many arguments we have over arguments. 'Who started argument x', for example, is a old favourite that has not had its vigour dimmed by age nor its edge blunted through use. Another dependable companion is, 'I'm not arguing, I'm just talking – you're arguing,' along with its more stage-struck (in the sense that it relishes an audience – parties, visiting relatives, Parent's Evenings at school, in shops, etc.) sibling, 'Right, so we're going to get into this argument here are we?' An especially frequent argument argument, however, is the result of Margret NOT STICKING TO THE DAMN ARGUMENT, FOR CHRIST'S SAKE. Margret jack-knifes from argument to argument, jigs direction randomly and erratically like a shoal of Argument Fish being followed by a Truth Shark. It's fearsomely difficult to land a blow because by the time you've let fly with the logic she's not there anymore. A row about vacuuming gets shifted to the cost of a computer upgrade, from there to who got up early with the kids most this week and then to the greater interest rates of German banks via the noisome sexual keenness of some former girlfriend, those-are–hair–scissors-don't-use-them-for-paper and, 'When was the last time you bought me flowers?' all in the space of about seven exchanges. 'Arrrrrrgggh! What are we arguing about? Can you just decide what it is and stick to it?'
The key to a successful relationship is communication. That's the First Rule. Margret's corollary to the First Rule is the Timing clause. This states that the best time to initiate a complex and lengthy talk about, say, exactly how we should go about a loft conversion is (in reverse order of preference):
– When you see that Mil is playing a game online and is one point away from becoming Champion Of The World, Mil is racing out of the house to catch a train, Mil is in the middle of trying to put out a kitchen fire, etc.
– During the final minutes of a tense thriller Mil has been watching for the past two hours. Ideally at the precise point when someone has begun to say, 'Good Lord! Then the murderer must be…'
– Just at the moment, late at night, when Mil has finally managed to fall asleep.
– In the middle of having sex.
When Margret used to go shopping and she'd see, for example, a pair of jeans in a department store, do you know what she used to do? Try them on. I think you're all with me here, but just for anyone who's joined us late, I don't mean she'd go to the changing rooms and try them on. That would be a preposterous idea wouldn't it? No, she'd just get undressed there in the middle of the sales floor to try them on. It took me some considerable time to persuade her that this wasn't normal behaviour in Britain, despite what she might have seen on Benny Hill. Even then, she only stopped – amid much eye-rolling and, 'You and your silly social conventions,' head shaking – to humour me. It rubs a tiny circle from the misted-up window through which you can view the tormented, horizonless landscape that is My World to mention that I'd entirely forgotten about all this until someone sent me a email yesterday that accidentally exhumed the memory. With Margret this kind of thing just gets drowned out by the general noise. I wouldn't be surprised if, a few months from now, I'm here writing, 'Ahhh – that reminds me of Margret's role in the John Lennon shooting…'
Wherever I'm standing is where Margret needs to be standing, and vice versa. Doesn't matter where we are – the kitchen, the bathroom, Scotland – we each infuriatingly occupy the space where the other one wants to be, urgently. Over the years we've developed signals for this situation. Mine is to stand behind her and mutter under my breath. Margret's is to shoulder-charge me out of the way.
Margret flooded the kitchen last week. Turned the taps on, put the plug in the sink, and utterly forgot about it (because she'd come upstairs and we'd got involved in an unrelated argument). She goes back downstairs, opens the door and – whoosh – it's Sea World. The interesting thing about this is, if I'd flooded the kitchen, it would have been a bellowing, 'You've flooded the kitchen, you idiot!' and then she'd have done that thing where I curl up in a ball, trying to protect my head, and she kicks me repeatedly in the kidneys. As it was, however, there's a shout, I run downstairs and stand for a beat in the doorway – taking in the scene, waves lapping gently at my ankles – and she turns round and roars, 'Well, help me
