The 616 pieces that form the famous collection of “Nimrud gold,” excavated by the Iraqis in the late 1980s from the tombs of the Assyrian queens at Nimrud, a few miles southeast of Mosul, were saved, but only because the museum had secretly moved them to the subterranean vaults of the Central Bank of Iraq at the time of the first Gulf War. By the time the Americans got around to protecting the bank in 2003, its building was a burned-out shell filled with twisted metal beams from the collapse of the roof and all nine floors under it. Nonetheless, the underground compartments and their contents survived undamaged. On July 3, 2003, a small portion of the Nimrud holdings were put on display for a few hours, allowing a handful of Iraqi officials to see them for the first time since 1990.128
The torching of books and manuscripts in the Library of Korans and the National Library was a historical disaster of the first order. Most of the Ottoman imperial documents and the old royal archives concerning the creation of Iraq were reduced to ashes. According to Humberto Marquez, the Venezuelan author of
Given the black market value of ancient art objects, U.S. military leaders had been warned before the invasion that the looting of all thirteen national museums throughout the country would be a particularly grave danger in the days after they captured Baghdad and took control of Iraq. In the chaos that followed the Gulf War of 1991, vandals had stolen about 4,000 objects from nine different regional museums. In monetary terms, the illegal trade in antiquities is the third most lucrative form of international trade globally, exceeded only by drug smuggling and arms sales.131 Given the richness of Iraq’s past, there are also over 10,000 significant archaeological sites scattered across the country, only some 1,500 of which have been studied. Following the Gulf War, a number of them were illegally excavated and their artifacts sold to unscrupulous international collectors in Western countries and Japan. All this was known to American commanders.
In January 2003, an American delegation of scholars, museum directors, art collectors, and antiquities dealers met with officials at the Pentagon to discuss the forthcoming invasion. They specifically warned that Baghdad’s National Museum was the single most important site in the country. McGuire Gibson of the University of Chicago’s Oriental Institute said, “I thought I was given assurances that sites and museums would be protected.”132 Gibson went back to the Pentagon twice to discuss the dangers, and he and his colleagues sent several e-mail reminders to military officers in the weeks before the war began. However, a more ominous indicator of things to come was reported in the
The main international legal safeguard for historically and humanistically important institutions and sites is The Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict, signed on May 14, 1954. The United States is not a party to that convention, primarily because, during the Cold War, it feared that the treaty might restrict its freedom to engage in nuclear war, but during the 1991 Gulf War the elder Bush’s administration accepted the convention’s rules and abided by a “no-fire target list” of places where valuable cultural items were known to exist.134 UNESCO (United Nations Educational, Scientific and Cultural Organization) and other guardians of cultural artifacts expected the younger Bush’s administration to follow the same procedures in the 2003 war.
Moreover, on March 26, 2003, the Pentagon’s Office of Reconstruction and Humanitarian Assistance (ORHA) headed by Lieutenant General (ret.) Jay Garner, the civil authority the United States had set up for the moment hostilities ceased, sent to all senior U.S. commanders a list of sixteen institutions that “merit securing as soon as possible to prevent further damage, destruction, and/or pilferage of records and assets.” The five-page memo dispatched two weeks before the fall of Baghdad also said, “Coalition forces must secure these facilities in order to prevent looting and the resulting irreparable loss of cultural treasures” and that “looters should be arrested/detained.” First on General Garner’s list of places to protect was the Central Bank of Iraq, which is now a ruin; second was the National Museum of Iraq; sixteenth was the Oil Ministry, one of only two places that U.S. forces occupying Baghdad actually defended (the other was the Interior Ministry). Martin Sullivan, chair of the President’s Advisory Committee on Cultural Property for the previous eight years, and Gary Vikan, director of the Walters Art Museum in Baltimore and a member of the committee, both resigned to protest the failure of Centcom to obey orders. Sullivan said it was “inexcusable” that the museum should not have had the same priority as the Oil Ministry.135
As we now know, the American forces made no effort to prevent the looting of the great cultural institutions of Iraq. Its soldiers, often stationed nearby, simply watched vandals enter and torch the buildings. Professor Said Arjomand, an editor of the journal
Until April 2003, the area around Ur, in the environs of Nasiriyah, was remote and sacrosanct. However, the U.S. military chose the land immediately adjacent to the ziggurat to build its huge Tallil Air Base with two runways, measuring 12,000 and 9,700 feet respectively, and four satellite camps. In the process, military engineers moved more than 9,500 truck-loads of dirt in order to build 350,000 square feet of hangars and other facilities for aircraft and Predator unmanned drones. They completely ruined the area, the literal heartland of human civilization, for any further archaeological research or future tourism. They did, however, erect their own American imperial ziggurats. On October 24, 2003, according to the Global Security Organization, the army and air force “opened its second Burger King at Tallil. The new facility, co-located with [a] ... Pizza Hut, provides another Burger King restaurant so that more service men and women serving in Iraq can, if only for a moment, forget about the task at hand in the desert and get a whiff of that familiar scent that takes them back home.”138
The great British archaeologist Sir Max Mallowan (husband of Agatha Christie), who pioneered the excavations at Ur, Nineveh, and Nimrud, quotes some classical advice that the Americans might have been wise to heed: “There was danger in disturbing ancient monuments.... It was both wise and historically important to reverence the legacies of ancient times. Ur was a city infested with ghosts of the past and it was prudent to appease them.” 139