Diarium of Burchard, by the testimony of the physician who attended him, and by the dispatches of the Venetian, Ferrarese, and Florentine ambassadors. At this time of day it is accepted by all serious historians, compelled to it by the burden of evidence.
The ambassador of Ferrara had written to Duke Ercole, on August 14, that it was no wonder the Pope and the duke were ill, as nearly everybody in Rome was ill as a consequence of the bad air ("Per la mala condictione de aere").
Cardinal Soderini was also stricken with the fever, whilst Corneto was taken ill on the day after that supper- party, and, like Cesare, is said to have shed all the skin of his body before he recovered.
Even Villari and Gregorovius, so unrestrained when writing of the Borgias, discard the extraordinary and utterly unwarranted stories of Guicciardini, Giovio, and Bembo, which will presently be considered. Gregorovius does this with a reluctance that is almost amusing, and with many a fond, regretful, backward glance—so very apparent in his manner—at the tale of villainy as told by Guicciardini and the others, which the German scholar would have adopted but that he dared not for his credit's sake. This is not stated on mere assumption. It is obvious to any one who reads Gregorovius's histories.
Burchard tells us—as certainly matter for comment—that, during his last illness, Alexander never once asked for Cesare nor ever once mentioned the name of Lucrezia. So far as Cesare is concerned, the Pope knew, no doubt, that he was ill and bedridden, for all that the gravity of the duke's condition would, probably, have been concealed from him. That he should not have mentioned Lucrezia—nor, we suppose, Giuffredo—is remarkable. Did he, with the hand of Death already upon him, reproach himself with this paternity which, however usual and commonplace in priests of all degrees, was none the less a scandal, and the more scandalous in a measure as the rank of the offender was higher? It may well be that in those last days that sinful, worldly old man bethought him of the true scope and meaning of Christ's Vicarship, which he had so wantonly abused and dishonoured, and considered that to that Judge before whom he was summoned to appear the sins of his predecessors would be no justification or mitigation of his own. It may well be that, grown introspective upon his bed of death, he tardily sought to thrust from his mind the worldly things that had so absorbed it until the spiritual were forgotten, and had given rise to all the scandal concerning him that was spread through Christendom, to the shame and dishonour of the Church whose champion he should have been.
Thus may it have come to pass that he summoned none of his children in his last hours, nor suffered their names to cross his lips.
When the news of his father's death was brought to Cesare, the duke, all fever-racked as he was, more dead than living, considered his position and issued his orders to Michele da Corella, that most faithful of all his captains, who so richly shared with Cesare the execration of the latter's enemies.
Of tears for his father there is no record, just as at no time are we allowed to see that stern spirit giving way to any emotion, conceiving any affection, or working ever for the good of any but himself. Besides, in such an hour as this, the consciousness of the danger in which he stood by virtue of the Pope's death and his own most inopportune sickness, which disabled him from taking action to make his future secure, must have concerned him to the exclusion of all else.
Meanwhile, however, Rome was quiet, held so in the iron grip of Michele da Corella and the ducal troops. The Pope's death was being kept secret for the moment, and was not announced to the people until nightfall, by when Corella had carried out his master's orders, including the seizure of the Pope's treasure. And Burchard tells us how some of Valentinois's men entered the Vatican—all the gates of which were held by the ducal troops—and, seizing Cardinal Casanova, they demanded, with a dagger at his throat and a threat to fling his corpse from the windows if he refused them, the Pope's keys. These the cardinal surrendered, and Corella possessed himself of plate and jewels to the value of some 200,000 ducats, besides two caskets containing about 100,000 ducats in gold. Thereafter the servants of the palace completed the pillage by ransacking the wardrobes and taking all they could find, so that nothing was left in the papal apartments but the chairs, a few cushions, and the tapestries of the walls.
