a grand library. Then there were the continuing flashes of lightning. Between the intense whiteness that blanks out everything, and the sudden darkness before eyes can readjust to the normal light, there is the tiniest moment of illumination. In one of those moments, I looked into what might be a good summary of what Athens had finally become.
Close by one of the good windows, there was a table that could still be used. It had a chair set to it. Here the lamps were burning — half a dozen of them in an iron holder. As I walked forward into the room, my feet crunched on an area of mosaic tiles that had come loose on the floor. I stopped and looked down to see if there was broken glass there as well. No, it was just dozens of loose stones that had once been the face of one of the Muses. There was no broken glass to worry about. But some of the stones looked sharp. I stepped back and took a longer route to the table.
There was a taper by the lamps. Cupping this in my hands against the draught that came from every direction, I carried a flame to my own lamp and pressed down the windshield. These lamps had been filled with the cheapest grade of oil, and they let off a nasty, acrid smell along with their rather dim light. But their combined light made a soft and almost welcoming glow. I stood up straight and looked across at the stained murals on the far wall. They showed Athens as it had been at some time in the past; the still unfinished Temple of Jupiter suggested the city in its grandest days. I’d come back for a proper look by day.
I stood behind the chair and turned my attention to the books that lay on the table. One of these was a roll of the ancient kind. The glue had failed, and the individual sheets of papyrus had mostly separated from each other. I picked one of them up and held it close by the lamps. The bright, aromatic smell of the decaying reeds took me straight back to the time I’d spent in what remained of the great library of Alexandria. Once I’d focused on the light and often faded ink strokes of whatever scribe had produced it, so did the text. It was from the fourth book of the life King Ptolemy had written of his friend Alexander, and this sheet carried his account of the council of war held by the Persian King just before his final defeat. I’d read the whole of this in Alexandria, and it was thrilling stuff. More than this, it had a ring of truth. To be sure, you couldn’t trust any of the passages where Ptolemy himself was in action — but the King had been in a position to get at the full truth about all that had happened, and he’d mostly told the truth unless his own interest was concerned. The last few lines of the page had crumbled, and the next I could find took up the story when Alexander was approaching Persepolis.
I looked harder and compared the sheets. I’d been right. The council of war was Ptolemy, sure enough. Persepolis was in a different hand and in a more florid style. It might have been Arrian. It might have been some other late author, who’d rewritten Ptolemy and padded his effort with tales of inherent absurdity. This sheet had Alexander in conversation with an owl who was relaying a message from Athena. Vaguely interested, I pushed the two sheets together. There were of slightly different sizes. By all appearances, the reader had gathered up what he could find of Alexander and was going through it all in no particular order.
The other main work on the table was a huge book of the modern sort. Writing on parchment can be much smaller than on papyrus, and it was hard in this light to see what the book was. Noting how high it was heaped with cushions, I sat on the chair and moved my lamp so close that I had to take care to avoid spilling oil on the pages. I looked up from the wavering text and gave a contemptuous sniff. I found myself staring into a marble bust of Polybius. At some point, this had been knocked from its plinth and then replaced, minus nose and the lower part of its beard. What was left of its features seemed, in the flickering dimness of the lamps, to be twisting into the sneer I could feel spreading over my own face. I looked down again at the text and read with closer attention:
Gregory of Nyassa? I hazarded. The references to light and the nature of time were a strong indication. I turned the page — yes, it was Gregory: I’d gone through this with Martin in Constantinople. Though one of the more ranty of the theologians we’d been pressing for the meaning I needed, he had stood out for his attack on slavery. But who the buggery could be reading this stuff for pleasure? And where was he? Even with this grade of oil, you have to be pretty rich to leave all those lamps burning away like a minor lighthouse. Had he sloped off for a pee somewhere? Had he just vanished like the chancery clerks? I stared again at what was — its inherent absurdity always granted — a most able defence of orthodoxy.
But I wasn’t creeping, stark bollock naked, about the residency for a spot of midnight reading. It was worth noting that, if there was a copy here of Ptolemy’s
Chapter 17
The library was on the upper floor of the left block of the palace. To the right of where I’d been sitting was another door that led further into the block. At some time in the past, it had been locked from the other side, and then smashed open. Some effort had then been made to reattach it to the frame. Now, getting it open more than about eighteen inches caused it to grate on the broken mosaics that covered the floor. I forced it wide open and looked into the darkness beyond. There was a loud splashing of the water that made its way down from a hole in the roof. Its echo told me I was in a room of at least the same size as the library.
Time, I think, to explain the geography of the place where I was staying. I’ve said it was built by Herodes Atticus. So far as I could tell, he’d tried for a combination of almost Imperial magnificence with something more homely. The result was something of a muddle. The front block of the palace, where it faced on to the Forum of Hadrian, comprised about a dozen very large and high rooms where he could show off his wealth. These were lit by glazed ceiling windows. They were mostly now abandoned or divided into smaller rooms or offices with little regard to the need for natural lighting. Behind these, and facing out into the main courtyard, was a labyrinth of smaller and much lower rooms, lit by side windows or with ceiling windows, or with both. These I supposed were the living rooms for the household. A careful inspection of partition walls and the telltale pattern of the ceiling mouldings might tell what was original to the plan and what had been adapted in the conversion from palace to administrative building. So far, it had just seemed an impenetrable muddle.
The other three blocks that surrounded the courtyard were all of two storeys. The ground floors had originally been given over to slave quarters and kitchens and offices. The upper floors seemed to be smaller copies of the grand front rooms or of the living rooms. This arrangement may have been intended to match the custom in the wealthy houses in every great city where it isn’t hot all year round. In the summer months, the household would have moved upstairs to catch the sunshine and whatever breeze might blow. In the winter, it would have been downstairs for the heating.
The main difference was that none of the upper rooms seemed to have been divided. On second thoughts, the place did look as if it had been looted. Chairs and other furniture had been ripped apart for their gilding, and left in heaps of dust-covered wood. Busts had been pulled from their niches and left broken on the floor. Even door handles had been cut away where they might have been of some valuable metal. The padding of my feet on marble tiles or what had once been polished wood echoed round the bare rooms that lay beyond the library. Every so often,