'Hello, young lady,' said the stranger, who was dressed in expensive clothes and jewelry. 'I couldn't help noticing that you are new to beautiful Magpie City and down on your luck. I can't sit in my comfortable, warm house eating my big, tasty meals without feeling guilty, knowing that you are out here suffering. Won't you come with me and let me take care of you?'

'I won't leave my friends behind,' said Princess Nell.

'Of course not-I wasn't suggesting that,' the stranger said. 'Too bad they're asleep. Say, I have an idea! You come with me, your rabbit friend stays awake here to keep an eye on your sleeping friends, and I'll show you my place-y'know, prove to you that I'm not some kind of creepy stranger who's trying to take advantage of you, like you see in all those dumb kids' stories that only little babies read. You're not a little baby, are you?'

'No, I don't think so,' Princess Nell said.

'Then come with me, give me a fair hearing, check me out, and if I turn out to be an okay guy, we'll come back and pick up the rest of your little group. Come on, time's a wasting!'

Princess Nell found it very hard to say no to the stranger.

'Don't go with him, Nell!' Peter said. But in the end, Nell went with him anyway. In her heart she knew it was wrong, but her head was foolish, and because she was still just a little girl, she did not feel she could say no to a grownup man.

At this point the story became very ractive. Nell stayed up for a while in the ractive, trying different things. Sometimes the man gave her a drink, and she fell asleep. But if she refused to take the drink, he would grab her and tie her up. Either way, the man always turned out to be a pirate, or else he would sell Princess Nell to some other pirates who would keep her and not let her go. Nell tried every trick she could think of, but it seemed as though the ractive were made in such a way that, once she'd made the decision to go away with the stranger, nothing she could do would prevent her from becoming a slave to the pirates.

After the tenth or twelfth iteration she dropped the book into the sand and hunched over it, crying. She cried silently so Harv wouldn't wake up. She cried for a long time, seeing no reason to stop, because she felt that she was trapped now, just like Princess Nell in the book.

'Hey,' said a man's voice, very soft. At first Nell thought it was coming out of the Primer, and she ignored it because she was angry at the Primer.

'What's wrong, little girl?' said the voice. Nell tried to look up toward the source, but all she saw was fat colored light from the mediatrons filtered through tears. She rubbed her eyes, but her hands had sand on them. She got panicky for a moment, because she had realized there was definitely someone there, a grownup man, and she felt blind and helpless.

Finally she got a look at him. He was squatting about six feet away from her, a safe enough distance, watching her with his forehead all wrinkled up, looking terribly concerned.

'There's no reason to be crying,' he said. 'It can't be that bad.'

'Who are you?' Nell said.

'I'm just a friend who wants to help you. C'mon,' he said, cocking his head down the beach. 'I need to talk to you for a second, and I don't want to wake up your friend there.'

'Talk to me about what?'

'How I can help you out. Now, come on, do you want help or not?'

'Sure,' Nell said.

'Okay. C'mon then,' the stranger said, rising to his feet. He took a step toward Nell, bent down, and held out one hand. Nell reached for him with her left and at the last minute flung a handful of sand into his face with her right. 'Fuck!' the stranger said. 'You little bitch, I'm gonna get you for that.'

The nunchuks were, as always, under Harv's head. Nell yanked them out and turned back toward the stranger, spinning her whole body around and snapping her wrist at the last moment just as Dojo had taught her. The end of the nunchuk struck the stranger's left kneecap like a steel cobra, and she heard something crack. The stranger screamed, astonishingly loud, and toppled into the sand.

Nell spun the nunchuks around, working them up to a hum, and drew a bead on his temporal bone. But before she could strike, Harv grabbed her wrist. The free end of the weapon spun around out of control and bonked her on the eyebrow, splitting it open and giving her a total-body ice-cream headache. She wanted to throw up.

'Good one, Nell,' he said, 'but now's the time to get the hell out of here.'

She snatched up the Primer. The two of them ran off down the beach, jumping over the silver larvae that glittered noisily in the mediatronic light. 'The cops are probably gonna be after us now,' Harv said. 'We gotta go somewhere.'

'Grab one of those blankets,' Nell said. 'I have an idea.'

They had left their own silvery blanket behind. A discarded one was overflowing from a wastebasket by the seawall, so Harv snatched it as they ran by and crumpled it into a wad.

Nell led Harv back to the little patch of forest. They found their way to the little cavity where they had stopped earlier. This time, Nell spread the blanket over both of them, and they tucked it in all around themselves to make a bubble. They waited quietly for a minute, then five, then ten. From time to time they heard the thin whine of a pod going by, but they always kept on going, and before they knew it they were asleep.

Mysterious souvenir from Dr. X;

Hackworth's arrival in Vancouver;

the Atlantan quarter of that city;

he acquires a new mode of conveyance.

Dr. X had dispatched a messenger to the Shanghai Aerodrome with instructions to seek out Hackworth. The messenger had sidled up next to him while he was addressing a piss-trough, greeted him cheerfully, and taken a piss himself. Then the two men had exchanged business cards, accepting them with both hands and a slight bow.

Hackworth's card was about as flashy as he was. It was white, with his name stamped out in rather severe capitals. Like most cards, it was made of smart paper and had lots of memory space left over to store digitized information. This particular copy contained a matter compiler program descended from the one that had created the original Young Lady's Illustrated Primer. This revision used automatic voice generation algorithms instead of relying on professional ractors, and it contained all of the hooks that Dr. X's coders would need to translate the text into Chinese.

The Doctor's card was more picturesque. It had a few Hanzi characters scrawled across it and also bore Dr. X's chop. Now that paper was smart, chops were dynamic. The stamp infused the paper with a program that caused it to run a little graphics program forever. Dr. X's chop depicted a poxy-looking gaffer with a conical hat slung on his back, squatting on a rock in a river with a bamboo pole, hauling a fish out of the water-no wait, it wasn't a fish, it was a dragon squirming on the end of the line, and just as you realized it, the gaffer turned and smiled at you insolently. This kitschy tableau then freeze-framed and morphed cleverly into the characters representing Dr. X's name. Then it looped back to the beginning.

On the back of the card were a few mediaglyphs indicating that it was, in fact, a chit: that is to say, a totipotent program for a matter compiler, combined with sufficient ucus to run it. The mediaglyphs indicated that it would run only on a matter compiler of eight cubic meters or larger, which was enormous, and which made it obvious he was not to use it until he reached America.

He debarked from the Hanjin Takhoma at Vancouver, which besides having the most scenic airship moorage in the world, boasted a sizable Atlantan clave. Dr. X hadn't given him a specific destination-just the chit and a flight number-so there didn't seem any point in staying aboard all the way to the end of the line. From here he could always bullet-train down the coast if necessary.

The city itself was a sprawling bazaar of claves. Consequently it was generously supplied with agoras, owned and managed by Protocol, where citizens and subjects of different phyles could convene on neutral ground and trade, negotiate, fornicate, or whatever. Some of the agoras were simply open plazas in the classical tradition, others looked more like convention centers or office buildings. Many of Old Vancouver's pricier and more view-

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