All his life Alexander had been the victim of the most ribald calumnies. Stories had ever sprung up and thriven, like ill weeds, about his name and reputation. His sins, great and scandalous in themselves, were swelled by popular rumour, under the spur of malice, to monstrous and incredible proportions. As they had exaggerated and lied about the manner of his life, so—with a consistency worthy of better scope—they exaggerated and lied about the manner of his death, and, the age being a credulous one, the stories were such that writers of more modern and less credulous times dare not insist upon them, lest they should discredit—as they do—what else has been alleged against him.
Thus when, in his last delirium, the Pope uttered some such words as: "I am coming; I am coming. It is just. But wait a little," and when those words were repeated, it was straightway asserted that the Devil was the being he thus addressed in that supreme hour. The story grew in detail; that is inevitable with such matter. He had bargained with the devil, it was said, for a pontificate of twelve years, and, the time being completed, the devil was come for him. And presently, we even have a description of Messer the Devil as he appeared on that occasion—in the shape of a baboon. The Marquis Gonzaga of Mantua, in all seriousness, writes to relate this. The chronicler Sanuto, receiving the now popularly current story from another source, in all seriousness gives it place in his Diarii, thus:
"The devil was seen to leap out of the room in the shape of a baboon. And a cardinal ran to seize him, and, having caught him, would have presented him to the Pope; but the Pope said, 'Let him go, let him go. It is the devil,' and that night he fell ill and died."(55)
That story, transcending the things which this more practical age considers possible, is universally rejected; but it is of vast importance to the historical student; for it is to be borne in mind that it finds a place in the pages of those same Diarii upon the authority of which are accepted many defamatory stories without regard to their extreme improbability so long as they are within the bounds of bare possibility.
After Alexander was dead it was said that water boiled in his mouth, and that steam issued from it as he lay in St. Peter's, and much else of the same sort, which the known laws of physiology compel so many of us very reluctantly to account exaggerations. But, again, remember that the source of these stories was the same as the source of many other exaggerations not at issue with physiological laws.
The circumstances of Alexander's funeral are in the highest degree scandalous, and reflect the greatest discredit upon his age.
On the morrow, as the clergy were chanting the Libera me, Domine in St. Peter's, where the body was exposed on a catafalque in full pontificals, a riot occurred, set on foot by the soldiers present for reasons which Burchard—who records the event—does not make clear.
The clerics fled for shelter to the sacristy, the chants were cut short, and the Pope's body almost entirely abandoned.
But the most scandalous happening occurred twenty-four hours later. The Pope's remains were removed to the Chapel of Santa Maria delle Febbre by six bearers who laughed and jested at the expense of the poor corpse, which was in case to provoke the coarse mirth of the lower classes of an age which, setting no value upon human life, knew no respect for death. By virtue of the malady that had killed him, of his plethoric habit of body, and of the sweltering August heat, the corpse was decomposing rapidly, so that the face had become almost black and assumed an aspect grotesquely horrible, fully described by Burchard:
"Factus est sicut pannus vel morus nigerrimus, livoris totus plenus, nasus plenus, os amplissimum, lingua duplex in ore, que labia tota implebat, os apertum et adeo horribile quod nemo viderit unquam vel esse tale dixerit."
Two carpenters waited in the chapel with the coffin which they had brought; but, either through carelessness it had been made too narrow and too short, or else the body, owing to its swollen condition, did not readily fit into this receptable; whereupon, removing the mitre, for which there was no room, they replaced it by a piece of old carpet, and set themselves to force and pound the corpse into the coffin. And this was done "without candle or any light being burned in honour of the dead, and without the presence of any priest or other person to care for the Pope's remains." No explanation of this is forthcoming; it was probably due to the panic earlier occasioned the clergy by the ducal men-at-arms.
The story that he had been poisoned was already spreading like a conflagration through Rome, arising out of the appearance of the body, which was such as was popularly associated with venenation.
But a Borgia in the role of a victim was altogether too unusual to be acceptable, and too much opposed to
