the mid-1970s, how is it that Roland still remembers him?

Despite this confusing and possibly dangerous development, the test of the doors—and the drawing of the three—ends in success for Roland. Eddie Dean accepts his place in Roland's world because he has fallen in love with The Lady of the Shadows. Detta Walker and Odetta Holmes, the other two of Roland's three, are driven together into one personality combining elements of both Detta and Odetta when the gunslinger is finally able to force the two personalities to acknowledge each other. This hybrid is able to accept and return Eddie's love. Odetta Susannah Holmes and Detta Susannah Walker thus become a new woman, a third woman: Susannah Dean.

Jack Mort dies beneath the wheels of the same subway—that fabled A-train—which took Odetta's legs fifteen or sixteen years before. No great loss there.

And for the first time in untold years, Roland of Gilead is no longer alone in his quest for the Dark Tower. Cuthbert and Alain, his lost companions of yore, have been replaced by Eddie and Susannah . . . but the gunslinger has a way of being bad medicine for his friends. Very bad medicine, indeed.

The Waste Lands takes up the story of these three pilgrims on the face of Mid-World some months after the confrontation by the final door on the beach. They have moved some fair way inland. The period of rest is ending, and a period of learning has begun. Susannah is learning to shoot . . . Eddie is learning to carve . . . and the gunslinger is learning how it feels to lose one's mind, a piece at a time.

(One further note: My New York readers will know that I have taken certain geographical liberties with the city. For these I hope I may be forgiven.)

BOOK ONE

JAKE:

FEAR IN A HANDFUL OF DUST

I • BEAR AND BONE

1

A heap of broken images, where the sun heats.

And the dead tree gives no shelter, the cricket no relief,

And the dry stone no sound of water. Only

There is shadow under this red rock,

(Come in under the shadow of this red rock),

And I will show you something different from either

Your shadow in the morning striding behind you

Or your shadow at evening rising to meet you;

I will show you fear in a handful of dust.

—T. S. ELIOT 'The Waste Land'

If there pushed any ragged thistle-stalk

Above its mates, the head was chopped; the bents

Were jealous else. What made those holes and rents

In the dock's harsh swarth leaves, bruised as to balk

All hope of greenness? 'tis a brute must walk

Pashing their life out, with a brute's intents.

—ROBERT BROWNING 'Childe Roland to the Dark Tower Came'

'What river is it?' enquired Millicent idly.

'It's only a stream. Well, perhaps a little more than that.

It's called the Waste.'

'Is it really?'

'Yes,' said Winifred, 'it is.'

—ROBERT AICKMAN 'Hand in Glove'

IT WAS HER THIRD time with live ammunition . . . and her first time on the draw from the holster Roland had rigged for her.

They had plenty of live rounds; Roland had brought back better than three hundred from the world where Eddie and Susannah Dean had lived their lives up until the time of their drawing. But having ammunition in plenty did not mean it could be wasted; quite the contrary, in fact. The gods frowned upon wastrels. Roland had been raised, first by his father and then by Cort, his greatest teacher, to believe this, and so he still believed. Those gods might not punish at once, but sooner or later the penance would have to be paid . . . and the longer the wait, the greater the weight.

At first there had been no need for live ammunition, anyway. Roland had been shooting for more years than the beautiful brown-skinned woman in the wheelchair would believe. He had corrected her at first simply by watching her aim and dry-fire at the targets he had set up. She learned fast. Both she and Eddie learned fast.

As he had suspected, both were born gunslingers.

Today Roland and Susannah had come to a clearing less than a mile from the camp in the woods which had been home to them for almost two months now. The days had passed with their own sweet similarity. The gunslinger's body healed itself while Eddie and Susannah learned the things the gunslinger had to teach them: how to shoot, to hunt, to gut and clean what they had killed; how to first stretch, then tan and cure the hides of those kills; how to use as much as it was possible to use so that no part of the animal was wasted; how to find north by Old Star or south by Old Mother; how to listen to the forest in which they now found themselves, sixty miles or more northeast of the Western Sea. Today Eddie had stayed behind, and the gunslinger was not put out of countenance by this. The lessons which are remembered the longest, Roland knew, are always the ones that are self-taught.

But what had always been the most important lesson was still most important: how to shoot and how to hit what you shot at every time. How to kill.

The edges of this clearing had been formed by dark, sweet-smelling fir trees that curved around it in a ragged semicircle. To the south, the ground broke off and dropped three hundred feet in a series of crumbling shale ledges and fractured cliffs, like a giant's set of stairs. A clear stream ran out of the woods and across the center of the clearing, first bubbling through a deep channel in the spongy earth and friable stone, then pouring across the splintery rock floor which sloped down to the place where the land dropped away.

The water descended the steps in a series of waterfalls and made any number of pretty, wavering

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