complete without her grandfather dragging her across the room to see this second painting.
Behind her, Sophie could hear the guard trying to radio again for help.
She pictured the message scrawled on the protective glass of the
It took only seconds to realize her instinct had been wrong. The back of the painting was pale and blank. There was no purple text here, only the mottled brown backside of aging canvas and—
Sophie's eyes locked on an incongruous glint of lustrous metal lodged near the bottom edge of the frame's wooden armature. The object was small, partially wedged in the slit where the canvas met the frame. A shimmering gold chain dangled off it.
To Sophie's utter amazement, the chain was affixed to a familiar gold key. The broad, sculpted head was in the shape of a cross and bore an engraved seal she had not seen since she was nine years old. A fleur-de-lis with the initials P.S. In that instant, Sophie felt the ghost of her grandfather whispering in her ear.
Sophie now realized that the entire purpose of tonight's word game had been this key. Her grandfather had it with him when he was killed. Not wanting it to fall into the hands of the police, he hid it behind this painting. Then he devised an ingenious treasure hunt to ensure only Sophie would find it.
Sophie snatched the key from behind the painting and slipped it deep in her pocket along with the UV penlight. Peering out from behind the canvas, she could see the guard was still trying desperately to raise someone on the walkie-talkie. He was backing toward the entrance, still aiming the gun firmly at Langdon.
Static.
Gazing up at the large painting behind which she was partially ensconced, Sophie realized that Leonardo da Vinci, for the second time tonight, was there to help.
Grouard glanced over and stopped in his tracks.
Through the reddish haze, he could see that the woman had actually lifted the large painting off its cables and propped it on the floor in front of her. At five feet tall, the canvas almost entirely hid her body. Grouard's first thought was to wonder why the painting's trip wires hadn't set off alarms, but of course the artwork cable sensors had yet to be reset tonight.
When he saw it, his blood went cold.
The canvas started to bulge in the middle, the fragile outlines of the Virgin Mary, Baby Jesus, and John the Baptist beginning to distort.
Grouard wheeled and aimed his gun at her but instantly realized it was an empty threat. The canvas was only fabric, but it was utterly impenetrable—a six-million-dollar piece of body armor.
“Set down your gun and radio,” the woman said in calm French, “or I'll put my knee through this painting. I think you know how my grandfather would feel about that.”
Grouard felt dizzy. “Please… no. That's
“Thank you,” the woman said. “Now do exactly as I tell you, and everything will work out fine.”
Moments later, Langdon's pulse was still thundering as he ran beside Sophie down the emergency stairwell toward the ground level. Neither of them had said a word since leaving the trembling Louvre guard lying in the Salle des Etats. The guard's pistol was now clutched tightly in Langdon's hands, and he couldn't wait to get rid of it. The weapon felt heavy and dangerously foreign.
Taking the stairs two at a time, Langdon wondered if Sophie had any idea how valuable a painting she had almost ruined. Her choice in art seemed eerily pertinent to tonight's adventure. The Da Vinci she had grabbed, much like the
“You chose a valuable hostage,” he said as they ran.
Langdon shot her a startled look. “What!? But how did you know which painting? Why
“So dark the con of man.” She flashed a triumphant smile. “I missed the first two anagrams, Robert. I wasn't about to miss the third.”