the most revolting bunch of boys she had ever seen. I bought her a new tennis racket for that remark.
January was humid and warm, and February fooled the forsythia: none of the townspeople had ever seen such weather. Other presents came tumbling in. For her birthday I bought her a bicycle, the doe-like and altogether charming machine already mentionedand added to this a History of Modern American Painting: her bicycle manner, I mean her approach to it, the hip movement in mounting, the grace and so on, afforded me supreme pleasure; but my attempt to refine her pictorial taste was a failure; she wanted to know if the guy noon-napping on Doris Lee’s hay was the father of the pseudo-voluptuous hoyden in the foreground, and could not understand why I said Grant Wood or Peter Hurd was good, and Reginald Marsh or Frederick Waugh awful.
By the time spring had touched up Thayer Street with yellow and green and pink, Lolita was irrevocably stage-struck. Pratt, whom I chanced to notice one Sunday lunching with some people at Walton Inn, caught my eye from afar and went through the motion of sympathetically and discreetly clapping her hands while Lo was not looking. I detest the theatre as being a primitive and putrid form, historically speaking; a form that smacks of stone-age rites and communal nonsense despite those individual injections of genius, such as, say, Elizabethan poetry which a closeted reader automatically pumps out of the stuff. Being much occupied at the time with my own literary labors, I did not bother to read the complete text of The Enchanted Hunters, the playlet in which Dolores Haze was assigned the part of a farmer’s daughter who imagines herself to be a woodland witch, or Diana, or something, and who, having got hold of a book on hypnotism, plunges a number of lost hunters into various entertaining trances before falling in her turn under the spell of a vagabond poet (Mona Dahl). That much I gleaned from bits of crumpled and poorly typed script that Lo sowed all over the house. The coincidence of the title with the name of an unforgettable inn was pleasant in a sad little way: I wearily thought I had better not bring it to my own enchantress’s notice, lest a brazen accusation of mawkishness hurt me even more than her failure to notice it for herself had done. I assumed the playlet was just another, practically anonymous, version of some banal legend. Nothing prevented one, of course, from supposing that in quest of an attractive name the founder of the hotel had been immediately and solely influenced by the chance fantasy of the second-rate muralist he had hired, and that subsequently the hotel’s name had suggested the play’s title. But in my credulous, simple, benevolent mind I happened to twist it the other way round, and without giving the whole matter much though really, supposed that mural, name and title had all been derived from a common source, from some local tradition, which I, an alien unversed in New England lore, would not be supposed to know. In consequence I was under the impression (all this quite casually, you understand, quite outside my orbit of importance) that the accursed playlet belonged to the type of whimsy for juvenile consumption, arranged and rearranged many times, such as Hansel and Gretel by Richard Roe, or The Sleeping Beauty by Dorothy Doe, or The Emperor’s New Clothes by Maurice Vermont and Marion Rumpelmeyerall this to be found in any Plays for School Actors or Let’s Have a Play! In other words, I did not knowand would not have cared, if I did that actually The Enchanted Hunters was a quite recent and technically original composition which had been produced for the first time only three or four months ago by a highbrow group in New York. To meinasmuch as I could judge from my charmer’s partit seemed to be a pretty dismal kind of fancy work, with echoes from Lenormand and Maeterlinck and various quiet British dreamers. The red-capped, uniformly attired hunters, of which one was a banker, another a plumber, a third a policeman, a fourth an undertaker, a fifth an underwriter, a sixth an escaped convict (you see the possibilities!), went through a complete change of mind in Dolly’s Dell, and remembered their real lives only as dreams or nightmares from which little Diana had aroused them; but a seventh Hunter (in a green cap, the fool) was a Young Poet, and he insisted, much to Diana’s annoyance, that she and the entertainment provided (dancing nymphs, and elves, and monsters) were his, the Poet’s, invention. I understand that finally, in utter disgust at his cocksureness, barefooted Dolores was to lead check-trousered Mona to the paternal farm behind the Perilous Forest to prove to the braggart she was not a poet’s fancy, but a rustic, down-to-brown-earth lassand a last-minute kiss was to enforce the play’s profound message, namely, that mirage and reality merge in love. I considered it wiser not to criticize the thing in front of Lo: she was so healthily engrossed in “problems of expression,” and so charmingly did she put her narrow Florentine hands together, batting her eyelashes and pleading with me not to come to rehearsals as some ridiculous parents did because she wanted to dazzle me with a perfect First Nightand because I was, anyway, always butting in and saying the wrong thing, and cramping her style in the presence of other people.
