around the room, sending many of the men to their knees, then plunged decisively into another passage. As the roar exploded into the open, in the garish artificial light the Grand Army saw a swarm of enormous fat brown-grey lash-tailed bright-eyed screaming frothing rats vomit from the tunnel, veer through the middle of the room and compress itself into the opening through which the giant bat had flown. Some of them smashed headlong into the old boxy radio, sending it sprawling across the floor, and before it had come to rest, five rats had parted from the stream and demolished it, scything their huge gleaming rodent teeth through the plywood case as though it were an orange peel, prying the apparatus apart, munching into its glass-and-metal innards with insane passion. Their frenzy lasted for several seconds; their brothers had all gone; and they emitted piercing shrieks and scuttled off into the tunnel, one trailing behind a streak of twisted wire and metal.
Most everyone save Klystron sat on the floor in a fetal position, arms crossed over faces, though some had drawn swords or clubs, prepared to fight it out. None moved for two minutes, lest they draw another attack. When the warriors began to show life again, they moved with violent trembling and nauseated dizziness and the most perfect silence they could attain. No one strayed from the safety of the walls except for Klystron the Impaler/Chris the Systems Programmer, who paced to a spot where a thousand rat footprints had stomped a curving highway into the thin sludge. Hardly anyone here, he knew, had been convinced of the Central Bifurcation, much less of the danger of Mixture. That was understandable, given the badly Mixed environment which had twisted their minds. Klystron/Chris had done all he could to counter such base thinking, but the rise of the giant rats, and careful preparation by him and Councilla and Chip Dixon, had provided proof.
He let them think it over. It was not an easy thing, facing up to one's own importance; even he had found it difficult. Finally he spoke out in a clear and firm voice, and every head in the room snapped around to pay due respect to their leader.
'Do I have a Grand Army?'
The mumbled chorus sounded promising. Klystron snapped his sword from its scabbard and held it on high, making sure to avoid electrical cables. 'All hail Shekondar the Fearsome!' he trumpeted.
Swords, knives, chains and clubs crashed out all around and glinted in the mist. 'All hail Shekondar the Fearsome!' roared the army in reply, and four times it was answered by echoes from the tunnels. Klystron/Chris listened to it resonate, then spoke with cool resolve: 'It is time to begin the Final Preparations.'
An advantage of living in a decaying civilization was that nobody really cared if you chose to roam the corridors laden with armfuls of chest waders, flashlights, electrical equipment and weaponry. We did receive alarmed scrutiny from some, and boozy inquiries from friendly Terrorists, but were never in danger from the authorities. A thirty-minute trek through the deepening chaos of the Plex took us to the Burrows, which were still inhabited by people devoted to such peaceful pursuits as gaming, computer programming, research and Star Trek reruns.
From here a freight elevator took us to the lowest sublevel, where Fred Fine led us through dingy hallways plastered with photos of nude Crotobaltislavonian princesses until we came to a large room filled with plumbing. From here, Virgil used his master key to let us into a smaller room, from which a narrow spiral staircase led into the depths.
'I go first,' said Virgil quietly, 'with the Sceptre. Hyacinth follows with her .44. Bud follows her with the heavy gloves, then Sarah and Casimir with the backpacks, and Fred in the rear with his sixteen-gauge. No noise.'
After one or two turns of the stair we had to switch on our headlamps. The trip down was long and tense, and we seemed to make a hellacious racket on the echoing metal treads. I kept my beam on the blazing white-gold beacon of Virgil's hair and listened to the breathing and the footsteps behind me. The air had a harsh damp smell that told me I was sucking in billions of microbes of all descriptions with each breath. Toward the bottom we slipped on our gas masks, and I found I was breathing much faster than I needed to.
