Wizard and Glass

ball in. It bulged round at the bottom, making a shape like a teardrop.

Rhea wore a sly smile. 'Mayhap we'll meet Thorin. If so, I might have something to show him in the Good Man's toy that'd interest him ever so much.'

'If you meet him,' Jonas said, getting down to help hitch Depape's horse to the black cart, 'it'll be in a place where no magic is needed to see far.'

She looked at him, frowning, and then the sly smile slowly resurfaced. 'Why, I b'lieve our Mayor's met wiv a accident!'

'Could be,' Jonas agreed.

She giggled, and soon the giggle turned into a full-throated cackle. She was still cackling as they drew out of the yard, cackling and sitting in the little black cart with its cabalistic decorations like the Queen of Black Places on her throne.

CHAPTER VIII THE ASHES

1

Panic is highly contagious, especially in situations when nothing is known and everything is in flux. It was the sight of Miguel, the old mozo, that started Susan down its greased slope. He was in the middle of Seafront's courtyard, clutching his broom of twigs against his chest and looking at the riders who passed to and fro with an expression of perplexed misery. His sombrero was twisted around on his back, and Susan observed with something like horror that Miguel—usually brushed and clean and neat as a pin—was wearing his serape inside out. There were tears on his cheeks, and as he turned this way and that, following the passing riders, trying to hile those he recognized, she thought of a child she had once seen toddle out in front of an oncoming stage. The child had been pulled back in time by his father; who would pull Miguel back?

She started for him, and a vaquero aboard a wild-eyed spotted roan galloped so close by her that one stirrup ticked off her hip and the horse's tail flicked her forearm. She voiced a strange- sounding little chuckle. She had been worried about Miguel and had almost been run down herself! Funny!

She looked both ways this time, started forward, then drew back again as a loaded wagon came careering around the comer, tottering on two wheels at first. What it was loaded with she couldn't see—the goods in the wagonbed were covered with a tarp —but she saw Miguel move toward it, still clutching his broom. Susan thought of the child in front of the stage again and shrieked an inarticulate cry of alarm. Miguel cringed back at the last moment and the cart flew by him, bounded and swayed across the courtyard, and disappeared out through the arch.

Miguel dropped his broom, clapped both hands to his cheeks, fell to his knees, and began to pray in a loud, lamenting voice. Susan watched him for a moment, her mouth working, and then sprinted for the stables, no longer taking care to keep against the side of the building. She had caught the disease that would grip almost all of Hambry by noon, and although she managed to do a fairly apt job of saddling Pylon (on any other day there would have been three stable-boys vying for the chance to help the pretty sai), any ability to think had left her by the time she heel-kicked the startled horse into a run outside the stable door.

When she rode past Miguel, still on his knees and praying to the bright sky with his hands upraised, she saw him no more than any other rider had before her.

2

She rode straight down the High Street, thumping her spurless heels at Pylon's sides until the big horse was fairly flying. Thoughts, questions, possible plans of action … none of those had a place in her head as she rode. She was but vaguely aware of the people milling in the street, allowing Pylon to weave his own path through them. The only thing she was aware of was his name—Roland, Roland, Roland!— ringing in her head like a scream. Everything had gone upside down. The brave little ka-tet they had made that night at the graveyard was broken, three of its members jailed and with not long to live (if they even were still alive), the last member lost and confused, as crazy with terror as a bird in a barn.

If her panic had held, things might have turned out in a much different fashion. But as she rode through the center of town and out the other side, her way took her toward the house she had shared with her father and her aunt. That lady had been watching for the very rider who now approached.

As Susan neared, the door flew open and Cordelia, dressed in black from throat to toe, rushed down the front walk to the street, shrieking with either horror or laughter. Perhaps both. The sight of her cut through the foreground haze of panic in Susan's mind .. . but not because she recognized her aunt.

'Rhea!' she cried, and drew back on the reins so violently that the horse skidded, reared, and almost tilted them over backward. That would likely have crushed the life out of his mistress, but Pylon managed to keep at least his back feet, pawing at the sky with his front ones and whinnying loudly. Susan slung an arm around his neck and hung on for dear life.

Cordelia Delgado, wearing her best black dress and a lace mantilla over her hair, stood in front of the horse as if in her own parlor, taking no notice of the hooves cutting the air less than two feet in front other nose. In one gloved hand she held a wooden box.

Susan belatedly realized that this wasn't Rhea, but the mistake really wasn't that odd. Aunt Cord wasn't as thin as Rhea (not yet, anyway), and more neatly dressed (except for her dirty gloves—why her aunt was wearing gloves in the first place Susan didn't know, let alone why they looked so smudged), but the mad look in her eyes was horribly similar.

'Good day t'ye, Miss Oh So Young and Pretty!' Aunt Cord greeted her in a cracked, vivacious voice that made Susan's heart tremble. Aunt Cord curtseyed one-handed, holding the little box curled against her chest with the other. 'Where go ye on this fine autumn day? Where go ye so speedy? To no lover's arms, that seems sure, for one's dead and the other ta'en!'

Cordelia laughed again, thin lips drawing back from big white teeth. Horse teeth, almost. Her eyes glared in the sunlight.

Her mind's broken, Susan thought. Poor thing. Poor old thing.

'Did thee put Dearborn up to it?' Aunt Cord asked. She crept to Pylon's side and looked up at Susan with luminous, liquid eyes. 'Thee did, didn't thee? Aye! Perhaps thee even gave him the knife he used, after runnin yer lips o'er it for good luck. Ye're in it together—why not admit it? At least admit thee's lain with that boy, for I know it's true. I saw the way he looked at ye the day ye were sitting in the window, and the way ye looked back at him!'

Susan said, 'If ye'll have truth, I'll give it to ye. We're lovers. And we'll be man and wife ere Year's End.'

Cordelia raised one dirty glove to the blue sky and waved it as if saying hello to the gods. She screamed with mingled triumph and laughter as she waved. 'And t'be wed, she thinks! Ooooo! Ye'd no doubt drink the blood of your victims on the marriage altar, too, would ye not? Oh, wicked! It makes me weep!' But instead of weeping she laughed again, a howl of mirth into the blind blue face of the sky.

'We planned no murders,' Susan said, drawing—if only in her own mind—a line of difference between the killings at Mayor's House and the trap they had hoped to spring on Parson's soldiers. 'And he did no murders. No, this is the business of your friend Jonas, I wot. His plan, his filthy