The Drawing of the Three

taste.

Do-Bees covered all the bases.

This time covering the bases saved his life and Roland's. Staunton's bullet smashed the silver lighter instead of Mort's heart (which was generic; Mort's passion for brand names—good brand names—stopped mercifully at the skin).

He was hurt just the same, of course. When you were hit by a heavy-caliber slug, there was no such thing as a free ride. The lighter was driven against his chest hard enough to create a hollow. It flattened and then smashed apart, digging shallow grooves in Mort's skin; one sliver of shrapnel sliced Mort's left nipple almost in two. The hot slug also ignited the lighter's fluid-soaked batting. Nevertheless, the gunslinger lay still as they approached. The one who had not shot him was telling people to stay back, just stay back, goddammit.

I'm on fire! Mort shrieked. I'm on fire, put it out! Put it out! PUT IT OWWWWWW—

The gunslinger lay still, listening to the grit of the gunslingers' shoes on the pavement, ignoring Mort's shrieks, trying to ignore the coal suddenly glowing against his chest and the smell of frying flesh.

A foot slid beneath his ribcage, and when it lifted, the gunslinger allowed himself to roll bonelessly onto his back. Jack Mort's eyes were open. His face was slack. In spite of the shattered, burning remains of the lighter, there was no sign of the man screaming inside.

'God,' someone muttered, 'did you shoot him with a tracer, man?'

Smoke was rising from the hole in the lapel of Mort's coat in a neat little stream. It was escaping around the edge of the lapel in more untidy blotches. The cops could smell burning flesh as the wadding in the smashed lighter, soaked with Ronson lighter fluid, really began to blaze.

Andy Staunton, who had performed faultlessly thus far, now made his only mistake, one for which Cort would have sent him home with a fat ear in spite of his earlier admirable performance, telling him one mistake was all it took, took to get a man killed most of the time. Staunton had been able to shoot the guy—a thing no cop really knows if he can do until he's faced with a situation where he must find out—but the idea that his bullet had somehow set the guy on fire filled him with unreasoning horror. So he bent forward to put it out without thinking, and the gunslinger's feet smashed into his belly before he had time to do more than register the blaze of awareness in eyes he would have sworn were dead.

Staunton went flailing back into his partner. His pistol flew from his hand. Wheaton held onto his own, but by the time he had gotten clear of Staunton , he heard a shot and his gun was magically gone. The hand it had been in felt numb, as if it had been struck with a very large hammer.

The guy in the blue suit got up, looked at them for a moment and said, 'You're good. Better than the others. So let me advise you. Don't follow. This is almost over. I don't want to have to kill you.'

Then he whirled and ran for the subway stairs.

12

The stairs were choked with people who had reversed their downward course when the yelling and shooting started, obsessed with that morbid and somehow unique New Yorkers' curiosity to see how bad, how many, how much blood spilled on the dirty concrete. Yet somehow they still found a way to shrink back from the man in the blue suit who came plunging down the stairs. It wasn't much wonder. He was holding a gun, and another was strapped around his waist.

Also, he appeared to be on fire.

13

Roland ignored Mort's increasing shrieks of pain as his shirt, undershirt, and jacket began to burn more briskly, as the silver of the lighter began to melt and run down his midsection to his belly in burning tracks.

He could smell dirty moving air, could hear the roar of an oncoming train.

This was almost the time; the moment had almost come around, the moment when he would draw the three or lose it all. For the second time he seemed to feel worlds tremble and reel about his head.

He reached the platform level and tossed the .38 aside. He unbuckled Jack Mort's pants and pushed them casually down, revealing a pair of white underdrawers like a whore's panties. He had no time to reflect on this oddity. If he did not move fast, he could stop worrying about burning alive; the bullets he had purchased would get hot enough to go off and this body would simply explode.

The gunslinger stuffed the boxes of bullets into the underdrawers, took out the bottle of Keflex, and did the same with it. Now the underdrawers bulged grotesquely. He stripped off the flaming suit-jacket, but made no effort to take off the flaming shirt.

He could hear the train roaring toward the platform, could see its light. He had no way of knowing it was a train which kept the same route as the one which had run over Odetta, but all the same he did know. In matters of the Tower, fate became a thing as merciful as the lighter which had saved his life and as painful as the fire the miracle had ignited. Like the wheels of the oncoming train, it followed a course both logical and crushingly brutal, a course against which only steel and sweetness could stand.

He hoicked up Mort's pants and began to run again, barely aware of the people scattering out of his way. As more air fed the fire, first his shirt collar and then his hair began to burn. The heavy boxes in Mort's underdrawers slammed against his balls again and again, mashing them; excruciating pain rose into his gut. He jumped the turnstile, a man who was becoming a meteor. Put me out! Mort screamed. Put me out before I burn up!

You ought to burn, the gunslinger thought grimly. What's going to happen to you is more merciful than you deserve.

What do you mean? WHAT DO YOU MEAN?

The gunslinger didn't answer; in fact turned him off entirely as he pelted toward the edge of the platform. He felt one of the boxes of shells trying to slip out of Mort's ridiculous panties and held it with one hand.

He sent out every bit of his mental force toward the Lady. He had no idea if such a telepathic command could be heard, or if the hearer could be compelled to obey, but he sent it just the same, a swift, sharp arrow of thought:

THE DOOR! LOOK THROUGH THE DOOR! NOW! NOW!

Train-thunder filled the world. A woman screamed 'Oh my God he's going to jump!' A hand slapped at his shoulder, trying to pull him back. Then Roland pushed the body of Jack Mort past the yellow warning line and dove over the edge of the platform. He fell into the path of the oncoming train with his hands cupping his crotch, holding the luggage he would bring back … if, that was, he was fast enough to get out of Mort at just the right instant. As he fell he called her—them— again:

ODETTA HOLMES! DETTA WALKER ! LOOK NOW!