the flagellants ignored them, whipping themselves even more fiercely as they chanted a hymn and followed their cross-bearing leader. They moved in a shower of blood which splattered and streaked everyone. The court fops became belligerent; daggers and swords were loosened. Cranston pushed Athelstan aside when abruptly a horn sounded: a powerful wailing blast and horsemen burst out of nearby Weasel Lane. Cloaked and hooded, faces blackened, the horsemen cantered down, scattering the crowd to rein in at the bottom of the steps of St Mary-Le- Bow. Hooves clattering, the horses snorted and reared in a creak of harness and steel. The intruders carried small hand arbalests, already primed. The horsemen moved backwards and forwards. Three naked corpses, skin all blotched, throats gaping in a dark, bloody slit, eyes staring, were slung across the saddle horn of some of the horses. These were tipped down to sprawl at the foot of the church steps. Cranston made to go forward. Athelstan grabbed him by the arm and pulled him back.
‘Peace, Sir John,’ he whispered. ‘Think of the Lady Maude, the two poppets; this is not your fight. Not yet, anyway.’
‘Hear ye!’
One of the riders surged forward on his grey-black warhorse; the destrier, head shaking, snorting furiously, clattered iron-shod hooves against the cobbles. The rider, like Satan’s own henchman, tall and black in the saddle, cloak billowing out like the wings of some fearsome bird, raised a leather gauntleted hand.
‘So die all traitors to the Great Cause,’ he shouted, pointing at the corpses. ‘Death to all who offend the Upright Men!’ Then the horsemen were gone, clattering back into the darkness of the alleyway as the crowd surged forwards to view the corpses. Cranston bellowed at them to stand aside. Athelstan knelt at the bottom step and, opening his chancery bag, swiftly administered the rites of the dead, closing his mind to everything except the ritual, the anointing and the blessing. As he did so, Cranston turned the corpses over. All three were fairly elderly men with sagging bellies, fat thighs and vein-streaked legs, their faces unshaven, hair unkempt. Athelstan flinched. One of the dead men’s faces was hideous, not just due to the cruel wound inflicted deep into his left side where the dagger had pierced his heart, but his features were distorted by an older, earlier wound across his mouth so his lips seemed to stretch the entire length of that narrow face.
‘Laughing Jack, Thibault’s man.’ Cranston tapped the corpse. ‘Executioner in Billingsgate, from the bridge to the Tower. These are his two assistants, Sinister and Dexter, literally his left and right hand. I wager they were responsible for severing the heads of those slaughtered at the Roundhoop and their poling on London Bridge.’ Cranston sighed, got to his feet and shouted at a group of gathering bailiffs to take care of the corpses.
‘Come, Brother,’ he urged. ‘Our noble Prince, against whom all this is directed, awaits us. .’
The Upright Men’s assassin, the basilisk, had been very busy. The meeting at the Babylon had ended amicably and the basilisk had prepared. The traitor in Gaunt’s circle had revealed himself, a startling surprise swiftly swept aside by the need for preparations following a heated discussion in the dark recesses of the Chapel of St Peter ad Vincula. The basilisk had been insistent. Assassination would take place. Weapons had been demanded and prepared, including that leather sack with its grisly contents. They had clasped hands in what both knew to be a deadly contract. They would stand or fall by each other. Now, gowned and hooded, carrying a special pass impressed with the Regent’s purple wax seal, the basilisk had already surveyed the sprawling fortress of the Tower from the Lion Gate through past St Thomas’ Tower, along Red Gulley and under the dark shadow of Bell Tower, with its massive wooden casing on top housing the great bell which marked the passing hours and sounded the tocsin. The assassin noted that and passed on into the inner bailey, clearly marking out the different towers — especially Beauchamp — close to the parish church of St Peter ad Vincula. Only then did the basilisk approach the great White Tower, the central donjon or keep, its soaring walls of Kentish grey ragstone all whitewashed and gleaming in the harsh frost of the winter’s day. Once again the basilisk stared back at Beauchamp Tower, where the mysterious prisoner brought from Flanders was lodged. It was best not to go too close to its approaches, closely guarded by archers and men-at-arms. What, the basilisk wondered, did Gaunt want with such a prisoner? Why all the mystery and secrecy? Who was that woman? Even the traitor in Thibault’s circle knew very little. Why were the Upright Men so keen to seize her? What was the true connection between the prisoner and the leather sack the Upright Men had entrusted to her? Yet the politics of this place were of little concern — vengeance was!
