building. But she could no longer find herself there. She was no longer in the Lounge. The Lounge had been vacant for centuries and only dust and yellowed party favors remained. Following footprints in the dust she came to the hallway— brightly lit, loud, filled with shouting students and bats. She flew straight down the hail until four dots at its end grew into four people and she could slow down and follow them. There were three men: a Cowboy and a Commando held the arms of a woman dressed as a clown, hurrying her down the hall, while a Droog walked ahead of them carrying a paper punch cup which glowed with a green light from within. Sarah closed her eyes to the glow and shook her head, and when she opened them again she was the clown-woman— though she did not want to be.
They were in an elevator filled with black water that rose and crept warmly up Sarah's thighs. Swimming in the water were bad hidden things, so she kicked as well as she could. Her hands were held up above her head by men ten feet high, lost in the glare of the overhead light where it was too bright to look.
Then they were on a floor that reminded Sarah of the broken landscape. On the wall a giant mouth was chewing vigorously, drooling on the floor and smacking its disgusting lips. The men threw her through it and followed behind.
'I won't go down the slide,' she protested, but they did not really care. Inside all was red and blue; a neon beer emblem burned in the window and licked her with its hot rays. There stood a giant in a football costume who wore the head of Tiny, leader of the Terrorists.
'Is Dex here?' she said, more out of habit than anything. It would be like Dex to slip her some LSD. But then she knew this was a stupid question. She felt the door being locked behind her and saw the music turned up until it was purest ruby red, causing her body to turn into fragile glass. To move now would be to shatter and die.
'Handle with care,' she murmured, 'I'm glass now,' but the words just dribbled down the front of her costume. They were ripping her costume away. She squirmed but felt herself cracking horribly. The beer sign cast grotesque red and blue light on the transparent flesh of her thighs.
She knew what was going to happen next. Somehow her mind connected it all in a straight line, before the idea was swept away by the internal storm. The worst thing in the world. She should have gone down the slide.
She made an effort of will. The sound and the light went away, it was spring; grass and flowers and blue sky were all around and she was not about to be raped. She was eating raspberries on the banks of a creek. Out of curiosity she scratched at the air with her fingernail. Red and blue rays stabbed out into her skin again, and peeking all the way through for a moment she could see that they had not yet started.
No wonder; they were moving in slow motion. Sarah would have to spend many hours waiting on the banks of the creek. She drew back into the sunshine. Perhaps she could live here forever and have a perfect life.
When she slept, she dreamed of those dry, unending wars in the land of milky white. She knew it was all an illusion. She tore it away and came back to the room. She was not going to sleep through anything. She was not going to imagine anything that didn't exist.
The sign was wavy and upside down now, reflected in a puddle of water on the floor.
A Terrorist was in the corner twisting a faucet handle. Sarah stood up. Tiny turned toward her and smashed her across the face. She was on the floor again, and over there a Terrorist groped in the scintillating ocean of red and blue for the sign's power cord. He was screaming like an electric guitar now. He was trying to swim in the shallow lake of blood and bile.
Sarah was thrown onto a bed. Her arms and legs flailed, and one heel found a Terrorist's kneecap. The Droog got on top of her, and because he was in slow motion she kicked him in the nuts. He curled up on top of her and she looked through his hair at the ceiling, which sputtered in the failing sign-light. Tiny was unwinding a long piece of rope and its thin tendrils floated around him like black smoke. She rolled half out from under the Droog and curled into a fetal position so he could not take her arms and legs. As she did she peered down through the transparent floor and saw the Airheads, plastered with grotesque makeup, drinking LSD from crystal goblets and cheering. But where was Hyacinth?
Hyacinth was standing in the doorway. An extremely loud explosion seeped into her ears. Smoke filled the room, catching the hallway light and forming hundreds of 3-D images from Sarah's past life.
Hyacinth's fairy godmother costume was changed, for now she wore heavy leather gloves over her white cloth gloves, and bulky ear protectors under her conical hat, and a pair of goggles beneath her milky-white veil. In her hands she carried a giant revolver. Sarah knew that under her dress, Hyacinth was made of strong young oakwood.
Hyacinth took one step into the room and shrugged on the main light switch. Tiny stood in the center, staring. The man who had been swimming on the floor was dead. Another clasped his knee and screamed at the ceiling. Sarah laid her head down restfully and put her hands on her ears.
Cones of fire were spurting from the front and back of Hyacinth's gun and her hands were snapping rhythmically up and down. Tiny had his hands on his chest, and as he walked backward toward the window the back of his football jersey bulged and fluttered like a loose sail, darkness splashing away from it. The electrical cord was between his legs. His steps shortened and he fell backward through the picture window. The cord and plug trailed slowly behind him and snapped out room and were gone. The noise was so immense that Sarah heard nothing until much later. The blasts were synchronized with the music's beat:
WHAM WHAM WHAM WHAM
with each WHAM followed by a high whine that shrieked through until the next WHAM, so that when Tiny was gone there remained a terrible high tone that resonated between the walls of the room, far too loud for Sarah to stand, filling her awareness like the blowing of the Last Trumpet and tormenting the injured Terrorists, who cried out in it and wrapped their arms around their heads. The Droog on, top of Sarah was pulled slowly away and Hyacinth yanked Sarah to her feet. Sarah did not even move her legs as the smoky doorway twisted past her, the corridor walls with their Big Wheels rolled on by, the landings of the fire stair rushed up toward her from blackness and her soft bed drifted up to envelop her face. Hyacinth was above her, probing, rubbing, kissing her. She would not stop until Sarah was well again.
Virgil used his master key eight times before attaining a dark, stained sub-sublevel of the Plex, where great water mains from the City entered from the depths and fed the giant pumps that pressurized the plumbing system overhead.
In an uncharacteristic flash of foresightedness, the Plex's architects made allowances for the certainty that, once in a while, one group or another would flush hundreds of toilets simultaneously and damage the cold water system. So they installed two parallel, independent systems of main pipes to feed the distribution systems of the wings; to switch between them one need only close one set of valves and open another. This Virgil accomplished by grunting and straining at a few red iron wheels. Satisfied that things were settling back toward normal, he set out for Professor Sharon's old lab to see if Casimir Radon was still there.
The Computing Center was not far away. Though it had many rooms, its heart was a cavernous square space with white walls and a white floor waxed to a thick glossy sheen. The white ceiling was composed of square fluorescent light panels in a checkerboard pattern. Practically all of the room was occupied by disc memory units: brown-and-blue cubes, spaced in a grid to form a seemingly endless matrix of six-foot aisles. At the center of the room was an open circle, and at the center of that area stood the Central Processing Unit of the Janus 64. A smooth triangular column five feet on a side and twelve feet high, it would have touched the ceiling except that above was a circular opening about forty feet across, encircled by a railing so that observers could stand and look into the core of the Computing Center.
Around the CPU were a few other large machines: secondary computers to organize the tasks being fed to the Janus 64, array processors, high-speed laser printers, a central control panel and the like. But closest of all was the Operator's Station, a single video terminal, and tonight the operator was Consuela Gorm, high priestess of MARS. She had volunteered to do the job on this night of partying, when the only people still using the computer in the adjacent Terminal Room were the goners, the hopelessly addicted hackers who had nothing else to live for.
The only sounds were the whine of the refrigeration units, which drew away the heat thrown off by the tightly packed components of the Janus 64; the high hum of the whirling memory discs, multiplied by hundreds; and the pitter-pat of Consuela's fingertips across the keypad of the Operator's Station. She was hunkered down there,
