Wizard and Glass

HUNTRESS MOON

1

True love, like any other strong and addicting drug, is boring—once the tale of encounter and discovery is told, kisses quickly grow stale and caresses tiresome . . . except, of course, to those who share the kisses, who give and take the caresses while every sound and color of the world seems to deepen and brighten around them. As with any other strong drug, true first love is really only interesting to those who have become its prisoners.

And, as is true of any other strong and addicting drug, true first love is dangerous.

2

Some called Huntress the last moon of summer; some called it the first of fall. Whichever it was, it signaled a change in the life of the Barony. Men put out into the bay wearing sweaters beneath their oilskins as the winds began to turn more and more firmly into autumn's east-west alley, and to sharpen as they turned. In the great Barony orchards north of Hambry (and in smaller orchards owned by John Croydon, Henry Wertner, Jake White, and the morose but wealthy Coral Thorin), the pickers began to appear in the rows, carrying their odd, off- kilter ladders; they were followed by horse-drawn carts full of empty barrels. Downwind of the cider-houses— especially downwind of the great Barony cider-mansion a mile north of Seafront—the breezy air was filled with the sweet tang of blems being pressed by the basketload. Away from the shore of the Clean Sea, the days remained warm as the Huntress waxed, skies were clear day and night, but summer's real heat had departed with the Peddler. The last cutting of hay began and was finished in the run of a week—that last one was always scant, and ranchers and freeholders alike would curse it, scratching their heads and asking themselves why they even bothered … but come rainy, blowsy old March, with the bam lofts and bins rapidly emptying, they always knew. In the Barony's gardens—the great ones of the ranchers, the smaller ones of the freeholders, and the tiny backyard plots of the townsfolk—men and women and children appeared in their old clothes and boots, their sombreros and sombreros. They came with the legs of their pants tied down firmly at the ankles, for in the time of the Huntress, snakes and scorpions in plentiful numbers wandered east from the desert. By the time old Demon Moon began to fatten, a line of rattlers would hang from the hitching posts of both the Travellers' Rest and the mercantile across the street. Other businesses would similarly decorate their hitching posts, but when the prize for the most skins was given on Reaping Day, it was always the inn or the market that won it. In the fields and gardens, baskets to pick into were cast along the rows by women with their hair tied up in kerchiefs and reap-charms hidden in their bosoms. The last of the tomatoes were picked, the last of the cucumbers, the last of the corn, the last of the parey and mingo. Waiting behind them, as the days sharpened and the autumn storms began to near, would come squash, sharproot, pumpkins, and potatoes. In Mejis the time of reaping had begun, while overhead, clearer and clearer on each starry night, the Huntress pulled her bow and looked east over those strange, watery leagues no man or woman of Mid-World had ever seen.

3

Those in the grip of a strong drug—heroin, devil grass, true love—often find themselves trying to maintain a precarious balance between secrecy and ecstasy as they walk the tightrope of their lives. Keeping one's balance on a tightrope is difficult under the soberest circumstances; doing so while in a state of delirium is all but impossible. Completely impossible, in the long run.

Roland and Susan were delirious, but at least had the thin advantage of knowing it. And the secret would not have to be kept forever, but only until Reaping Day Fair, at the very longest. Things might end even sooner than that, if the Big Coffin Hunters broke cover. The actual first move might be made by one of the other players, Roland thought, but no matter who moved first, Jonas and his men would be there, a part of it. The part apt to be most dangerous to the three boys.

Roland and Susan were careful—as careful as delirious people could be, at any rate. They never met in the same place twice in a row, they never met at the same time twice in a row, they never skulked on their way to their trysts. In Hambry, riders were common but skulkers were noticed. Susan never tried to cover her 'riding out' by enlisting the help of a friend (although she had friends who would have done her this service); people who needed alibis were people keeping secrets. She had a sense that Aunt Cord was growing increasingly uneasy about her rides— particularly the ones she took in the early evenings—but so far she accepted Susan's oft-repeated reason for them: she needed time to be solitary, to meditate on her promise and to accept her responsibility. Ironically, these suggestions had originally come from the witch of the Coos.

