Cryptonomicon

The villagers wriggle out of their tiny front doors, bewildered at first, but when they see his face and the wok dangling from one hand, rage flashes over them like the sun burning out from behind a cloud. A man charges with a spear, sprinting straight across the clearing. Goto Dengo dances back and takes half-shelter behind a coconut tree, holding the wok up over his chest like a shield. 'Ulab! Ulab!'he cries again. The warrior falters. Goto Dengo holds out his fist, swings it to and fro until it finds a warm shaft of sunlight, and then loosens it slightly. A tiny cascade of glittering flakes trickles out, catching the sun, then plunges into shadow, hissing as it strikes the leaves below.

It gets their attention. The man with the spear stops. Someone behind him says something about patah.

Goto Dengo levels the wok, resting it on his forearm, and sprinkles the entire handful of gold dust into it. The village watches, transfixed. There is a great deal more whispering about patah.He steps forward into the clearing, holding the wok out before him as an offering to the warrior, letting them see his nakedness and his pitiful condition. Finally he collapses to his knees, bows his head very low, and sets the wok on the ground at the warrior's feet. He remains there, head bowed, letting them know that they can kill him now if they want to.

If they want to choke off their newly discovered gold supply, that is. The matter will require some discussion. They tie his elbows together behind his back with vines, put a noose around his neck, and tie that to a tree. All of the kids in the village stand around him and stare. They have purple skin and frizzy hair. Flies swarm around their heads.

The wok is taken into a hut that is decorated with more human heads than any of the other huts. All of the men go in there. Furious discussion ensues.

A mud-daubed woman with long skinny breasts brings Goto Dengo half a shell of coconut milk and a handful of white, knuckle-sized grubs wrapped up in leaves. Her skin is a tangle of overlapping ringworm scars and she is wearing a necklace that consists of a single human finger strung on a piece of twine. The grubs squirt when Goto Dengo bites down on them.

The children abandon him to watch a pair of American P-38s fly by, out over the ocean. Bored with airplanes, Goto Dengo squats on his haunches and observes the menagerie of arthropods that have converged on him in hopes of sucking his blood, taking a bite of his flesh, eating his eyeballs out of his skull, or impregnating him with their eggs. The haunch position is a good one because every five seconds or so he has to bash his face against one knee, then the other, in order to keep the bugs out of his eyes and nostrils. A bird drops out of a tree, lands clumsily on his head, pecks something out of his hair, and flies away. Blood jets out of his anus and pools hotly under the arches of his feet. Creatures with many legs gather at the edge of the pool and begin to feast. Goto Dengo moves away, and leaving them to it, gets a fewminutes' respite.

The men in the hut arrive at some sort of agreement. The tension is broken. There is laughter, even. He wonder what counts as funny to these guys.

The guy who wanted to impale him earlier comes across the clearing, takes his leash, and tugs Goto Dengo to a standing position. 'Patah,'he says.

He looks at the sky. It is getting late, but he does not relish trying to explain to them that they should simply wait until tomorrow. He stumbles across the clearing to the cooking fire and nods at a pan full of brain stew. 'Wok,' he says.

It doesn't work. They think he wants to trade gold for the wok.

There follows about eighteen hours of misunderstandings and failed attempts to communicate. Goto Dengo almost dies; at least he feels like he might. Now that he is not on the move, the last few days are really catching up with him. But finally, in the middle of the next morning, he gets to show his magic. Squatting in the nearby stream, his elbows unbound, the wok in his hands, surrounded by skeptical village fathers still keeping a tight grip on his rustic noose, he begins to pan for gold. Within a few minutes he has managed to summon a few flakes of the stuff out of the riverbed, demonstrating the basic concept.

They want to learn it themselves. He was expecting this. He tries to show one of them how it's done, but (as Goto Dengo himself learned long ago) it is one of those harder-than-it-looks deals.