The basilisk shifted and stared at the black-timbered and white-plastered guest house which stood in its own neat square garden, the shrubs and plants held fast in the iron grip of a savage hoar frost. Oh, yes, the basilisk promised, those who sheltered there — the mystery players — would also be visited by Murder. The Regent’s acting troupe, the Straw Men, Master Samuel and his companions, were nothing more than a coven of treacherous Judas people. They, too, would chew on the bitter bread of pain and sup deeply from the poisoned chalice of the rankest wormwood. The basilisk, however, had to be careful. The Tower thronged with Gaunt’s retainers, henchmen, armoured knights, archers, mailed clerks and household minions, all busy scurrying to do their infernal master’s bidding. The basilisk glimpsed the small dovecote near St Peter’s and smiled; they’d all hasten even faster when the hawk appeared above the doves. What was being planned was only just and right. How did the verse of one of the Upright Men’s songs run? ‘God is deaf nowadays. He will not hear us and, for their guilt, grinds good men to dust.’ God needed a little help!
The basilisk looked up at the grey, lowering sky and recalled a recent story, now common gossip in Gaunt’s household. How the Regent had gone hawking in the wastelands east of Aldgate. Ever so proud of his new snow- white falcon, Gaunt had released this against an old heron which frequented a misty, tree-fringed mere. The falcon, superb and swift, had climbed above its prey then plunged for the kill but the old heron, desperate in its flight, had turned on the wing and speared the falcon with his dagger-like bill. The story was seen as a possible prophecy and augury of how the hunter could become the hunted. Well, that was one prophecy which would soon come to fruition. Clutching the leather sack, the basilisk moved across the icy bailey, wary of the frozen, slippery cobbles. The guards at the bottom of the wooden staircase acknowledged the pass sealed by Rosselyn, captain of archers. The basilisk continued up and entered the crypt of St John’s Chapel, a long, dark chamber lit by pools of light thrown by the wall torches and warmed by braziers crammed with fiery charcoal. Despite the light and fire, the crypt, which stood on the first floor of the White Tower, was cold and dark. The basilisk peered through the murk at the chink of light from the far window; the crypt was empty except for benches and tables, as well as battered chests and aumbries to store clothing. The basilisk nodded — all was well here, and returned to the narrow spiral staircase. The ingenuity of its builder was fascinating. The staircase constantly twisted so the defenders could use their right arm while attackers would be forced to wield swords with their left. The basilisk promised to remember this in case flight became the only path to take.
Breathing heavily, the assassin emerged through a narrow doorway and into the full glare of the Chapel of St John the Evangelist, pausing just within the entrance. The basilisk stood, studying the ancient Norman chapel intently — not for the first time, but this was different. The real drama to be staged here would be subtle murder; the chance to strike Gaunt at the heart of his power, to wreak vengeance on those who had brought about the hideous slaughter at the Roundhoop. The basilisk drew a deep breath: that would never be forgotten! This place would be where the dish of vengeance was served. Built so its apse projected out of the south-east corner of the White Tower, the chapel was oval shaped with a recess just close to the door. Here the King could sit enthroned directly opposite the elaborately decorated rood screen depicting the crucified Christ. Above its doorway stood life- sized figures of the Virgin and St John painted in brilliant colours of gold, red, blue and silver. The actual entrance to the rood screen was now filled by a grotesque Hell’s mouth carved in the likeness of the gaping jaws of a fearsome dragon’s head. The face was blood red, its eyes large black pools, the irises a sickly yellow, the parted heavy lips smeared purple, a leather tongue jutting out between sharp white teeth. The basilisk thought this piece of scenery very fitting; a nightmare picture which would dominate the drama played out in front of it. The aisles either side of this rood screen had been curtained off with heavy, silver-powdered damask cloths. The nave of the chapel had been set out with elegant leather-backed chairs; those in the front for Gaunt and his special guests had quilted arm rests. Along either side of the chapel ranged six pillars to represent the twelve apostles with narrow galleries or transepts between these and the outside walls. The gaps between each pillar were now tastefully screened by tapestries of eye-catching colours celebrating the legends of St John and the devotion of the royal family to Christ’s beloved disciple. The figures on the tapestry were all clothed in priestly vestments: rose-coloured chasubles, brilliant blue dalmatics and mauvy-pink amices. The basilisk had seen all this before yet the arrogance of the Plantagenet royal family remained truly breathtaking. The figures were all blond-haired and blue-eyed. St John had been painted likewise as if Gaunt was claiming that the great evangelist was a member of the Plantagenet family. These gorgeous tapestries hung half down; just beneath them stood supper tables, covered in shimmering white damask and groaning under pure gold and silver platters heaped high with deliciously savoury collations for the