They met in the willow grove, in several of the abandoned boathouses which stood crumbling at the northern hook of the bay, in a herder's hut far out in the desolation of the Coos, in an abandoned squatter's shack hidden in the Bad Grass. The settings were, by and large, as sordid as any of those in which addicts come together to practice their vice, but Susan and Roland didn't see the rotting walls of the shack or the holes in the roof of the hut or smell the mouldering nets in the comers of the old soaked boathouses. They were drugged, stone in love, and to them, every scar on the face of the world was a beauty-mark.

Twice, early on in those delirious weeks, they used the red rock in the wall at the back of the pavilion to arrange meetings, and then some deep voice spoke inside Roland's head, telling him there must be no more of it— the rock might have been just the thing for children playing at secrets, but he and his love were no longer children; if they were discovered, banishment would be the luckiest punishment they could hope for. The red rock was too conspicuous, and writing things down—even messages that were unsigned and deliberately vague—was horribly dangerous.

Using Sheemie felt safer to both of them. Beneath his smiling light-mindedness there was a surprising depth of … well, discretion. Roland had thought long and hard before settling on that word, and it was the right word: an ability to keep silent that was more dignified than mere cunning. Cunning was out of Sheemie's reach in any case, and always would be—a man who couldn't tell a lie without shifting his eyes away from yours was a man who would never be considered cunning.

They used Sheemie half a dozen times over the five weeks when their physical love burned at its hottest —three of those times were to make meetings, two were to change meeting-places, and one was to cancel a tryst when Susan spied riders from the Piano Ranch sweeping for strays near the shack in the Bad Grass.

That deep, warning voice never spoke to Roland about Sheemie as it had about the dangers of the red rock . . . but his conscience spoke to him, and when he finally mentioned this to Susan (the two of them wrapped in a saddle-blanket and lying naked in each other's arms), he found that her conscience had been troubling her, as well. It wasn't fair to put the boy in the way of their possible trouble. After coming to that conclusion, Roland and Susan arranged their meetings strictly between the two of them. If she could not meet him, Susan said, she would hang a red shirt over the sill of her window, as if to dry. If he could not meet her, he was to leave a white stone in the northeast comer of the yard, diagonally across the road from Hockey's Livery, where the town pump stood. As a last resort, they would use the red rock in the pavilion, risky or not, rather than bringing Sheemie into their affairs— their affair— again.

Cuthbert and Alain watched Roland's descent into addiction first with disbelief, envy, and uneasy amusement, then with a species of silent horror. They had been sent to what was supposed to have been safety and had discovered a place of conspiracy, instead; they had come to take census in a Barony where most of the aristocracy had apparently switched its allegiance to the Affiliation's bitterest enemy; they had made personal enemies of three hard men who had probably killed enough folks to populate a fair-sized graveyard. Yet they had felt equal to the situation, because they had come here under the leadership of their friend, who had attained near-mythic status in their minds by besting Cort—with a hawk as his weapon!—and becoming a gunslinger at the unheard-of age of fourteen. That they had been given guns themselves for this mission had meant a great deal to them when they set out from Gilead, and nothing at all by the time they began to realize the scope of what was going on in Hambry-town and the Barony of which it was a part. When that realization came, Roland was the weapon they counted on. And now—

'He's like a revolver cast into water!' Cuthbert exclaimed one evening, not long after Roland had ridden away to meet Susan. Beyond the bunkhouse porch, Huntress rose in her first quarter. 'Gods know if it'll ever fire again, even if it's fished out and dried off.'

'Hush, wait,' Alain said, and looked toward the porch rail. Hoping to jolly Cuthbert out of his bad temper (a task that was quite easy under ordinary circumstances), Alain said: 'Where's the lookout? Gone to bed early for once, has he?'

This only irritated Cuthbert more. He hadn't seen the rook's skull in days—he couldn't exactly say how