'I do not think she will,' I said, 'and, of course, if she is not pleasing in some way she may be swiftly brought into line.'
'She is responsive to the quirt?' asked Canka.
'Yes,' I said.
'And to the touch of the master?' he asked.
'Yes,' I said, 'and, as befits a slave, helpless and superbly so.'
'Good,' he said. He then stepped back from the contrite girl, bellying to him, kissing his feet, suing for his forgiveness and mercy.
'Have you firmly resolved to improve your qualities of pleasingness to your master?' I asked.
'Yes, Master,' said the girl, on her stomach.
'With your permission,' I said to Canka.
'Of course,' he said.
'You may not indicate your new attitude toward your master,' I told her.
'Yes, Master,' she said. She then rose to her hands and knees and head down, crawling, entered Canka's lodge.
He looked at me, puzzled.
In a moment she re-emerged from the lodge as she had entered it, crawling, with her head down. Grasping between her small, fine white teeth was the center of a heavy, braided, beaded-handled kaiila quirt. Canka watched, as she, unbidden, brought him the quirt. She lay it at his feet, from her teeth, and then knelt before him, her head down. Her hands were on her thighs. Her knees were widely seperated. This knee position indicated that she knew herself to be a woman held in the deepest and most intimate form of slavery.
'Thus,' I said, 'does she display her new understanding of her condition. Thus does she indicate her new attitued towards her master.'
I saw that Canka approved of what he saw, and well.
'Behold her,' I said, 'a humbled, submitted slave. Her name is Winyela. She is the property of the warrior, Canka, of the Isbu Kaiila.'
'Look up,' said Canka to the girl.
There were tears in her eyes.
'She desires to speak,' I said.
'You may speak,' said Canka.
'I am yours, and I love you, my master,' said the girl. Then she lowered her head.
Canka reached down and picked up the kaiila quirt. Then he indicated, with the quirt, that the girl should enter the intterior of the lodge. She crawled to the lodge, head down.
'I see,' said Canka, 'that you have returned me a better slave than the one I sent you.'
I said nothing.
'I am very pleased.' he said.
'That pleases me,' I said.
'I did not wish to have to kill her,' he said.
'I do not think that will be necessary,' I said. 'I think you will now find that she is a good slave, and that all is in order.'
Canka grinned.
'She is within,' I said. 'She awaits her master.'
'Thank you,' said Canka, '-my friend.'
'It was nothing,' I said, 'my friend.'
Cnaka then entered his lodge. A moment later I heard Winyela crying out, rapturously, doubtless locked in his arms. I had suggested the business of the kaiila quirt to her before we had left Cuwignaka's lodge. I had thought it might please Canka, and give Winyela a way to demonstrate, graphically and meaningfully, unmistakably, that she was now, knew herself to be, and desired not to be other than, the total slave of her master.
I then walked away. As I left, I heard her crying out in ecstasy and heard, too, the uncomporimising, triumphant roars, unrestrained, bestial and victorious, of his ownership of her, a slave, a girl named Winyela, whom I had prepared for his lodge.
Chapter 11
IT IS IN THE TIME OF FESTIVALS
'Canka is extremely pleased,' said Cuwignaka, coming up to me. It was the day following Winyela's disciplining and my delivery of her, suitably informed and improved, to the lodge of Canka.
'I am pleased to hear it,' I said. I was fond of Canka and, too, I supposed, I should be pleased, as I was, in strict fact, his slave, and had had what amounted, as I now understood clearly, to what was a charge, or at least an invitation in the matter.
'He is permitting her a dress of soft tabuk skin,' said Cuwignaka, 'creamy white and soft-tanned, though, to be sure, of slave length. Too, he has given her beads and moccasins. He had braided her hair. He has painted her face, for the time of the feasts.'
'Marvelous,' I said. It is not unusual for a master to care for a slave's hair. Too, they will, upon occasion, groom kaiila and tie streamers and ribbons in their long manes. That he had painted her face was also impressive. Usually, among the Kaiila, it is free women who are permitted face paint, and then, commonly only at times of great festivals. This paint is commonly applied by the woman's mate.
'I have never seen Canka so happy,' said Cuwignaka.
'I am pleased,' I said.
'You should see Winyela,' he said. 'She is joyful, alluring and superb.'
'Excellent,' I said. I was pleased to think that I may have had a handin her transformation. To be sure, I had done little other than to put them together as true master and true slave.
'I, myself,' said Cuwignaka, 'feel the need of a slave.'
'Grunt would be pleased,' I said, 'at your least indication of intrest, to strip Wasnapohdi and put her to your feet.'
'That is true,' said Cuwignaka.
'She is hot and beautiful,' I said.
'I was thinking more of my own slave,' said Cuwignaka.
'You could probably buy one cheaply from the Isanna,' I said. 'They have many sleek-flanked slaves in their girl herds.'
'I was thinking more in terms of a red slave,' said Cuwignaka.
'Doubtless you have considered the warpath,' I said, 'the capture of a girl, the brining of her back, naked and bound, a tether on her neck, running her at the flank of your kaiila.'
'Twice I did not take the warpath,' said Cuwignaka, 'because I had no quarrel with the Feer. It would now seem somewhat hypocritical on my part, would it not, to take the warpath not to deal vengeance and destruction to the enemy, but mearly for my own selfish purposes, to procure a female.'
'Perhaps you are right,' I said. 'How do you feel about kaiila raids?'
'I see littel wrong with them.' said Cuwignaka. 'That is not so much war as it is sport. We raid the Fleer. They raid us. And so it goes.'
'What, then,' I asked, 'about a girl hunt, or a girl raid?'
'Perhaps,' said Cuwignaka. 'That, too, is more in the nature of a sport than anything else.'
I knew that red savages occasionally went on girl raids. To be sure, the kaiila raid was much more common. The exploit marking, painting on the forequarters of a kaiila for captured kaiila, resembles an inverted 'U'. This convention has a heritage, clearly, it seems to me, which traces back to an animal other than the kaiila an animal, indeed, indigenous not to Gor, but to a distant world, one from which came the ancestors of the red savages. It seems clearly to be related not to a pawed, but to a hoofed animal. The usual exploit marking for a captured
