defeated my armies and took me and stripped me and bound me naked across the saddle of his bird and then, with a great cry, he carried me to his city, and there I, once proud Tatrix of Tharna, wore his brand and collar.'
'Do not fear these dreams,' I said.
'And in his city,' said the girl, her eyes bright, 'he put bells upon my ankles and dressed me in dancing silk. I had no choice you understand. i must do as he wished. And when I could dance no more he took me in his arms and like a beast forced me to serve his pleasure.'
'It was a cruel dream,' I said.
She laughed, and her face burned with shame. 'No,' she said, 'it was not a cruel dream.'
'I don' t understand,' I said.
'In his arms I learned what Tharna could not teach. In his arms I learned to share the flaming splendour of his passion. In his arms I learned mountains and flowers and the cry of wild tarns and the touch of a larl' s claw. For the first time in my life my senses were kindled — for the first time I could feel the movements of clothing on my body, for the first time I noticed how an eye opens and what, truly, is the feel of a hand' s touch — and I knew then that I was no more nor less than he or any other living creature and I loved him!'
I said nothing.
'I would not,' she said, 'have given up his collar for all the gold and silver in Tharna, not for all the stones of her grey walls.'
'But you were not free in this dream,' I said.
'Was I free in Tharna?' she asked.
I stared down at the intricate pattern on the rug, not speaking. 'Of course,' she said, 'as one who wore the mask of Tharna I put this dream from me. I hated it. It terrified me. It suggested to me that I, even the Tatrix, might share the unworthy nature of the beast.' She smiled. 'When I saw you, Warrior, I thought that you might be the warrior of this dream. So it was I hated you and wanted to destroy you because you threatened me and all that I was, and at the same time I hated you I feared you, and I desired you.'
I looked up, surprised.
'Yes,' she said. 'I desired you.' Her head fell and her voice became almost inaudible. 'Though I was Tatrix of Tharna,' she said, 'I wanted to lie at your feet on the scarlet rug. I wanted to be bound with yellow cords.' I recalled that she had said something of a rug and cords in the council chamber of Tharna, when she had seemed consumed with rage, when it seemed she wanted to lash the flesh from my bones.
'What is the significance of the rug and cords?' I asked.
'In ancient days, in Tharna,' said Lara, 'things were different than they are today.'
And then, in the slaver' s tent, Lara, who had been Tatrix of Tharna, told me something of the strange history of her city. In the beginning Tharna had been much as other cities of Gor, in which women were too little regarded and enjoyed too few rights. In those days it had been a portion of the Rites of Submission, as practiced in Tharna, to strip and bind the captive with yellow cords and place her on a scarlet rug, the yellow of the cord being symbolic of talenders, a flower often associated with feminine love and beauty, the scarlet of the rug being symbolic of blood, and perhaps of passion.
He who had captured the girl would place his sword to her breast and utter the ritual phrases of enslavement. They were the last words she would hear as a free woman.
Weep, Free Maiden.
Remember your pride and weep.
Remember your laughter and weep.
Remember you were my enemy and weep.
Now you are my helpless captive.
Remember you stood against me.
Now you lie at my feet.
I have bound you with yellow cords.
I have placed you on the scarlet rug.
Thus by the laws of Tharna do I claim you.
Remember you were free.
Know now you are my slave.
Weep, Slave Girl.
At this point the captor would untie the girl' s ankles and complete the rite. When she rose from the rug to follow him, she was, in his eyes and hers, a slave.
Over a period of time this cruel practice fell into disuse and the women of Tharna came to be more reasonably and huamenly regarded. Indeed, through their love and tenderness, they taught their captors that they, too, were worthy of respect and affection. And, of course, as the captors came gradually to care for their slaves, the desire to subjugate them became less, for few men long desire to subjugate a creature for whom they genuinely care, unless perhaps it be they fear to lose her should she be free.
Yet as the status of women became more ennobled and less clearly defined the subtle tensions of dominance and submission, instinctual throughout the animal world, tended to assert themselves.
The balance of mutual regard is always delicate and, statistically, it is improbable that it can long be maintained throughout an entire population. Accordingly, gradually exploiting, perhaps unconsciously, the opportunities afforded by the training of children and the affections of their men, the women of Tharna improved their position considerably over the generations, also adding to their social power the economic largesse of various funds and inheritances.
Eventually, largely via the conditioning of the young and the control of education, those superiorities which the female naturally possesses came to be enlarged on at the expense of those possessed by the male. And just as in our own world it is possible to condition entire populations to believe what is, from the standpoint of another population, incomprehensible and absurd, so in Tharna both the men and the women came eventually to believe the myths or the distortions advantageous to female dominance. Thus it was, gradually and unnoticed, that the gynocracy of Tharna came to be established, and honoured with the full weight of tradition and custom, those invisible bonds heavier than chains because they are not understood to exist.
Yet this situation, socially viable though it might be for generations, is not one truly productive of human happiness. Indeed, it is not altogether clear that it is preferable to the male dominated ethos of most Gorean cities, which, too, surely has its unfortunate side. In a city such as Tharna the men, taught to regard themselves as beasts, as inferior beings, seldom develop the full respect for themselves essential to true manhood. But even more strangely the women of Tharna do not seem content under the gynocracy. Although they despise men and congratulate themselves on their more lofty status it seems to me that they, too, fail to respect themselves. Hating their men they hate themselves.
I have wondered sometimes if a man to be a man must not master a woman and if a woman to be a woman must not know herself mastered. I have wondered how long nature' s laws, if laws they are, can be subverted in Tharna. I have sensed how a man in Tharna longs to take the mask from a woman, and I have suspected how much a woman longs for her mask to be taken. Should there ever be a revoultion in the ways of Tharna I would pity her women — at least at first — for they would be the object of the pent-up frustrations of generations. If the pendulum should swing in Tharna, it would swing far. Perhaps even to the scarlet rug and yellow cords. Outside the tent we heard Targo' s voice.
To my surprise Lara dropped to her knees, placing them in the position of a Pleasure Slave, and dropped her head submissively.
Targo burst into the tent carrying a small bundle and approvingly noted the girl' s posture.
'Well, Master,' he said, 'it seems with you she learns quickly.' He beamed up at me. 'I have cleared my records. She is yours.' He thrust the bundle into my hands. It was a folded camisk, and in its folds was a collar. 'A token of my appreciation of your business,' said Targo. 'There will be no extra charge.'
I smiled to myself. Most professional slavers would have furnished far more. I noted that Targo did not even furnish the customary slave livery of Gor but merely a camisk, which had clearly been worn before.
Targo then dug into the pouch which he wore at his side and held out two yellow cords, about eighteen inches apiece. 'I noted by the blue helmet,' he said, 'that you were of Tharna.'
'No,' I said, 'I am not of Tharna.'
