presence of the unusual number of theatrical and carnival troupes now in the city.
Such troupes, incidentally, must petition for the right to perform within a city. Usually a sample performance, or a part of a performance, is required, staged before the high council, or a committee delegated by such a council. Sometimes the actresses are expected to perform privately, being «tested», so to speak, for selected officials. It the troupe is approved it may, for a fee, be licensed.
No troupe is permitted to perform within city unless it has a license. These licenses usually run for the five days of a Gorean week. Sometimes they are for a specific night or a specific performance. Licenses are commonly renewable, within a given season, for a nominal fee. In connection with the fees for such matters, it is not uncommon that bribes are also involved. This is particularly the case when small committees are involved in the approvals or given individuals, such as a city's Entertainment Master or Master of Revels. There is little secret, incidentally, about the briberies involved. There are even fairly well understood bribery scales, indexed to the type of troupe, its supposed treasury, the number of days requested for the license, and so on. These things are so open, and so well acknowledged, that perhaps one should think of them more as gratuities or service fees than as bribes. More than one Master of Revels regards them as an honest perquisite of his office.
The woman struggled in the grip of the guards. She stamped her foot again. 'Tell these boorish ruffians to unhand me!' she demanded.
I, too, now, looked up.
her eyes flashed at Samos, over her veil. Then they looked angrily at me, too. 'Now!' she demanded.
Samos nodded to the guards, scarcely moving his head.
'That is better!' she said, jerking angrily away from the guards, as though she might have freed herself, had she chosen to do so. She angrily smoothed down her long, silken, capelike sleeves. I caught a glimpse of her sweetly rounded forearm and small wrist. She wore white gloves.
'This is an outrage!' she said. Se wore tiny, golden slippers. Her robes of concealment, silken and flowing, shimmered in the torchlight. She adjusted the draping of the garment, an almost inadvertent, unconscious movement, a natural vanity.
'What is the meaning of this?' she demanded. 'I demand my immediate freedom!'
One of the slave girls, one kneeling a few feet away, before us and to our right, at a table, one of those who was naked, save for her collar, laughed. Then she turned white with fear. She had laughed at a free woman. Samos turned to a guard and pointed at the offending slave. 'Fifteen lashes,' he said. The girl shook her head in misery. She whimpered with terror. These would be lashes, she knew, with a Gorean slave whip. It is an efficient instrument for disciplining women.
The blows were delivered with suitable force, with authority, but in an evenly spaced, measured fashion. There was nothing personal, or emotional, in the beating. It was almost like a natural force or a clockwork of nature. There was enough time between the strokes to allow her to feel each one individually and fully, and enhance, maximizing, the irradiations of its predecessors, enough time for her, in the fullness of her pain, imagination and terror, to prepare herself for, and anticipate, fearfully and acutely, the next blow. It was not much of a beating, of course. She had erred. She was being punished. Then she was lying on her belly, on the tiles, the beating over. She did not even dare to move her body, for the pain. Samos had been rather merciful with her, I thought. If he had been truly displeased with her, he might have had her fed to sleen.
We now returned our attention to the woman in the silken, shimmering robes of concealment, standing before our table. her eyes were apprehensive, over her veil. I could see that the beating of the female slave had had its effect on her. She was breathing deeply. Her breasts, rising and falling, moved nicely under the silk.
'May I present,' inquired Samos, 'Lady Rowena, of Lydius?'
I inclined my head. 'Lady,' said I, acknowledging the introduction. To a free woman considerable deference is due, particularly to one such as the Lady Rowena, one obviously, at lest hitherto, of high station.
She inclined her head to me, and then lifted it, acknowledging my greeting.
Lydius is a bustling, populous trade center located at the estuary of the Laurius River. Many cities maintain warehouses and small communities in Lydius. Many goods, in particular wood, wood products, and hide, make their way westward on the Laurius, eventually landing at Lydius, later to be embarked to the south on the ships of various cities, lines and associations. The population of Lydius, as one might expect, is a mixed one, consisting of individuals of various races and backgrounds.
The woman drew herself up to her full height. She looked at Samos, angrily. 'What is the meaning of my presence here?' she demanded.
'Lady Rowena is of the merchants,' said Samos to me. 'The ship on which she had passage, enroute from Lydius to Cos, was detained by two of my rovers. Her captain kindly consented to a transfer of cargo.'
'What is the meaning of my presence here?' repeated the woman, angrily.
'Surely you are aware of the time of year?' inquired Samos.
'I do not understand,' she said. 'Where are my maidens?'
'In the pens,' said Samos.
'The pens?' she gasped.
'Yes,' said Samos. 'But do not fear for them. They are perfectly safe-in their chains.'
Slavers remain active all year on Gor, but the peak seasons for slaving are the spring and early summer. This has to do with such matters as the weather, and the major markets associated with certain feasts and holidays, for example, the Love Feast in Ar, which occurs in the late summer, occupying the full five days of the Fifth Passage Hand. Also, during these seasons, of course, occur the great markets associated with the fairs of En'Kara and En'Var. These are the two major seasonal markets on Gor, exceeding all others in the volume of women processed.
'Chains?' she whispered. She shrank back, her hand at her breast.
'Yes,' said Samos.
'I was hooded,' she said. 'I do not even know where I am.'
'You are in Port Kar,' he said.
She staggered. I feared she might faint.
'Who are you?' she whispered.
'Samos,' said he, 'first slaver of Port Kar.'
She shuddered with misery. A tiny moan escaped her. I saw she had heard of Samos, of Port Kar. 'What hope have I?' she asked.
'None,' said Samos. 'Remove your veil.'
'Make my maidens slaves,' she said. 'They are good for little else. But I am a free woman!'
'Do you think you are better than they?' asked Samos.
'Yes,' she said.
'You are no different from them,' he said. 'you, too, are only a female.'
'No!' she cried.
'Remove your veil,' he said.
'I am too beautiful to be a slave,' she said.
'Your veil,' said Samos, gently. She was, after all, a free woman.
Some of the slave girls, some naked, some scantily clad, looked at one another. Had they so dallied in their compliance, hesitating perhaps even an instant in their immediate and absolute obedience, serious punishments would doubtless have been theirs. They were, of course, only slaves.
'Please, no,' said Lady Rowena.
'You are my prisoner,' said Samos. 'Doubtless you are aware that you could be stripped absolutely naked at my slightest word.'
She put her hands to the veil and, delicately, unpinned it, dropping it to the side.
'Brush back your hood,' said Samos.
She did so and, putting back her head, drew forth and freed, with both hands, long, golden tresses, which she arranged before her. They were in two plaits, one before each shoulder; they hung almost to her knees.
'Unbind your hair,' said Samos.
She unplaited her hair and, with her head down, shook it loose, and smoothed it. She then, again, lifted her head.
'Put your hair behind your back,' said Samos.
