At that precise instant a door opened across the way, dull light spilled forth, and a solitary figure in black stalked out. He halted and framed himself momentarily in the lighted doorway, then he sent a burst of fire from an automatic weapon into the air, and immediately disappeared into the surrounding darkness in a diving leap. The Executioner was no longer 'in there.'
The driver of the Mafia vehicle gasped, 'Well, dig that cool bastard!'
But he was talking to himself. Danno Giliamo had gone to ground behind the car and Nick Trigger was scrambling for cover inside. The automatic weapon chattered again, but not harmlessly into the air this time. The window glass of the big vehicle exploded in an inward shower and Gio Scaldicci's head underwent an explosion of its own, pieces of the skull flying into the rear seat amid bloodied bubbles of brain tissue, and what was left of Gio slumped forward onto the steering wheel. The horn began sounding in an endless wail and presided over the louder booms and staccatos of combat weapons as thunder and lightning enveloped the night outside
It had not been an act of mindless bravado that sent Mack Bolan through that lighted doorway. He was angry, yes, and disgusted right down to the shivering center of himself, but the combat specialist had known precisely what he was doing.
The idea was
The lighted car directly opposite his position had been a godsend. Even though he had just come from a lighted environment and his night vision had not been given time to develop, he was of course aware of the men grouped in and about that lit vehicle, and it was a natural target. The second burst from the
His third burst was to reach the gas tank and to make frictional .sparks ignite the ready fuel into a bonfire. He was rewarded: the big car went up in a towering fireball and with an explosion that rocked the earth beneath his feet.
But since someone out there had a Thompson, Bolan was not standing still for the thundering sweeps of that big chopper. He moved out with the shock of the explosion, circling deep around the fire and trying to get behind the main force, in the hope of backdropping them against the roaring flames. Someone rose up right in his path, grunting with surprise and fear, and Bolan cut him down with the butt of the
Bolan reached the position he sought and threw himself to the ground at the curb of the traffic circle. The horizon thus presented was a beautiful one, to a combat infantryman, with the enemy highlighted as well-defined shadows against a blazing background. He emptied three clips into those shadows, grouping carefully and conserving the flow of ammo through the chattering weapon, until suddenly there was nothing left to shoot at.
Bolan lay there for a moment, listening and looking and refueling the
He stepped around a groaning man and found the man with the Thompson submachinegun lying on his back directly opposite the flaming vehicle. The guy was alive, but not very, though he was conscious and still gripping the Thompson to his chest. Bolan kicked the heavy gun away and said, 'What's your name?'
'Get fucked,' the guy whispered, and coughed up a hemorrhage.
'Who did it to the old man inside?' Bolan asked.
'Get… fucked.'
Bolan moved on, peering at faces, trying to spot Danno Giliamo. The burning car was still roaring furiously. The firenght had been incredibly brief. Only now was the first reaction coming from the people inside the museum. Bolan was aware of blinds being whisked back and of faces peering out from the ground level windows.
And then he became aware of something far more menacing. Through the open door of the museum had erupted three men, all armed, one of them carrying a shotgun. Bolan's
The frozen confrontation held for a split second that seemed much longer, then the man with the shotgun gasped, 'It's Bolan!' and made a fatal move. The
He wheeled about and went quickly back the way he'd come. He had just about pushed his luck too far, and it was time to be moving on. The police would be showing up any minute, and there was a familiar warm stickiness under his arm. He crossed the square, went past the bookshop, and on some subconscious impulse paused at the entrance to the alleyway and was swinging the
Bolan had already dodged back to the corner of the building for cover. He growled, 'Send the gun out first, then yourself, hands on head.'
A pistol hit the cobblestones and slid into view, then a thickset man moved hesitantly out of the shadows and into the flickering light of the square.
Bolan jabbed the muzzle of the
Bolan withdrew the little chattergun and spun the man around, shook him down for weapons, then pushed him forward. 'Start walking,' he commanded. 'Straight ahead.'
'Where we going?'
'Depends,' Bolan said. 'Who are you?'
'I'm Stevie Carbon. I'm in Danno's crew, under Sal Masseri. Or I
'Are you all done living, Stevie?' Bolan asked in a conversational tone.
'No sir, I sure hope not,' came the strained reply.
They moved swiftly to the corner. Bolan shoved the man down the street toward the Lincoln. 'Okay, Stevie, just keep on walking. Nice and quick and don't look back.'
'Where we going?' the man wanted to know.
'Maybe to hell.' Bolan allowed the neckstrap to support the
'Christ, can you tear things up in a hurry,' the man declared, striving for a buddy-buddy tone. 'I figure I got no arguments with a guy like you. I mean, nothing personal you know.'
Bolan knew a surge of weariness—not of the flesh but of the soul. 'That's the screwy part of this whole thing, Stevie,' he said coldly. 'There's nothing personal in any of it, is there? And then we run into an old man who's been tortured clear out of his body. And suddenly it gets very, very, personal.'
The man stumbled, caught himself, and quickly raised his hands again to clutch the back of his head. 'Uh, tell me straight out, Bolan. Are you gonna kill me or not?'
'That depends, Stevie.'
'On what?'
'On what you can tell me.'
'Look I don't know nothing, Bolan. Besides that, uh, I've taken the oath of silence. You know about that,