making fun of this great hearted, true gentleman. I burst into tears, I am afraid, my dear, you will think this a very sloppy letter in more ways than one, and I really felt very badly.
Why can't they let a girl marry three men, or as many as want her, and save all this trouble? But this is heresy, and I must not say it. I am glad to say that, though I was crying, I was able to look into Mr. Morris' brave eyes, and I told him out straight...
'Yes, there is some one I love, though he has not told me yet that he even loves me.' I was right to speak to him so frankly, for quite a light came into his face, and he put out both his hands and took mine, I think I put them into his, and said in a hearty way...
'That's my brave girl. It's better worth being late for a chance of winning you than being in time for any other girl in the world. Don't cry, my dear. If it's for me, I'm a hard nut to crack, and I take it standing up. If that other fellow doesn't know his happiness, well, he'd better look for it soon, or he'll have to deal with me. Little girl, your honesty and pluck have made me a friend, and that's rarer than a lover, it's more selfish anyhow. My dear, I'm going to have a pretty lonely walk between this and Kingdom Come. Won't you give me one kiss? It'll be something to keep off the darkness now and then. You can, you know, if you like, for that other good fellow, or you could not love him, hasn't spoken yet.'
That quite won me, Mina, for it was brave and sweet of him, and noble too, to a rival, wasn't it? And he so sad, so I leant over and kissed him.
He stood up with my two hands in his, and as he looked down into my face, I am afraid I was blushing very much, he said, 'Little girl, I hold your hand, and you've kissed me, and if these things don't make us friends nothing ever will. Thank you for your sweet honesty to me, and goodbye.'
He wrung my hand, and taking up his hat, went straight out of the room without looking back, without a tear or a quiver or a pause, and I am crying like a baby.
Oh, why must a man like that be made unhappy when there are lots of girls about who would worship the very ground he trod on? I know I would if I were free, only I don't want to be free. My dear, this quite upset me, and I feel I cannot write of happiness just at once, after telling you of it, and I don't wish to tell of the number Three until it can be all happy. Ever your loving...
Lucy
P.S. — Oh, about number Three, I needn't tell you of number Three, need I? Besides, it was all so confused. It seemed only a moment from his coming into the room till both his arms were round me, and he was kissing me. I am very, very happy, and I don't know what I have done to deserve it. I must only try in the future to show that I am not ungrateful to God for all His goodness to me in sending to me such a lover, such a husband, and such a friend.
Goodbye.
DR. SEWARD'S DIARY (Kept in phonograph)
25 May. — Ebb tide in appetite today. Cannot eat, cannot rest, so diary instead. Since my rebuff of yesterday I have a sort of empty feeling. Nothing in the world seems of sufficient importance to be worth the doing. As I knew that the only cure for this sort of thing was work, I went amongst the patients. I picked out one who has afforded me a study of much interest. He is so quaint that I am determined to understand him as well as I can. Today I seemed to get nearer than ever before to the heart of his mystery.
I questioned him more fully than I had ever done, with a view to making myself master of the facts of his hallucination. In my manner of doing it there was, I now see, something of cruelty. I seemed to wish to keep him to the point of his madness, a thing which I avoid with the patients as I would the mouth of hell.
(Mem., Under what circumstances would I not avoid the pit of hell?) Omnia Romae venalia sunt. Hell has its price! If there be anything behind this instinct it will be valuable to trace it afterwards accurately, so I had better commence to do so, therefore...
R. M, Renfield, age 59. Sanguine temperament, great physical strength, morbidly excitable, periods of gloom, ending in some fixed idea which I cannot make out. I presume that the sanguine temperament itself and the disturbing influence end in a mentally-accomplished finish, a possibly dangerous man, probably dangerous if unselfish. In selfish men caution is as secure an armour for their foes as for themselves. What I think of on this point is, when self is the fixed point the centripetal force is balanced with the centrifugal. When duty, a cause, etc., is the fixed point, the latter force is paramount, and only accident or a series of accidents can balance it.
LETTER, QUINCEY P. MORRIS TO HON. ARTHUR HOLMOOD
25 May.
My dear Art,
We've told yarns by the campfire in the prairies, and dressed one another's wounds after trying a landing at the Marquesas, and drunk healths on the shore of Titicaca. There are more yarns to be told, and other wounds to be healed, and another health to be drunk. Won't you let this be at my campfire tomorrow night? I have no hesitation in asking you, as I know a certain lady is engaged to a certain dinner party, and that you are free. There will only be one other, our old pal at the Korea, Jack Seward. He's coming, too, and we both want to mingle our weeps over the wine cup, and to drink a health with all our hearts to the happiest man in all the wide world, who has won the noblest heart that God has made and best worth winning. We promise you a hearty welcome, and a loving greeting, and a health as true as your own right hand. We shall both swear to leave you at home if you drink too deep to a certain pair of eyes. Come!
Yours, as ever and always,
Quincey P. Morris
TELEGRAM FROM ARTHUR HOLMWOOD TO QUINCEY P. MORRIS
26 May
Count me in every time. I bear messages which will make both your ears tingle.
Art
Chapter 6
MINA MURRAY'S JOURNAL
24 July. Whitby. — Lucy met me at the station, looking sweeter and lovelier than ever, and we drove up to the house at the Crescent in which they have rooms. This is a lovely place. The little river, the Esk, runs through a deep valley, which broadens out as it comes near the harbour. A great viaduct runs across, with high piers, through which the view seems somehow further away than it really is. The valley is beautifully green, and it is so steep that when you are on the high land on either side you look right across it, unless you are near enough to see down. The houses of the old town — the side away from us, are all red-roofed, and seem piled up one over the other anyhow, like the pictures we see of Nuremberg. Right over the town is the ruin of Whitby Abbey, which was sacked by the Danes, and which is the scene of part of 'Marmion,' where the girl was built up in the wall. It is a most noble ruin, of immense size, and full of beautiful and romantic bits. There is a legend that a white lady is seen in one of the windows. Between it and the town there is another church, the parish one, round which is a big graveyard, all full of tombstones. This is to my mind the nicest spot in Whitby, for it lies right over the town, and has a full view of the harbour and all up the bay to where the headland called Kettleness stretches out into the sea. It descends so steeply over the harbour that part of the bank has fallen away, and some of the graves have been destroyed.
In one place part of the stonework of the graves stretches out over the sandy pathway far below. There are walks, with seats beside them, through the churchyard, and people go and sit there all day long looking at the beautiful view and enjoying the breeze.
I shall come and sit here often myself and work. Indeed, I am writing now, with my book on my knee, and listening to the talk of three old men who are sitting beside me. They seem to do nothing all day but sit here and talk.
The harbour lies below me, with, on the far side, one long granite wall stretching out into the sea, with a curve outwards at the end of it, in the middle of which is a lighthouse. A heavy seawall runs along outside of it. On
