Reaching over, Langdon lifted the smaller cryptex. It looked identical to the first, except half the size and black. He heard the familiar gurgle. Apparently, the vial of vinegar they had heard earlier was inside this smaller cryptex.
“Well, Robert,” Teabing said, sliding the page of vellum over to him.
“You'll be pleased to hear that at least we're flying in the right direction.”
Langdon examined the thick vellum sheet. Written in ornate penmanship was another four-line verse. Again, in iambic pentameter. The verse was cryptic, but Langdon needed to read only as far as the first line to realize that Teabing's plan to come to Britain was going to pay off.
IN LONDON LIES A KNIGHT A POPE INTERRED.
The remainder of the poem clearly implied that the password for opening the second cryptex could be found by visiting this knight's tomb, somewhere in the city.
Langdon turned excitedly to Teabing. “Do you have any idea what knight this poem is referring to?”
Teabing grinned. “Not the foggiest. But I know in precisely which crypt we should look.”
At that moment, fifteen miles ahead of them, six Kent police cars streaked down rain-soaked streets toward Biggin Hill Executive Airport.
Chapter 79
Lieutenant Collet helped himself to a Perrier from Teabing's refrigerator and strode back out through the drawing room. Rather than accompanying Fache to London where the action was, he was now baby-sitting the PTS team that had spread out through Chateau Villette.
So far, the evidence they had uncovered was unhelpful: a single bullet buried in the floor; a paper with several symbols scrawled on it along with the words
Collet sighed.
Moving down a lavish hallway, Collet entered the vast ballroom study, where the chief PTS examiner was busy dusting for fingerprints. He was a corpulent man in suspenders.
“Anything?” Collet asked, entering.
The examiner shook his head. “Nothing new. Multiple sets matching those in the rest of the house.”
“How about the prints on the
“Interpol is still working. I uploaded everything we found.”
Collet motioned to two sealed evidence bags on the desk. “And this?”
The man shrugged. “Force of habit. I bag anything peculiar.”
Collet walked over.
“This Brit's a strange one,” the examiner said. “Have a look at this.” He sifted through the evidence bags and selected one, handing it to Collet.
The photo showed the main entrance of a Gothic cathedral—the traditional, recessed archway, narrowing through multiple, ribbed layers to a small doorway.
Collet studied the photo and turned. “This is peculiar?”
“Turn it over.”
On the back, Collet found notations scrawled in English, describing a cathedral's long hollow nave as a secret pagan tribute to a woman's womb. This was strange. The notation describing the cathedral's
The examiner nodded. “Complete with receding labial ridges and a nice little cinquefoil clitoris above the doorway.” He sighed. “Kind of makes you want to go back to church.”
Collet picked up the second evidence bag. Through the plastic, he could see a large glossy photograph of what appeared to be an old document. The heading at the top read:
“What's this?” Collet asked.
“No idea. He's got copies of it all over the place, so I bagged it.”
Collet studied the document.
Jean de Gisors
Marie de Saint-Clair
Guillaume de Gisors
Edouard de Bar
Jeanne de Bar
Jean de Saint-Clair
Blance D'Evreux
Nicolas Flamel
Rene D'Anjou
