Harry Potter and the Methods of Rationality

come into work and see your colleague kicking his desk. You think, 'what an angry person he must be'. Your colleague is thinking about how someone bumped him into a wall on the way to work and then shouted at him. Anyone would be angry at that, he thinks. When we look at others we see personality traits that explain their behaviour, but when we look at ourselves we see circumstances that explain our behaviour. People's stories make internal sense to them, from the inside, but we don't see people's histories trailing behind them in the air. We only see them in one situation, and we don't see what they would be like in a different situation. So the fundamental attribution error is that we explain by permanent, enduring traits what would be better explained by circumstance and context." There were some elegant experiments which confirmed this, but Harry wasn't about to go into them.

The witch's eyebrows drew up beneath her hat's brim. "I think I understand..." Professor McGonagall said slowly. "But what does that have to do with you?"

Harry kicked the brick wall of the alley hard enough to make his foot hurt. "People think that I saved them from You-Know-Who because I'm some kind of great warrior of the Light."

"The one with the power to vanquish the Dark Lord..." murmured the witch, a strange irony leavening her voice.

"Yes," Harry said, annoyance and frustration warring in him, "like I destroyed the Dark Lord because I have some kind of permanent, enduring destroy-the-Dark-Lord trait. I was fifteen months old at the time! I don't know what happened, but I would suppose it had something to do with, as the saying goes, contingent environmental circumstances. And certainly nothing to do with my personality. People don't care about me, they aren't even paying attention to me, they want to shake hands with a bad explanation." Harry paused, and looked at McGonagall. "Do you know what really happened?"

"I have formed an idea..." said Professor McGonagall. "After meeting you, that is."

"Yes?"

"You triumphed over the Dark Lord by being more awful than he was, and survived the Killing Curse by being more terrible than Death."

"Ha. Ha. Ha." Harry kicked the wall again.

Professor McGonagall chuckled. "Let's get you to Madam Malkin's next. I fear your Muggle clothing may be attracting attention."

They ran into two more well-wishers along the way.

Madam Malkin's Robes had a genuinely boring shopfront, red ordinary brick, and glass windows showing plain black robes within. Not robes that shone or changed or spun, or radiated strange rays that seemed to go right through your shirt and tickle you. Just plain black robes, that was all you could see through the window. The door was propped wide open, as if to advertise that there were no secrets here and nothing to hide.

"I'm going to go off for a few minutes while you get fitted for your robes," said Professor McGonagall. "Will you be all right with that, Mr. Potter?"

Harry nodded. He hated clothes shopping with a fiery passion and couldn't blame the older witch for feeling the same way.

Professor McGonagall's wand came out of her sleeve, tapped Harry's head lightly. "And as you'll need to be clear to Madam Malkin's senses, I am removing the Obfuscation."

"Uh..." Harry said. That did worry him a little; he still wasn't used to the 'Harry Potter' thing.

"I went to Hogwarts with Madam Malkin," McGonagall said. "Even then, she was one of the most composed people I knew. She wouldn't turn a hair if You-Know-Who himself walked into her shop." McGonagall's voice was reminiscent, and very approving. "Madam Malkin won't bother you, and she won't let anyone else bother you."

"Where are you going?" Harry inquired. "Just in case, you know, something does happen."

McGonagall gave Harry a hard look. "I am going there," she said, pointing at a building across the street which showed the sign of a wooden keg, "and buying a drink, which I desperately need. You are to get fitted for your robes, nothing else. I will come back to check up on you shortly, and I expect to find Madam Malkin's shop still standing and not in any way on fire."

Madam Malkin was a bustling old woman who didn't say a word about Harry when she saw the scar on his forehead, and she shot a sharp look at an assistant when that girl seemed about to say something. Madam Malkin got out a set of animated, writhing bits of cloth that seemed to serve as tape measures and set to work examining the medium of her art.

Next to Harry, a pale young boy with a pointed face and awesomecool blonde-white hair seemed to be going through the final stages of a similar process. One of Malkin's two assistants was examining the white-haired boy and the chequerboard-gridded robe he was wearing; occasionally she would tap a corner of the robe with her wand, and the robe would loosen or tighten.

"Hello," said the boy. "Hogwarts, too?"

Harry could predict where this conversation was about to go, and he decided in a split second of frustration that enough was enough.

"Good heavens," whispered Harry, "it couldn't be." He let his eyes widen. "Your... name, sir?"

"Draco Malfoy," said Draco Malfoy, looking slightly puzzled.

"It is you! Draco Malfoy. I - I never thought I'd be so honoured, sir." Harry wished he could make tears come out of his eyes. The others usually started crying at around this point.

"Oh," said Draco, sounding a little confused. Then his lips stretched in a smug smile. "It's good to meet someone who knows his place."

One of the assistants, the one who'd seemed to recognise Harry, made a muffled choking sound.