nostrils and the ammoniacal tang of evaporating urine stinging his eyes. Somewhere in Nippon, a man in a clean white coverall stands in a room with a fat hose-fed gun vomiting freshly chopped glass fibers slathered with polyester resin onto a curvaceous form; peeled off the form, the result is bath rooms like this one: a single topological surface pierced in at most two or three places by drains and nozzles. While Randy's e-mailing his memo he lets hot water run into the largest and smoothest depression in the bathroom-surface. Then he takes off his clothes and climbs into it. He never takes baths, but between the foulness that seems infused into his flesh now, and the throbbing of his Hunk of Burning Love, there was never a better time.
The last few days were the worst. When Randy finished his project, and displayed the bogus results on the screen, he expected that the cell door would swing open immediately. That he'd walk out onto the streets of Manila and that, just for extra bonus points, Amy might even be waiting for him. But nothing at all happened for a whole day, and then Attorney Alejandro came to tell him that a deal might be possible but that it would take some work. And then it turned out that the deal was actually a pretty bad one: Randy was not going to be exonerated as such. He was going to be deported from the country under orders not to come back. Attorney Alejandro never claimed that this was a particularly good deal, but something in his manner made it clear that there was no point griping about it; The Decision Had Been Made at levels that were not accessible.
He could very easily take care of the Hunk of Burning Love problem now that he has privacy, but astonishes himself by electing not to. This may be perverse; he's not sure. The last month and a half of total celibacy, relieved only by nocturnal emissions at roughly two-week intervals, has definitely got him in a mental space he has never been to before, or come near, or even heard about. When he was in jail he had to develop a fierce mental discipline in order not to be distracted by thoughts of sex. He got alarmingly good at it after a while. It's a highly unnatural approach to the mind/body problem, pretty much the antithesis of every sixties and seventies-tinged philosophy that he ever imbibed from his Baby Boomer elders. It is the kind of thing he associates with scary hardasses: Spartans, Victorians, and mid-twentieth-century American military heroes. It has turned Randy into something of a hardass in his approach to hacking, and meanwhile, he suspects, it has got him into a much more intense and passionate head space than he's ever known when it comes to matters of the heart. He won't really know that until he comes face to face with Amy, which looks like it's going to be a while, since he's just been kicked out of the country where she lives and works. Just as an experiment, he decides he's going to keep his hands off of himself for now. If it makes him a little tense and volatile compared to his pathologically mellow West Coast self, then so be it. One nice thing about being in Asia is that tense, volatile people blend right in. It's not like anyone ever died from being horny.
So he arises from the bath unsullied and wraps himself in a vestal white robe. His cell in Manila did not have a mirror. He knew he was probably losing weight, but not until he climbs out of the bath and gives himself a look in the mirror does he realize just how much. For the first time since he was an adolescent, he has a waist, which makes a white bathrobe into a quasi-practical garment.
He's scarcely recognizable. Before the beginning of this the Third Business Foray he kind of assumed that, going into his mid-thirties, he had figured out who he was, and that he'd keep being the way he was forever, except with a gradually decaying body and gradually increasing net worth. He didn't imagine it was possible to change so much, and he wonders where it's going to end. But this is nothing more than an anomalous moment of reflection. He shakes it off and gets back to his life.
The Nipponese have, and have always had, a marvelous skill with graphic images-this is clear in their manga and their anime, but reaches its fullest expressive flower in safety ideograms. Licking red flames, buildings splitting and falling as the jagged earth parts beneath them, a fleeing figure silhouetted in a doorway, suspended in the stroboscopic flash of a detonation. The written materials accompanying these images are, of course, not understandable to Randy, and so there is nothing for his rational mind to work on; the terrifying ideograms blaze, fragmentary nightmare images popping up on walls, and in the drawers of his room's desk, whenever he lets his guard down for a moment. What he can read is not exactly soothing. Trying to sleep, he lies in bed, mentally checking the locations of his bedside emergency flashlight and the pair of freebie slippers (much too small) thoughtfully left there so that he can sprint out of the burning and collapsing hotel without cutting his feet to sashimi when the next magnitude 8.0 tremblor shivers the windows out of their frames. He stares up at the ceiling, which is fraught with safety equipment whose LEDs form a glowering red constellation, a crouching figure known to the ancient Greeks as Ganymede, the Anally Receptive Cup bearer, and to the Nipponese, as Hideo, the Plucky Disaster Relief Worker, bending over to probe a pile of jagged concrete slabs for anything that's squishy. All of this leaves him in a state of free-floating terror. He gets up at five in the morning, grabs two capsules of Japanese Snack from his minibar, and leaves the hotel, following one of the two emergency exit routes that he has memorized. He starts wandering, thinking it would be fun to get lost. Getting lost happens in about thirty seconds. He should have brought his GPS, and marked the latitude and longitude of the hotel.