There was one very special rehearsal… my heart, my heart… there was one day in May marked by a lot of gay flurryit all rolled past, beyond my ken, immune to my memory, and when I saw Lo next, in the late afternoon, balancing on her bike, pressing the palm of her hand to the damp bark of a young birch tree on the edge of our lawn, I was so struck by the radiant tenderness of her smile that for an instant I believed all our troubles gone. “Can you remember,” she said, “what was the name of that hotel, you know [nose pucketed], come on, you knowwith those white columns and the marble swan in the lobby? Oh, you know [noisy exhalation of breath]the hotel where you raped me. Okay, skip it. I mean, was it [almost in a whisper] The Enchanted Hunters? Oh, it was? [musingly] Was it?”and with a yelp of amorous vernal laughter she slapped the glossy bole and tore uphill, to the end of the street, and then rode back, feet at rest on stopped pedals, posture relaxed, one hand dreaming in her print-flowered lap.
Because it supposedly tied up with her interest in dance and dramatics, I had permitted Lo to take piano lessons with a Miss Emperor (as we French scholars may conveniently call her) to whose blue-shuttered little white house a mile or so beyond Beardsley Lo would spin off twice a week. One Friday night toward the end of May (and a week or so after the very special rehearsal Lo had not had me attend) the telephone in my study, where I was in the act of mopping up Gustave’sI mean Gaston’sking’s side, rang and Miss Emperor asked if Lo was coming next Tuesday because she had missed last Tuesday’s and today’s lessons. I said she would by all meansand went on with the game. As the reader may well imagine, my faculties were now impaired, and a move or two later, with Gaston to play, I noticed through the film of my general distress that he could collect my queen; he noticed it too, but thinking it might be a trap on the part of his tricky opponent, he demurred for quite a minute, and puffed and wheezed, and shook his jowls, and even shot furtive glances at me, and made hesitating half-thrusts with his pudgily bunched fingersdying to take that juicy queen and not daringand all of a sudden he swooped down upon it (who knows if it did not teach him certain later audacities?), and I spent a dreary hour in achieving a draw. He finished his brandy and presently lumbered away, quite satisfied with this result (mon pauvre ami, je ne vous ai jamais revu et quoiqu’il y ait bien peu de chance que vous voyiez mon livre, permiettez-moi de vous dire que je vous serre la main bien cordialement, et que toutes mes fillettes vous saluent). I found Dolores Haze at the kitchen table, consuming a wedge of pie, with her eyes fixed on her script. They rose to meet mine with a kind of celestial vapidity. She remained singularly unruffled when confronted with my discovery, and said d’un petit air faussement contrit that she knew she was a very wicked kid, but simply had not been able to resist the enchantment, and had used up those music hoursO Reader, My Reader!in a nearby public park rehearsing the magic forest scene with Mona. I said “fine”and stalked to the telephone. Mona’s mother answered: “Oh yes, she’s in” and retreated with a mother’s neutral laugh of polite pleasure to shout off stage “Roy calling!” and the very next moment Mona rustled up, and forthwith, in a low monotonous not untender voice started berating Roy for something he had said or done and I interrupted her, and presently Mona was saying in her humbles, sexiest contralto, “yes, sir,” “surely, sir” “I am alone to blame, sir, in this unfortunate business,” (what elocution! what poise!) “honest, I feel very bad about it”and so on and so forth as those little harlots say.
So downstairs I went clearing my throat and holding my heart. Lo was now in the living room, in her
