'Christ, it's zombie heaven,' Tom said.
Clay didn't bother answering. The people out there weren't exactly zombies, but Tom was pretty close, just the same.
The idea that his wife and son might be—very likely
' They're like birds,' Alice said. She wiped the tears from her cheeks with the heels of her hands. 'A flock of birds.'
Clay saw what she meant at once and gave her an impulsive hug. She had put her finger on something that had first struck him as he'd watched George the mechanic follow the woman instead of killing her, as he had the old man. The two of them clearly vacant in the upper story, yet seeming to go out front by some unspoken agreement.
'I don't get it,' Tom said.
'You must have missed
'Actually, I did,' Tom said. 'When I want to see someone waddle in a tuxedo, I go to a French restaurant.'
'But haven't you ever noticed the way birds are, especially in the spring and fall?' Clay asked. 'You must have. They'll all light in the same tree or along the same telephone wire—'
'Sometimes so many they make it sag,' Alice said. 'Then they all fly at once. My dad says they must have a group leader, but Mr. Sullivan in Earth Science—back in middle school, this was—told us it was a flock-mind thing, like ants all going out from a hill or bees from a hive.'
'The flock swoops right or left, all at the same time, and the individual birds never hit each other,' Clay said. 'Sometimes the sky's black with them and the noise is enough to drive you nuts.' He paused. 'At least out in the country, where I live.' He paused again. 'Tom, do you . . . do you recognize any of those people?'
'A few. That's Mr. Potowami, from the bakery,' he said, pointing to the Indian man who was wriggling his jaw and chattering his teeth. 'That pretty young woman . . . I believe she works in the bank. And do you remember me mentioning Scottoni, the man who lives on the other side of the block from me?'
Clay nodded.
Tom, now very pale, pointed to a visibly pregnant woman dressed only in a food-stained smock that came down to her upper thighs. Blond hair hung against her pimply cheeks, and a stud gleamed in her nose. 'That's his daughter-in-law,' he said. 'Judy. She has gone out of her way to be kind to me.' He added in a dry, matter-of-fact tone: 'This breaks my heart.'
From the direction of the town center there came a loud gunshot. Alice cried out, but this time Tom didn't have to cover her mouth; she did it herself. None of the people in the street glanced over, in any case. Nor did the report—Clay thought it had been a shotgun—seem to disturb them. They just kept walking, no faster and no slower. Clay waited for another shot. Instead there was a scream, very brief, there and gone, as if cut off.
The three standing in the shadows just beyond the porch went on watching, not talking. All of the people who passed were going east, and although they did not precisely walk in formation, there was an unmistakable order about them. For Clay it was best expressed not in his view of the phone-crazies themselves, who often limped and sometimes shambled, who gibbered and made odd gestures, but in the silent, ordered passage of their shadows on the pavement. They made him think of World War II newsreel footage he'd seen, where wave after wave of bombers flew across the sky. He counted two hundred and fifty before giving up. Men, women, teenagers. Quite a few children Johnny's age, too. Far more children than old people, although he saw only a few kids younger than ten. He didn't like to think of what must have happened to the little guys and gals who'd had no one to take care of them when the Pulse occurred.
Or the little guys and gals who'd been in the care of people with cell phones.
As for the vacant-eyed children he could see, Clay wondered how many now passing before him had pestered their parents for cell phones with special ring-tones last year, as Johnny had.
'One mind,' Tom said presently. 'Do you really believe that?'
'
'She's right,' Clay said.
The migration (once you'd seen it that way it was hard to think of it as anything else) thinned but didn't stop, even after half an hour; three men would pass walking abreast—one in a bowling shirt, one in the remains of a suit, one with his lower face mostly obliterated in a cake of dried gore—and then two men and a woman walking in a half-assed conga line, then a middle-aged woman who looked like a librarian (if you ignored one bare breast wagging in the wind, that was) walking in tandem with a half-grown, gawky girl who might have been a library aide. There would be a pause and then a dozen more would come, seeming almost to form a kind of hollow square, like a fighting unit from the Napoleonic Wars. And in the distance Clay began to hear warlike sounds—a sporadic rattle of rifle-or pistol-fire and once (and close, maybe from neighboring Medford or right here in Maiden) the long, ripping roar of a large-caliber automatic weapon. Also, more screams. Most were distant, but Clay was pretty sure that was what they were.
There were still other sane people around these parts, plenty of them, and some
'I think I want to go into the living room and sit down,' Alice said. 'I don't want to look at them anymore. Listen, either. It makes me sick.'
'Sure,' Clay said. 'Tom, why don't you—?'
'No,' Tom said. 'You go. I'll stay here and watch for a while. I think one of us
Clay nodded. He did.
'Then, in an hour or so, you can spell me. Turn and turn about.'
'Okay. Done.'
As they started back down the hall, Clay with his arm around Alice's shoulders, Tom said: 'One thing.'
They looked back at him.
'I think we all ought to try and get as much rest as possible today. If we're still planning on going north, that is.'
Clay looked at him closely to make sure Tom was still in his right mind. He appeared to be, but—