The Sicilian

Everything must be done to find out. 'That will be your special task, Aspanu,' he said. 'And if there is one, there may be others. I don't care how long it takes or how much money we spend, you must find out.'

Even as a child, Pisciotta had never liked the buffoonish barber of Montelepre. Frisella was one of those barbers who cut hair to suit his mood of the day, one time modishly, another time puckishly, another time with the extreme conservativeness of a peasant farmer. By varying his style he put forward his claim to being an artist. He was also too familiar with his superiors and too patronizing to his equals. With children he was playful in that particularly spiteful Sicilian style which is one of the less pleasant sides of the island character; he would nip their ears with his scissors and sometimes cut their hair so short that their heads looked like billiard balls. So it was with grim satisfaction that Pisciotta reported to Guiliano that Frisella the barber was the police spy and had broken the sacred code of omerta. It was obvious that the Maresciallo was not making a random strike that Easter day. He must have received information that Turi would be there. And how could he have gotten that information since Turi had sent word to his family only twenty-four hours before?

Pisciotta used his own informers in the village to check on every step the Maresciallo had taken during that twenty-four hours. And since only Guiliano's mother and father had known about the visit, he questioned them casually to see if they might have accidentally given anything away.

Maria Lombardo soon smelled out his intention. She said to him, 'I spoke to no one, not even my neighbors. I stayed in the house and cooked so that Turi would have an Easter feast.'

But Guiliano's father had gone to the barber Frisella on the morning of his son's visit. The old man was a little vain, and he wanted to look his best on the rare occasions when his son Turi came to visit at the house in Montelepre. Frisella had shaved and barbered the old man and made his usual jokes. 'Was Signor perhaps going into Palermo to visit certain young ladies there? Was he receiving important visitors from Rome?' He, Frisella, would make Signor Guiliano look handsome enough to receive a 'king.' And Pisciotta visualized the setting. Guiliano's father with a little secretive smile on his face as he grumbled that a man could look like a gentleman for no reason except his own satisfaction. And yet the swelling of importance at knowing his son was famous enough to be called the 'King of Montelepre.' Perhaps the old man had come in on other occasions and the barber had learned that Guiliano visited the same day and so put two and two together.

Maresciallo Roccofino dropped into the barber shop every morning for his daily shave. There did not seem to be any conversation that could convey information from the barber to the policeman. But Pisciotta was certain. He sent spies to the barber shop to lounge around all day and play cards with Frisella at the little table he kept out on the street. They drank wine, talked politics and shouted insults at friends who passed by. Over the weeks Pisciotta's spies gathered more information.

Frisella always whistled the tune of one of his favorite opera arias when he shaved and cut hair; sometimes the large oval-shaped radio would play with recordings from Rome. This would always be the case when he attended the Maresciallo. And there would always be a time when he leaned over the police officer and whispered something. If you were not suspicious it was only a barber being deferential to the wishes of his customer's pleasure. But then one of Pisciotta's spies got a look at the lire note the Maresciallo used to pay for his service. They noticed it was folded, and the barber put it in a special watch fob pocket in his vest, underneath his white coat. When the spy and one of his helpers confronted Frisella and forced him to show the note, it was of ten thousand lire denomination. The barber swore it was for his services over the past few months, and the spies pretended to believe him.

Pisciotta gave his evidence to Guiliano in the presence of Terranova, Passatempo and Corporal Silvestro. They were in their camp in the mountains, and Guiliano went to the edge of one of the cliffs that overlooked Montelepre and stared down at the town.

Master Frisella, the barber, had been a part of that town ever since Guiliano could remember. As a little boy he had gone to Frisella to have his hair cut for Holy Confirmation, and Frisella had given him a small silver coin as a gift. He knew Frisella's wife and son. Frisella had shouted jokes to him in the street and always asked after his mother and father.

But now Frisella had broken the sacred law of omerta. He had sold secrets to the enemy; he was a paid informant of the police. How could he have been so foolish? And what was he, Guiliano, to do with him now? It was one thing to kill the field police in hot combat, it was another thing to execute, in cold blood, an avuncular older man. Turi Guiliano was only twenty-one years of age and this was the first time he had to use the cold cruelty so necessary in great endeavors.