Back to the village. He actually gets a place to sleep this night: they stuff him into a long skinny sack of woven grass and tie it shut above his head-this is how they keep themselves from being eaten alive by insects while they are asleep. Malaria hits him now: alternating waves of chill and heat swamping his body with the force of riptides.

Time goes out of whack for a while. Later, he realizes he has been here for a while now, because his broken forefinger is now solid and gnarled, and the abrasions that he got from the coral head are now a field of fine, parallel scars, like the grain in a piece of wood. His skin is covered with mud and he smells of coconut oil and of the smoke that they fill their huts with to chase away the bugs. His life is simple: when malaria has him teetering on the brink of death, he sits in front of a felled palm tree and chips away at it mindlessly for hours, slowly creating a heap of fibrous white stuff that the women use to make starch. When he is feeling stronger, he drags himself over to the river and pans for gold. In return they do what they can to keep New Guinea from killing him. He's so weak they do not even bother to send a chaperone with him when he goes out.

It would be an idyllic tropical paradise if not for the malaria, the insects, the constant diarrhea and resulting hemorrhoids, and the fact that the people are dirty and smell bad and eat each other and use human heads for decoration. The one thing that Goto Dengo thinks about, when he's capable of thinking, is that there is a boy in this village who looks to be about twelve years old. He remembers the twelve-year-old who was initiated by driving a spear through his companion's heart, and wonders who's going to be used for this boy's initiation rite.

From time to time the village elders pound on a hollow log for a while, then stand around listening to other hollow logs being pounded in other villages. One day there is an especially long episode of pounding, and it would seem that the villagers are pleased by what they have heard. The next day, they have visitors: four men and a child who speak a completely different language; their word for gold is gabitisa.The child whom they have brought with them is about six years old, and obviously retarded. There is a negotiation. Some of the gold that Goto Dengo has panned out of the stream is exchanged for the retarded child. The four visitors disappear into the jungle with their gabitisa.Within a few hours, the retarded child has been tied to a tree and the twelve-year-old boy has stabbed it to death and become a man. After some parading around and dancing, the older men sit on top of the younger man and cut long complicated gashes into his skin and pack dirt into them so that they will heal as decorative welts.

Goto Dengo cannot do very much except gape in numb astonishment. Every time he begins to think beyond the next fifteen minutes, tries to formulate a plan of action, the malaria comes back, flattens him for a week or two, scrambles his brain and forces him to start again from scratch. Despite all of this he manages to extract a few hundred grams of gold dust from that stream. From time to time the village is visited by relatively light-skinned traders who move up and down the coast in outrigger canoes and who speak yet another different language. These traders begin to come more frequently, as the village elders start trading the gold dust for betel nuts, which they chew because it makes them feel good, and for the occasional bottle of rum.

One day, Goto Dengo is on his way back from the river, carrying a teaspoon of gold dust in the wok, when he hears voices from the village-voices speaking in a cadence that used to be familiar.

All of the men of the village, some twenty in all, are standing up with their backs to coconut trees, their arms secured behind the trees with ropes. Several of these men are dead, with their intestines spilling down onto the ground, already black with flies. The ones who are not dead yet are being used for bayonet practice by a few dozen gaunt, raving Nipponese soldiers. The women ought to be standing around screaming, but he doesn't see them. They must be inside the huts.

A man in a lieutenant's uniform swaggers out of a hut, smiling broadly, wiping blood off of his penis with a rag, and almost trips over a dead child.

Goto Dengo drops the wok and puts his hands up in the air. 'I am Nipponese!' he shouts, even though all he wants to say at this moment is I am not Nipponese.

The soldiers are startled, and several of them try to swing their rifles around in his direction. But the Nipponese rifle is an awful thing, nearly as long as the average soldier is tall, too heavy to maneuver even when its owner is in perfect health. Luckily all of these men are clearly starving to death and half-crippled by malaria and bloody flux, and their minds work quicker than their bodies. The lieutenant bellows, 'Hold your fire!'before anyone can get off a shot in the direction of Goto Dengo.