Sophie was mesmerized. Sure enough, their clothes were inverse colors. Jesus wore a red robe and blue cloak; Mary Magdalene wore a blue robe and red cloak.
“Venturing into the more bizarre,” Teabing said, “note that Jesus and His bride appear to be joined at the hip and are leaning away from one another as if to create this clearly delineated negative space between them.”
Even before Teabing traced the contour for her, Sophie saw it—the indisputable V shape at the focal point of the painting. It was the same symbol Langdon had drawn earlier for the Grail, the chalice, and the female womb.
“Finally,” Teabing said, “if you view Jesus and Magdalene as compositional elements rather than as people, you will see another obvious shape leap out at you.” He paused. “A
Sophie saw it at once. To say the letter leapt out at her was an understatement. The letter was suddenly all Sophie could see. Glaring in the center of the painting was the unquestionable outline of an enormous, flawlessly formed letter M.
“A bit too perfect for coincidence, wouldn't you say?” Teabing asked.
Sophie was amazed. “Why is it there?”
Teabing shrugged. “Conspiracy theorists will tell you it stands for
Sophie weighed the information. “I'll admit, the hidden M's are intriguing, although I assume nobody is claiming they are proof of Jesus' marriage to Magdalene.”
“No, no,” Teabing said, going to a nearby table of books. “As I said earlier, the marriage of Jesus and Mary Magdalene is part of the historical record.” He began pawing through his book collection. “Moreover, Jesus as a married man makes infinitely more sense than our standard biblical view of Jesus as a bachelor.”
“Why?” Sophie asked.
“Because Jesus was a Jew,” Langdon said, taking over while Teabing searched for his book, “and the social decorum during that time virtually forbid a Jewish man to be unmarried. According to Jewish custom, celibacy was condemned, and the obligation for a Jewish father was to find a suitable wife for his son. If Jesus were not married, at least one of the Bible's gospels would have mentioned it and offered some explanation for His unnatural state of bachelorhood.”
Teabing located a huge book and pulled it toward him across the table. The leather-bound edition was poster-sized, like a huge atlas. The cover read:
“These are photocopies of the Nag Hammadi and Dead Sea scrolls, which I mentioned earlier,” Teabing said. “The earliest Christian records. Troublingly, they do not match up with the gospels in the Bible.” Flipping toward the middle of the book, Teabing pointed to a passage. “The Gospel of Philip is always a good place to start.” Sophie read the passage:
The words surprised Sophie, and yet they hardly seemed conclusive. “It says nothing of marriage.”
Langdon concurred with a nod.
Sophie read the first line again.
Teabing flipped through the book and pointed out several other passages that, to Sophie's surprise, clearly suggested Magdalene and Jesus had a romantic relationship. As she read the passages, Sophie recalled an angry priest who had banged on her grandfather's door when she was a schoolgirl.
“Is this the home of Jacques Sauniere?” the priest had demanded, glaring down at young Sophie when she pulled open the door. “I want to talk to him about this editorial he wrote.” The priest held up a newspaper.
Sophie summoned her grandfather, and the two men disappeared into his study and closed the door.
“It's pornography! Sacrilege!” the priest yelled, emerging from the study and storming to the front door. “How can you possibly endorse that! This American Martin Scorsese is a blasphemer, and the Church will permit him no pulpit in France!” The priest slammed the door on his way out.
When her grandfather came into the kitchen, he saw Sophie with the paper and frowned. “You're quick.”
Sophie said, “You think Jesus Christ had a girlfriend?”
“No, dear, I said the Church should not be allowed to tell us what notions we can and can't entertain.”
“Did Jesus have a girlfriend?”
Her grandfather was silent for several moments. “Would it be so bad if He did?”
Sophie considered it and then shrugged. “I wouldn't mind.”
Sir Leigh Teabing was still talking. “I shan't bore you with the countless references to Jesus and Magdalene's union. That has been explored ad nauseum by modern historians. I would, however, like to point out the following.” He motioned to another passage. “This is from the Gospel of Mary Magdalene.”
Sophie had not known a gospel existed in Magdalene's words. She read the text:
“The woman they are speaking of,” Teabing explained, “is Mary Magdalene. Peter is jealous of her.”
“Because Jesus preferred Mary?”
“Not only that. The stakes were far greater than mere affection. At this point in the gospels, Jesus suspects He will soon be captured and crucified. So He gives Mary Magdalene instructions on how to carry on His Church after He is gone. As a result, Peter expresses his discontent over playing second fiddle to a woman. I