He turned back to the others. 'Frisella has known me all my life. He gave me lemon ices when I was a child, do you remember, Aspanu? And maybe he just gossips with the Maresciallo, doesn't really give him information. It's not as if we told him I was coming to town and then he told the police. Maybe he just gives theories and accepts the money because it is offered. Who would refuse?'

Passatempo was looking at Guiliano with narrowed eyes, as a hyena would regard the body of a dying lion, wondering if the time was ripe and safe to dash in and tear off a piece of flesh. Terranova shook his head slightly, a smile on his lips as if he were listening to a child tell some foolish story. But only Pisciotta answered him.

'He's as guilty as a priest in a whorehouse,' Pisciotta said. 'We could give him a warning,' Guiliano said. 'We could bring him over to our side and use him to give false information to the authorities when it suits our purpose.' Even as he spoke, he knew he was wrong. He could no longer afford such gestures. Pisciotta said wrathfully, 'Why not give him a present, a sack of grain or a chicken while you're at it? Turi, our lives and the lives of all the men out there in the mountains depend on your courage, on your will, on your leadership. How can we follow if you forgive a traitor like Frisella? A man who breaks the law of omerta. The Friends of the Friends would have his liver and heart hanging from the barber pole by this time and on less evidence. If you let him go then every greedy traitor will know he can inform once without punishment. One of those 'onces' could be our death.'

Terranova spoke judiciously. 'Frisella is a stupid buffoon, a greedy and treacherous man. In ordinary times he would only be the village nuisance. Now he is dangerous. To let him off would be foolhardy – he is not intelligent enough to mend his ways. He would think we are not serious people. And so would many others. Turi, you have suppressed the activities of the Friends of the Friends in the town of Montelepre. Their man Quintana moves very cautiously, though he makes some imprudent statements. If you let Frisella off with anything less than death, the Friends would think you weak and test you further. The carabinieri would become bolder, less afraid, more dangerous. Even the citizens of Montelepre would think less of you. Frisella cannot live.' He said this last almost with regret.

Guiliano listened to them thoughtfully. They were right. He was conscious of Passatempo's look and read to the man's heart. Passatempo could never be trusted if Frisella lived. There was no going back to being one of Charlemagne's knights, there was no going back to resolving differences in honorable combat on the Fields of the Cloths of Gold. Frisella would have to be executed and in such a way as to achieve maximum terror.

Guiliano had an idea. He turned to Corporal Silvestro and asked, 'What do you think? Surely the Maresciallo would have told you his informants. Is the barber guilty?'

Silvestro shrugged, his face impassive. He did not speak. They all recognized that it was a point of honor for him not to speak, not to betray his former trust. That his not answering was his way of telling them that the barber certainly had some contact with the Maresciallo. Still Guiliano had to be sure. He smiled at the Corporal and said, 'Now is the time to prove your loyalty to us. We will all go to Montelepre together and you will personally execute the barber in the public square.'

Aspanu Pisciotta marveled at his friend's cunning. Guiliano had always surprised him. He had always acted nobly and yet he could plant a trap worthy of Iago. They had all come to know the Corporal as a truthful and honest man with a sense of fair play. He would never consent to perform the execution if he was not sure the barber was guilty, no matter what the cost to him. Pisciotta saw that Guiliano had a little smile on his face – that if the Corporal refused, the barber would be judged innocent and go free.

But the Corporal stroked his bushy mustache and looked them all in the eye. He said, 'Frisella cuts hair so badly he deserves to die for that alone. I'll be ready in the morning.'

At dawn Guiliano and Pisciotta and ex-Corporal Silvestro took the road down to Montelepre. An hour before them Passatempo had left with a squad of ten men to seal off all streets emptying into the central square of the town. Terranova was left in charge of the camp and prepared to lead a strong band into the town if they ran into serious trouble.