The tiny space, the toilet, two hundred strangers just a few inches away, it's so exciting. The lack of room to maneuver, it helps if you're double-jointed. Use your imagination. Some cre­ativity and a few simple stretching exercises and you can be knock, knock, knockin' on heaven's door. You'll be amazed how fast the time flies.

Half the thrill is the challenge. The danger and risk.

So, it's not the Great American West or the race to the South Pole or being the first man to walk on the moon.

It's a different kind of space exploration.

You're mapping a different kind of wilderness. Your own vast interior landscape.

It's the last frontier to conquer, other people, strangers, the jungle of their arms and legs, hair and skin, the smells and moans that is everybody you haven't done. The great unknowns. The last forest to devastate. Here's everything you've only imagined.

You're Chris Columbus sailing over the horizon.

You're the first caveman to risk eating an oyster. Maybe this particular oyster isn't new, but it's new to you.

Suspended in the nowhere, in the halfway fourteen hours between Heathrow and Jo-burg, you can have ten true-life adven­tures. Twelve if the movie's bad. More if the flight's full, less if there's turbulence. More if you don't mind a guy's mouth doing the job, less if you return to your seat during meal service.

What's not so great about that first time is, when I'm drunk and first getting bounced on by the redhead, by Tracy, what hap­pens is we hit an air pocket. Me gripping the toilet seat, I drop with the plane, but Tracy's blasted off, champagne popping off me with the rubber still inside, hitting the plastic ceiling with her hair. My trigger goes the same instant, and my gob's suspended in the air, weightless hanging white soldiers in the midway between her still against the ceiling and me still on the can. Then slam, we come back together, her and the rubber, me and my gob, planted back down on me, reassembled pop-beads-style, all one-hundred-plus pounds of her.

After those kind of good times, it's a wonder I'm not wearing a truss.

And Tracy laughs and says, 'I love it when that happens!'

After that, just normal turbulence bounces her hair in my face, her nipples against my mouth. Bounces the pearls around her neck. The gold chain around my neck. Juggles my dice in their sack, pulled up tight over the empty bowl.

Here and there, you pick up little tips to improve your per­formance. Those old French Super Caravelles for example, with their triangular windows and real curtains, they have no first-class toilet, only two in the back of tourist, so you'd best not try any­thing fancy. Your basic Indian tantric position works okay. Both of you standing face to face, the woman lifts one leg along the side of your thigh. You go at it the same as in 'splitting the reed' or the classic flanquette. Write your own Kama Sutra. Make stuff up.

Go ahead. You know you want to.

This is assuming the two of you are anywhere close to the same height. Otherwise, I can't be blamed for what happens.

And don't expect to get spoon-fed here. I'm assuming some basic knowledge on your part.

Even if you're stuck on a Boeing 757—200, even in the tiny forward toilet, you can still manage a modified Chinese position where you're sitting on the toilet and the woman settles onto you facing away.

Somewhere north-northeast above Little Rock, Tracy tells me, 'Pompoir would make this a snap. It's when Albanian women just milk you with their constrictor vaginae muscles.'

They jerk you off with just their insides?

Tracy says, 'Yeah.'

Albanian women?

'Yeah.'

I say, 'Do they have an airline?'

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