to the America he had been conceived in, the America his parents had always told stories about when he was a child. The fabulous land where there was justice for the poor, where the government was not the lackey of the rich, where the penniless Sicilians rose to riches simply by good honest labor.
Persisting in his avowals of friendship, the Don had contacted Don Corleone in America to help rescue Guiliano and give him sanctuary there. Turi Guiliano understood quite well that Don Croce was also serving his own purposes, but Guiliano knew he had very few options. The power of his band was gone.
Now on this night he would start on his journey to meet with Aspanu Pisciotta; he would place himself in the hands of the American, Michael Corleone. He would leave these mountains now. These mountains that had given him sanctuary for seven years. He would leave his kingdom, his power, his family, and all his comrades. His armies had melted away; his mountains were being overrun; his protectors, the people of Sicily, were being crushed by Colonel Luca's Special Force. If he remained he would win some victories, but his final defeat would be certain. For now, he had no choice.
Turi Guiliano strapped on his
In the months that followed his marriage, there were pitched battles between Colonel Luca's Special Force and segments of Guiliano's band. Colonel Luca had already taken credit for the killing of Passatempo, and the newspapers reported in huge headlines that one of Guiliano's most feared chiefs had been killed in a fierce gun battle with the heroic soldiers of the Special Force to Repress Banditry. Colonel Luca, of course, had suppressed the note left on the body, but Don Croce learned of it from Inspector Velardi. He knew then that Guiliano was fully aware of the treachery that had been done at the Portella della Ginestra.
Colonel Luca's five thousand-man army exerted an intense pressure on Guiliano. He could no longer dare to enter Palermo to buy supplies or sneak into Montelepre to visit his mother and Justina. Many of his men were being betrayed and killed. Some were emigrating on their own to Algeria or Tunisia. Others were disappearing into hiding places that cut them off from the activities of the band. The Mafia was now in active opposition to him, using its network to deliver Guiliano's men into the hands of the
And then finally one of the chiefs was brought down.
Terranova got unlucky, and it was his virtue that brought him misfortune. He had not the ferociousness of Passatempo, the malignant cunning of Pisciotta, the deadliness of
He was a man who required love and affection. A few years before, he had acquired a mistress in Palermo, a widow with three small children. She had never known he was a bandit; she thought he was a government official in Rome who took his holidays in Sicily. She was grateful for the money he gave her and the presents he brought for her children, but it had been made plain to her that they could never marry. And so she gave him the affection and care he needed. When he visited she cooked elaborate meals; she washed his clothes and made love with a grateful passion. Such a relationship could not remain a secret forever from the Friends of the Friends, and Don Croce stored the information away to be used at the proper time.
Justina had visited Guiliano a few times in the mountains, and Terranova had been her bodyguard on her voyages. Her beauty had stirred his feelings of longing, and though he knew it was not prudent, he decided to visit his mistress one last time. He wanted to give her a sum of money that would sustain her and her children in the years to come.
And so one night he sneaked into Palermo alone. He gave the widow the money and explained he might not be able to see her for a long time. She wept and protested and finally he told her who he really was. She was astonished. His usual demeanor was so mild, his nature was so gentle, and yet he was one of the famed Guiliano's great chiefs. She made love with a fiery passion that delighted him, and they spent a happy evening with the three children. Terranova had taught them to play cards, and when they won this time he paid them real money, which made them laugh with joy.
After the children were put to bed, Terranova and the widow continued their lovemaking until dawn. Then Terranova prepared to leave. At the door they embraced for the last time, and then Terranova walked quickly down the little street and into the main square before the cathedral. He felt a happy satiety of the body, and his mind was at peace. He was relaxed and off guard.
The morning air was blasted by the roar of motors. Three black cars sped toward him. Armed men appeared on every side of the square. Other armed men jumped out of the cars. One of the men shouted at him to surrender, to put up his hands.
Terranova took one last look at the cathedral, the statues of saints niched on its sides; he saw the blue and yellow balconies, the sun rising to light the azure sky. He knew that this was the last time he would see such wonders, that his seven years of luck were ended. There remained only one thing for him to do.
He took a great leap as if he would leap over death itself and hurl himself into a safe universe. As his body flew to one side and hit the ground, he drew his pistol and fired. One soldier reeled back and went down to one knee. Terranova tried to pull the trigger again, but by that time a hundred bullets converged on his body, blowing it to pieces, blowing the flesh off his bones. In one way he had been lucky – it had all happened so quickly that he did not have time to wonder if his mistress had betrayed him.
Terranova's death brought a sense of doom to Guiliano. He had known that the reign of the band was finished. That they could no longer counterattack successfully, that they could no longer hide in the mountains. But he had always thought that he and his chiefs would make an escape, that they would not go down to death. Now he knew there was very little time left. There was one thing he had always wanted to do, and so he summoned Corporal Canio Silvestro.
'Our time is over,' he said to Silvestro. 'You once told me you had friends in England who would protect you. Now is the time for you to go. You have my permission.'
Corporal Silvestro shook his head. 'I can always leave when you are safe in America. You need me still. You know I will never betray you.'
'I know that,' Guiliano said. 'And you know the affection I have always had for you. But you were never truly a bandit. You were always a soldier and a policeman. Your heart was always a lawful one. And so you can make a life for yourself when all this is over. The rest of us will find it difficult. We will be bandits forever.'
Silvestro said, 'I never thought of you as a bandit.'
'Nor did I,' Guiliano said. 'And yet what have I done these seven years? I thought I was fighting for justice. I tried to help the poor. I hoped to free Sicily. I wanted to be a good man. But it was the wrong time and the wrong way. For now we must do what we can to save our lives. And so you must go to England. It will make me happy to know that you are safe.' Then he embraced Silvestro. 'You have been my true friend,' he said, 'and those are my orders.'
At dusk, Turi Guiliano left his cave and moved on to the Cappuccini monastery just outside Palermo where he would await word from Aspanu Pisciotta. One of the monks there was a secret member of his band, and he was in charge of the catacombs of the monastery. In these catacombs were hundreds of mummified bodies.
For hundreds of years before World War I it had been the custom of the rich and noble families to pin to the walls of the monastery the costumes in which they wished to be buried.
When they died, after their funerals, their bodies were delivered to the monastery. There the monks were masters of the art of preserving bodies. They exposed the corpses to slow heat for six months, then dried the soft parts of the bodies. In the drying process the skin shriveled, the features contorted into all the grimaces of death, some of horror, some of risibility, all terrible to the viewer. Then the bodies were dressed in the costumes that had been left for them and placed in glass coffins. These coffins were placed in niches in the wall or strung from the