Cryptonomicon

it. He sleeps a lot, perspires, drinks water, reads a couple of books, and dicks around with his new GPS receiver. Its most salient feature is a mushroom-shaped external antenna that can pick up weak signals, which ought to be useful in triple-canopy jungle. Randy has punched Golgotha's latitude and longitude into its memory, so that by hitting a couple of buttons he can instantly see how far away it is, along what heading. From Tom Howard's beach it's almost exactly a thousand kilometers. When the pamboat finally noses up on a tidal mudflat in southern Luzon, and Randy sloshes ashore in full MacArthurian style, the distance is only about forty clicks.

But tumbledown volcanoes rise before him, black and mist-shrouded, and he knows from experience that forty kilometers in boondocks will be much rougher going than the first nine hundred and sixty.

The bell tower of an old Spanish church rises up above the coconut palms not far away, carved from blocks of volcanic tuff that are beginning to glow in the lambency of another damn mind-blowing tropical sunset. After he's snagged some extra bottles of water and said his good-byes to Leon and the family, Randy walks towards it. As he goes, he erases the memory of Golgotha's location from his GPS, just in case it gets confiscated or ripped off.

The next thought he has says something about his general frame of mind: that nuts are the genitalia of trees is never more obvious than when you are looking at a cluster of swelling young coconuts nestled in the hairy dark groin of a palm tree. It's surprising that the Spanish missionaries didn't have the whole species eradicated. Anyway, by the time he's reached the church, he's picked up a retinue of little bare-chested Filipino kids who apparently aren't used to seeing white men materialize out of nowhere. Randy's not crazy about this, but he'll settle for no one summoning the police.

A Nipponese sport-utility vehicle of the adorably styled, alarmingly high-center-of-gravity school is parked in front of the church, ringed by impressed villagers. Randy wonders if they could have done this any more conspicuously. A fiftyish driver leans against the front bumper smoking a cigarette and shooting the breeze with some local dignitaries: a priest and, for god's sake, a cop with a fucking bolt-action rifle. Just about everyone in sight is smoking Marlboros, which have apparently been distributed as a goodwill gesture. Randy's got to get himself back into a Philippine frame of mind: the way to sneak into the country is not to mount some cloak-and- dagger operation, crawling up onto an isolated beach in a matte black wetsuit in the middle of the night, but simply to waltz in and make friends with all of the people who see you. Because it's not like they're stupid; they are going to see you.

Randy smokes a cigarette. He had never done this in his life until a few months ago, when he finally got it through his head that it was a social thing, that some people take it as an insult when you turn down an offered cigarette, and that a few smokes weren't going to kill him in any case. None of these people, except for the driver and the priest, speaks a word of English, and so this is the only way he can communicate with them. Anyway, given all the other changes he's gone through, why the hell shouldn't he become a cigarette smoker while he's at it? Maybe next week he'll be shooting heroin. For something disgusting and lethal, cigarettes are amazingly enjoyable.

The driver is named Matthew, and he really turns out to be not so much a driver as a charismatic fixer/negotiator, a smoother of the way, a human road grader. Randy just stands there passively while Matthew charmingly and hilariously extricates them from this impromptu village meeting, a job that would probably be next to impossible if the priest were not so clearly complicit. The cop looks to the priest for cues as to what he should do, and the priest tells him something complicated with a series of looks and gestures, and in that way, somehow, Randy finds his way into the sport-utility vehicle's passenger seat and Matthew gets behind the wheel. Well after sunset they trundle out of the village along its execrable one-lane road, trailed by kids who run alongside keeping one hand on the car, like Secret Service agents in a motorcade. They are able to do this for quite a while because they've gone a few kilometers before the road gets good enough for Matthew to shift out of first gear.

This is not a part of the world where it makes any sense at all to drive at night, but clearly Matthew wasn't interested in an overnight stay at that village. Randy has a pretty good idea of what's going to happen now: many hours of driving very slowly on circuitous roads, half-blocked by piles of freshly harvested young coconuts, impeded by hunks of lumber thrown across the right-of-way as speed bumps to prevent kids and dogs from being run over. He leans his seat back.