The latitude and longitude of Golgotha are expressed, in the Arethusa intercept, in degrees, minutes, seconds, and tenths of a second of latitude and longitude. A minute is a nautical mile, a second is about a hundred feet. In the seconds figure, the Golgotha numbers have one digit after the decimal point, which implies a precision of ten feet. GPS receivers can give you that kind of precision. Randy's not so sure about the sextants that the Nipponese surveyors presumably used during the war. Before he left, he wrote the numbers down on a scrap of paper, but he rounded off the seconds part and just expressed it in the form of 'XX degrees and twenty and a half minutes' implying a precision of a couple of thousand feet. Then he invented three other locations in the same general vicinity, but miles away, and put them all into a list, with the real location being number two on the list. Above it he wrote 'Who owns these parcels of land?' or, in crypto-speak, WHOOW NSTHE SEPAR etc. and then spent an almost unbelievably tedious evening synchronizing the two decks of cards and encrypting the entire message with the Solitaire algorithm. He gave the ciphertext and the unused deck to Enoch Root, then swiped the plaintext through some of the leftover grease in his dinner tray and left it by the open drain. Within the hour, a rat had come around and eaten it.
He wanders all day. At first it is just bleak and depressing and he thinks he's going to give up very soon, but then he gets into the spirit of it, and learns how to eat: you approach gentlemen on streetcorners selling little fried-octopus balls and make neolithic grunting noises and proffer yen until you discover food in your hands and then you eat it.
Through some kind of nerdish homing instinct he finds Akihabara, the electronics district, and spends a while wandering through stores looking at all of the consumer electronics that will go on sale in the States a year from now. That's where he is when his GSM telephone rings.
'Hello?'
'It's me. I'm standing behind a fat yellow line.'
'Which airport?'
'Narita.'
'Delighted to hear it. Tell your driver to take you to the Mr. Donut in Akihabara.'
Randy's there an hour later, flipping through a phone-book-sized manga epic, when Avi walks in. The unspoken Randy/Avi greeting protocol dictates that they hug each other at this point, so they do, somewhat to the astonishment of their fellow donut-eaters who usually make do with bowing. The Mr. Donut is a three-level affair jammed into a sliver of real estate with approximately the same footprint as a spiral staircase and is quite crowded with people who took compulsory English in their excellent and highly competitive schools. Besides, Randy broadcast the time and location of the meeting over a radio an hour ago. So as long as they are there, Randy and Avi talk about relatively innocuous things. Then they go out for a stroll. Avi knows his way around this neighborhood. He leads Randy through a doorway and into nerdvana.
'Many people,' Avi explains, 'do not know that the word normally spelled and pronounced 'nirvana' can be more accurately transliterated 'nirdvana' or, arguably, 'nerdvana.' This is nerdvana. The nucleus around which Akihabara accreted. This is where the pasocon
'Pasocon
'Personal computer nerds,' Avi says. 'But as in so many other things, the Nipponese take it to an extreme that we barely imagine.'
The place is laid out precisely like an Asian food market: it is a maze of narrow aisles winding among tiny stalls, barely larger than phone booths, where merchants have their wares laid out for inspection. The first thing they see is a wire stall: at least a hundred reels of different types and gauges of wire in gaily hued plastic insulation. 'How apropos!' Avi says, admiring the display, 'we need to talk about wires.' It need not be stated that
