Wolves of the Calla

sell damned few of them, because you just… can't… bear… to part with them. The way you can't bear to part with that vacant lot. So here's what's going to happen. George is going to pour gasoline over this book with 7500 on it, and I'm going to light it on fire. Then I'm going to take another book out of your little case of treasures, and I'm going to ask you for a verbal commitment to sell that lot to the Sombra Corporation at high noon on July fifteenth. Got that?'

'If you give me that verbal commitment, this meeting will come to an end. If you don't give me that verbal commitment, I'm going to burn the second book. Then a third. Then a fourth. After four, sir, I believe my associate here is apt to lose patience.'

'You're fucking A,' George Biondi said. Eddie was now almost close enough to reach out and touch Big Nose, and still they didn't see him.

'At that point I think we'll just pour gasoline inside your little glass cabinet and set all your valuable books on f—'

Movement at last snagged Jack Andolini's eye. He looked beyond his partner's left shoulder and saw a young man with hazel eyes looking out of a deeply tanned face. The man was holding what looked like the world's oldest, biggest prop revolver. Had to be a prop.

'Who the fuck're—' Jack began.

Before he could get any further, Eddie Dean's face lit up with happiness and good cheer, a look that vaulted him way past handsome and into the land of beauty. 'George !' he cried. It was the tone of one greeting his oldest, fondest friend after a long absence. 'George Biondi ! Man, you still got the biggest beak on this side of the Hudson! Good to see you, man!'

There is a certain hardwiring in the human animal that makes us respond to strangers who call us by name. When the summoning call is affectionate, we seem almost compelled to respond in kind. In spite of the situation they were in back here, George 'Big Nose' Biondi turned, with the beginning of a grin, toward the voice that had hailed him with such cheerful familiarity. That grin was in fact still blooming when Eddie struck him savagely with the butt of Roland's gun. Andolini's eyes were sharp, but he saw little more than a blur as the butt came down three times, the first blow between Biondi's eyes, the second above his right eye, the third into the hollow of his right temple. The first two blows provoked hollow thudding sounds. The last one yielded a soft, sickening smack. Biondi went down like a sack of mail, eyes rolling up to show the whites, lips puckering in a restless way that made him look like a baby who wanted to nurse. The jar tumbled out of his relaxing hand, hit the cement floor, shattered. The smell of gasoline was suddenly much stronger, rich and cloying.

Eddie gave Biondi's partner no time to react. While Big Nose was still twitching on the floor in the spilled gas and broken glass, Eddie was on Andolini, forcing him backward.

SEVEN

For Calvin Tower (who had begun life as Calvin Toren), there was no immediate sense of relief, no Thank God I'm saved feeling. His first thought was They're bad; this new one is worse .

In the dim light of the storage room, the newcomer seemed to merge with his own leaping shadow and become an apparition ten feet tall. One with burning eyeballs starting from their sockets and a mouth pulled down to reveal jaws lined with glaring white teeth that almost looked like fangs. In one hand was a pistol that appeared to be the size of a blunderbuss, the kind of weapon referred to in seventeenth-century tales of adventure as a machine. He grabbed Andolini by the top of his shirt and the lapel of his sport-coat and threw him against the wall. The hoodlum's hip struck the glass case and it toppled over. Tower gave a cry of dismay to which neither of the two men paid the slightest attention.

Balazar's man tried to wriggle away to his left. The new one, the snarling man with his black hair tied back behind him, let him get going, then tripped him and went down on top of him, one knee on the hoodlum's chest. He shoved the muzzle of the blunderbuss, the machine, into the soft shelf under the hoodlum's chin. The hoodlum twisted his head, trying to get rid of it. The new one only dug it in deeper.

In a choked voice that made him sound like a cartoon duck, Balazar's torpedo said, 'Don't make me laugh, slick—that ain't no real gun.'

The new one—the one who had seemed to merge with his own shadow and become as tall as a giant— pulled his machine out from under the hoodlum's chin, cocked it with his thumb, and pointed it deep into the storage area. Tower opened his mouth to say something, God knew what, but before he could utter a word there was a deafening crash, the sound of a mortar shell going off five feet from some hapless G.I.'s foxhole. Bright yellow flame shot from the machine's muzzle. A moment later, the barrel was back under the hoodlum's chin.

'What do you think now, Jack?' the new one panted. 'Still think it's a fake? Tell you whatI think: the next time I pull this trigger, your brains are going all the way to Hoboken.'

EIGHT

Eddie saw fear in Jack Andolini's eyes, but no panic. This didn't surprise him. It had been Jack Andolini who'd collared him after the cocaine mule-delivery from Nassau had gone wrong. This version of him was younger —ten years younger—but no prettier. Andolini, once dubbed Old Double-Ugly by the great sage and eminent junkie Henry Dean, had a bulging caveman's forehead and a jutting Alley Oop jaw to match. His hands were so huge they looked like caricatures. Hair sprouted from the knuckles. He looked like Old Double-Stupid as well as Old Double- Ugly, but he was far from dumb. Dummies didn't work their way up to become the second-in-command to guys like Enrico Balazar. And while Jack might not be that yet in this when, he would be by 1986, when Eddie would come flying back into JFK with about two hundred thousand dollars' worth of Bolivian marching- powder under his shirt. In that world, that where and when, Andolini had become Il Roche's field-marshal. In this one, Eddie thought there was a very good chance he was going to take early retirement. From everything . Unless, that was, he played it perfectly.

Eddie shoved the barrel of the pistol deeper under Andolini's chin. The smell of gas and gunpowder was strong in the air, for the time being overwhelming the smell of books. Somewhere in the shadows there was an angry hiss from Sergio, the bookstore cat. Sergio apparently didn't approve of loud noises in his domain.

Andolini winced and twisted his head to the left. 'Don't, man… that thing's hot!'

'Not as hot as where you'll be five minutes from now,' Eddie said. 'Unless you listen to me, Jack. Your chances of getting out of this are slim, but not quite none. Will you listen?'

'I don't know you. How do you know us?'

Eddie took the gun out from beneath Old Double-Ugly's chin and saw a red circle where the barrel of Roland's revolver had pressed. Suppose I told you that it's your ka to meet me again, ten years from now ? And to be eaten by lobstrosities ? That they'll start with the feet inside your Gucci loafers and work their way up ? Andolini wouldn't believe him, of course, any more than he'd believed Roland's big old revolver would work until Eddie had demonstrated the truth. And along this track of possibility—on this level of the Tower —Andolini might not be eaten by lobstrosities. Because this world was different from all the others. This was Level Nineteen of the Dark Tower. Eddie felt it. Later he would ruminate on it, but not now. Now the very act of thinking was difficult. What he wanted right now was to kill both of these men, then head over to Brooklyn and tune up on the rest of Balazar's tet. Eddie tapped the barrel of the revolver against one of Andolini's jutting cheekbones. He had to restrain himself from really going to work on that ugly mug, and Andolini saw it. He blinked and wet his lips. Eddie's knee was still on his chest. Eddie could feel it going up and down like a bellows.

'You didn't answer my question,' Eddie said. 'What you did instead was ask a question of your own. The next time you do that, Jack, I'm going to use the barrel of this gun to break your face. Then I'll shoot out one of your kneecaps, turn you into a jackhopper for the rest of your life. I can shoot off a good many parts of you and still leave you able to talk. And don't play dumb with me. You're not dumb—except maybe in your choice of employer— and I know it. So let me ask you again: Will you listen to me?'

'What choice do I have?'