The rats were waiting a full fifty feet above the bottom. One had his mouth clamped over Virgil's lower leg before he had switched on the Sceptre of Cosmic Force. The flashing drove away the rest of the rats, who tumbled angrily down the stair on top of one another, but the first beast merely clamped down harder and hung on, too spazzed out to move. Fortunately, Hyacinth did not try to shoot it on the spot. I slipped past, flexed my big elbow- length padded gloves, and did battle with the rat. The rodent teeth had not penetrated the soccer shinguards Virgil wore beneath his waders, so I took my time, relaxing and squatting down to look into the animal's glowering white-rimmed eye. His bared chisel teeth, a few inches long and an inch wide, flickered purple-yellow with each flash of the strobe. Having sliced through Virgil's waders to expose the colorful plastic shinguard, the rat now tried to gnaw its way through the obstacle without letting go. I did not have the strength to pull its mouth open.
'A German shepherd can exert hundreds of pounds of jaw force,' said Fred Fine, standing above and peering over Casimir's shoulder with scientific coolness.
The rat was not impressed by any of this.
'Let's go for a clean kill,' suggested its victim with a trace of strain, 'and then we'll have our sample.'
I bashed in the back of its head with an oaken leg I had foresightedly unscrewed from my kitchen table for the occasion. The rat just barely fit into a large heavy-duty leaf bag; Virgil twist-tied it shut and we left it there.
And so into the tunnels. The sewers were unusually fluid that night as thousands of cubic feet of beer made its traditional way through the digestive tracks of the degenerates upstairs and into the sanitary system. Hence we stuck to the catwalks along the sides of the larger tunnels— as did the rats. The Sceptre was hard on our eyes, so Virgil waited until they were perilously close before switching it on and driving them in squalling bunches into the stream below. We did not have to use the guns, though Fred Fine insisted on shooting his flash gun at a rat to see how they liked it. Not at all, as it happened, and Fred Fine pronounced it 'very interesting.'
Casimir said, 'Where did my radioactive source fall to? Are we going anywhere near there?'
'Good point,' said Fred Fine. 'Let's steer clear of that. Don't want blasted 'nads.'
'I know where it went, but it's not there now,' said Virgil. 'The rats ate everything. Some rat obviously got a free surprise in with his paraffin, but I don't know where he ended up.' Fred Fine began to point out landmarks: where he had left the corpse of the Microwave Lizard, long since eaten by you know what; where Steven Wilson had experienced his last and biggest surprise; the tunnel that led to the Sepulchre of Keldor. His voice alternated between the pseudo-scientific dynamo hum of Fred Fine and the guttural baritone of the war hero. We had heard this stuff from him for a couple of weeks now, but down in the tunnels it really started to perturb us. Most people, on listening to a string of nonsense, will tend to doubt their own sanity before they realize that the person who is jabbering at them is really the one with the damaged brain. That night, tramping through offal, attacking giant rats with a strobe light and listening to the bizarre memoirs of Klystron, most of us were independently wondering whether or not we were crazy. So when we asked Fred Fine for explanations, it was not because we wanted to hear more Klystron stories (as he assumed); it was because we wanted to get an idea of what other people were thinking. We were quickly able to realize that the world was indeed okay, that Fred Fine was bonkers and we were fine.
Hundreds of cracked and gnawed bones littered one intersection, and Virgil identified it as where he had discovered the useful properties of the Sceptre. This area was high and dry, as these things went, and many rats lurked about. Virgil switched the Sceptre on for good, forcing them back to the edge of the dark, where they chattered and flashed their red eyes. Hyacinth stuffed wads of cotton in her ears, apparently in case of a shootout.
'Let's set up the 'scope,' Virgil suggested. Casimir swung off his pack and withdrew a heavily padded box, from which he took a small portable oscilloscope. This device had a tiny TV screen which would display sound patterns picked up by a shotgun microphone which was also in the pack. As the 'scope warmed up, Casimir plugged the microphone cord into a socket on its front. A thin luminous green line traced across the middle of the screen.
Virgil aimed the mike down the main passageway and turned it on. The line on the screen split into a chaotic tangle of dim green static. Casimir played with various knobs, and quickly the wild flailing of the signal was compressed into a pattern of random vibes scrambling across the screen. 'White noise,' said Fred Fine. 'Static to you laymen.'
'Keep an eye on it,' said Virgil, and pointed the mike down the smaller side tunnel. The white noise was abruptly replaced by nearly vertical lines marching across the screen. Casimir compressed the signal down again, and we saw that it was nothing more than a single stationary sine wave, slightly unruly but basically stable.