Bright light is streaming into the car and he thinks: roadblock, cops, spotlights. The light's blocked by a silhouette. There's a rapping noise on the window. Randy looks over and sees the driver's seat empty, no keys in the ignition. The car's cool and dormant. He sits up and rubs his face, partly because it needs to be rubbed and partly because it's probably smart to keep one's hands in plain sight. More rapping on the windshield, growingly impatient. The windows are fogged and he can only see shapes. The light's reddish. He's got a completely inappropriate erection. Randy gropes for a window control, but the car's got power windows and they don't work when it's not running. He gropes around on the door until he's figured out how to unlock it, and almost instantly it flies open and someone's coming inside to join him.

She ends up on Randy's lap, lying sideways on top of him, her head on his chest. 'Close the door,' Amy says, and Randy does. Then she squirms around until she's face to face with him, her pelvic center of gravity grinding mercilessly against the huge generalized region between navel and thigh that has, in recent months, become one big sex organ for him. She brackets his neck between her forearms and grabs the carotid supports of the whiplash arrestor. He's busted. The obvious thing now would be a kiss, and she feints in that direction, but then reconsiders, as it seems like some serious looking is in order at this time. So they look at each other for probably a good minute. It's not a moony kind of look that they share, not a starry-eyed thing by any means, more like a what the fuck have we gotten ourselves intothing. As if it's really important to both of them that they mutually appreciate how serious everything is. Emotionally, yes, but also from a legal and, for lack of a better term, military standpoint. But once Amy is satisfied that her boy does indeed get it, on all of these fronts, she permits herself a vaguely incredulous-looking sneer that blossoms into a real grin, and then a chuckle that in a less heavily armed woman might be characterized as a giggle, and then, just to shut herself up, she pulls hard on the stainless steel goalposts of the whiplash arrestor and nuzzles her face up to Randy's and, after ten heartbeats' worth of exploratory sniffling and nuzzling, kisses him. It's a chaste kiss that takes a long time to open up, which is totally consistent with Amy's cautious, sardonic approach to everything, as well as with the hypothesis, alluded to once while they were driving to Whitman, that she is in fact a virgin.

Randy's life is essentially complete at the moment. He has come to understand during all of this that the light shining in through the windows is in fact the light of dawn, and he tries to fight back the thought that it's a good day to diebecause it's clear to him that although he might go on from this point to make a lot of money, become famous, or whatever, nothing's ever going to top this. Amy knows it too, and she makes the kiss last for a very long time before finally breaking away with a little gasp for air, and bowing her head so that her brow is supported on Randy's breastbone, the curve of her head following that of his throat, like the coastlines of South America and Africa. Randy almost can't take the pressure of her on his groin. He braces his feet against the floorboards of the sport-utility vehicle and squirms.

She moves suddenly and decisively, grabbing the hem of the left leg of his baggy shorts and yanking it almost up to his navel, taking his boxer shorts along with. Randy pops free and takes aim at her, straining upwards, bobbing slightly with each beat of his heart, glowing healthily (he thinks modestly) in the dawn light. Amy's in a sort of light wrap around skirt, which she suddenly flings over him, producing a momentary tent-pole effect. But she's on the move, reaching up beneath to pull her underwear out of the way, and then before he can even believe it's happening she sits down on him, hard, producing a nearly electrical shock. Then she stops moving-daring him.

Randy's toe knuckles pop audibly. He lifts himself and Amy into the air, experiences some kind of synaesthetic hallucination very much like the famous 'jump into hyperspace' scene from Star Wars.Or perhaps the air bag has accidentally detonated? Then he pumps something like an Imperial pint of semen-it's a seemingly open-ended series of ejaculations, each coupled to the next by nothing more than a leap of faith that another one is coming-and in the end, like all schemes built on faith and hope, it lapses, and then Randy sits utterly still until his body realizes it has not drawn breath in quite a while. He fills his lungs all the way, stretching them out, which feels almost as good as the orgasm, and then he opens his eyes-she's staring down at him in bemusement, but (thank god!) not horror or disgust. He settles back into the bucket seat, which squeezes his butt in a not-unpleasant gesture of light harassment. Between that, and Amy's thighs, and other penetrations, he is not going anywhere for a while, and he's moderately afraid of what Amy's going to say-she has a lengthy menu of possible responses to all of this, most of them at Randy's expense. She plants a knee, levers herself up, grabs the tail of his Hawaiian shirt and cleans herself off a bit. Then she shoves the door open, pats him twice on his whiskery cheek, says 'Shave,' and exits stage left. Randy can now see that the air bag has not, in fact,